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90 stories by "Roy Maurer"

Review: Timon of Athens. Simon Godwin's vivification rescues one of Shakespeare's minor plays by Roy Maurer

Shakespeare Theatre Company Artistic Director Simon Godwin's choice of directorial debut wasn't a stretch. Godwin's newly minted tenure at STC begins with a vivid and zesty restaging of his …

SOURCE: DC Theatre Scene at 2:36pm on February 27, 2020[SHARE]

Review: Next to Normal, a triumphant performance and all-out production can't mask a generic score by Roy Maurer

On the positive side, there's nothing "scaled down" about the Kennedy Center's latest Broadway Center Stage series presentation of Brian Yorkey and Tom Kitt's 2008 steamrolling tearjerker Ne…

SOURCE: DC Theatre Scene at 4:36pm on February 1, 2020[SHARE]

Review: The Curious Incident of the Dog in the Night-Time at Round House Theatre by Roy Maurer

The big takeaway from The Curious Incident of the Dog in the Night-Time is the glimpsed exposure to what goes through the mind of a special person"in this case someone with an autism spectru…

SOURCE: DC Theatre Scene at 11:42am on November 29, 2019[SHARE]

Review: Conor McPherson's confessional Port Authority from Quotidian Theatre by Roy Maurer

A doleful ballad fittingly eases you into Quotidian Theatre Company's (QTC's) lovingly rendered production of Conor McPherson's Port Authority. Three generations of Irishmen then introduce t…

SOURCE: DC Theatre Scene at 11:36am on October 31, 2019[SHARE]

Review: Fences at Ford's Theatre by Roy Maurer

The staging of August Wilson's Pulitzer Prize and Tony Award-winning Fences at Ford's Theatre seemed made-to-order for a grand slam home run. The memorable backyard drama of father and son a…

SOURCE: DC Theatre Scene at 7:12pm on October 7, 2019[SHARE]

Review: Jitney at Arena Stage by Roy Maurer

Director Ruben Santiago-Hudson's restaging of his 2017 Broadway production of Jitney at Arena Stage"bringing to town much of the design team and several of the actors"is a terrific kickoff t…

SOURCE: DC Theatre Scene at 12:54pm on September 23, 2019[SHARE]

Review: Sondheim's Assassins at Signature Theatre. Something just broke. by Roy Maurer

There are so many weirdly gleeful moments stuffed in Assassins, composer-lyricist Stephen Sondheim and book writer John Weidman's darkly comic and brilliant musical vaudeville exposing the a…

SOURCE: DC Theatre Scene at 5:12pm on August 27, 2019[SHARE]

Review: The Mollusc from Quotidian Theatre by Roy Maurer

Over 100 and some years ago, The Mollusc was the best-known work of an Englishman considered to be in affinity with the likes of Oscar Wilde. About 10 years ago, my colleague at DC Theatre S…

SOURCE: DC Theatre Scene at 1:33pm on July 17, 2019[SHARE]

Review: Falsettos, the Lincoln Center tour at The Kennedy Center by Roy Maurer

I guess I just don't get Falsettos. The Tony Award® winning musical may have been fresh at its 1992 Broadway debut"it's mainstream depiction of gay couples was certainly trailblazing"but …

SOURCE: DC Theatre Scene at 9:03am on June 18, 2019[SHARE]

Review: The Children at Studio Theatre by Roy Maurer

Admittedly, the synopsis for the dystopian kitchen-sink drama The Children at Studio Theatre didn't tremendously excite me initially, notwithstanding the interest in acclaimed British playwr…

SOURCE: DC Theatre Scene at 12:54pm on May 9, 2019[SHARE]

Review: Into the Woods. Enchantment and enlightenment await at Ford's Theatre by Roy Maurer

Enchantment awaits those who enter Into the Woods, Stephen Sondheim's wildly inventive, darkly comic thicket of life lessons sprung from children's fairy tales in a new revival at Ford's The…

SOURCE: DC Theatre Scene at 11:44am on March 23, 2019[SHARE]

Review: Richard the Third, David Muse's grisly version at Shakespeare Theatre Company by Roy Maurer

Director David Muse's Richard the Third is clearly rendered, scored to propulsive industrial rock and sets itself apart from previous productions by a series of grisly execution scenes, b…

SOURCE: DC Theatre Scene at 10:48am on February 15, 2019[SHARE]

School of Rock: The Musical review by Roy Maurer

I normally don't like dumb movies of the kind in which the actor Jack Black has made a conspicuous brand. But School of Rock, the sleeper hit from 2003, wasn't that dumb"it was funny and swe…

SOURCE: DC Theatre Scene at 9:42am on January 21, 2019[SHARE]

Review: David Ives' The Panties, the Partner and the Profit disappoints by Roy Maurer

The streak is broken. Playwright David Ives' winning series of brilliant, hilarious "transladaptations" performed at the Shakespeare Theatre Company (STC) over the last decade ground to a cr…

SOURCE: DC Theatre Scene at 12:54pm on December 14, 2018[SHARE]

Review: Anything Goes. stylish, silly musical serves up Cole Porter's de-lightful music by Roy Maurer

The revival of Cole Porter's 1934 madcap romp Anything Goes at Arena Stage manages to be everything that it can be"an anachronism, tiresomely silly and outright dumb in places, but also the …

SOURCE: DC Theatre Scene at 7:06pm on November 16, 2018[SHARE]

Review: Pulitzer Prize winner Silent Night from Washington National Opera by Roy Maurer

As I write this, leaders from around the world are marching down the Champs-Élysées in Paris under a canopy of umbrellas in the rain, gathered to commemorate the 100th anniversary of th…

SOURCE: DC Theatre Scene at 12:18pm on November 13, 2018[SHARE]

Review: Sondheim's Passion. Signature's ravishing production by Roy Maurer

Actress Natascia Diaz's bold performance breathes transformative life into Fosca"one of musical theater's most remarkable creations"in Signature Theatre's resplendent revival of Stephen Sond…

SOURCE: DC Theatre Scene at 7:06am on August 27, 2018[SHARE]

Jennifer Mendenhall on her first play, #poolparty by Roy Maurer

In 2015 the president of Prince George's Community Pool in Mt. Rainier, Md., discovered copies of decades-old correspondence between pool officials and Raymond Bowlding, a local black man, w…

SOURCE: DC Theatre Scene at 12:42pm on June 27, 2018[SHARE]

Review: Other Life Forms at Keegan Theatre by Roy Maurer

Other Life Forms, local actor and playwright Brandon McCoy's new play, is likable"sweet, goofy and well-intentioned"but still needs a lot of work to have any lasting impact. The comic curios…

SOURCE: DC Theatre Scene at 11:48am on June 21, 2018[SHARE]

Review: The Remains at Studio Theatre by Roy Maurer

Playwright Ken Urban's absorbing new play starts strong and keeps you hooked during most of its snappy real-time runtime before slogging down in a closing exhalation and then abruptly coming…

SOURCE: DC Theatre Scene at 11:36am on May 23, 2018[SHARE]

Waitress star Desi Oakley talks about playing Jenna and her favorite pie by Roy Maurer

Broadway actress and singer-songwriter Desi Oakley is over 200 performances in on the national tour of the fan-favorite musical Waitress, now at The National Theatre. She plays the lead r…

SOURCE: DC Theatre Scene at 1:54pm on May 16, 2018[SHARE]

Review: August Wilson's Two Trains Running at Arena Stage by Roy Maurer

Seeing Two Trains Running at Arena Stage marks the halfway point of my consummation of playwright August Wilson's decalogue of dramas expressing the 20th century black experience in America.…

SOURCE: DC Theatre Scene at 12:30pm on April 9, 2018[SHARE]

In the Heights makes a brief stop at the Kennedy Center (review) by Roy Maurer

Referenced more now as "the first show from the guy behind Hamilton," the decade-old In the Heights created by current cultural darling Lin-Manuel Miranda burst spirited and joyful during it…

SOURCE: DC Theatre Scene at 8:19am on March 26, 2018[SHARE]

Aaron Sorkin's The Farnsworth Invention (review) by Roy Maurer

The Farnsworth Invention, showbiz writer Aaron Sorkin's misfired attempt to retrofit a screenplay about the patent battle over television transmission into a stage drama was a dud when it op…

SOURCE: DC Theatre Scene at 2:44pm on February 19, 2018[SHARE]

The Wolves at Studio Theatre (review) by Roy Maurer

Much of the fumbling journey of growing up as a teenager is done around other teenagers, not parents or other adults, at least in my experience. And the essence of that pubescent collective …

SOURCE: DC Theatre Scene at 10:55am on January 24, 2018[SHARE]
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