The stage fills up quickly, with musicians and characters feeling the music and the beat of the Buena Vista Social Club. The bodies flow like waves coming in from the Gulf of Mexico (and no …
The Broadway Theatre Review: Broadway's Buena Vista Social Club By Ross The stage fills up quickly, with musicians and characters feeling the music and the beat of the Buena Vista Social Clu…
Against the rotating cackling and chattering of New Orleans, this riveting, electric, and thoughtfully pounding A Streetcar Named Desire squares itself off, finding its way up into that pseu…
Those first "525,600 minutes, 525,000 moments so dear. 525,600 minutes " how do you measure..." measure the beautiful feeling that overwhelms the soul when we first hear that melody fill the…
Drums, manned from above the ring, summon those willing to step forward into the circle with pride and purpose. This is the sacred world of the Sumo and, deep inside this play, the complex i…
The Off-Broadway Theatre Review: The Public Theater's Sumo By Ross Drums, manned from above the ring, summon those willing to step forward into the circle with pride and purpose. This is the…
It begins with a radio broadcast straight out of every World War II movie in existence, with England standing firm against the onslaught of German forces taking over Europe. These pinstriped…
"I hate camp." A plea made in the first few moments of the sentimental charmer written lovingly by playwright(er) Matthew Lombardo (Looped; High). It's a clarifying statement almost every ga…
The Off-Broadway Theatre Review: A Streetcar Named Desire at BAM By Ross Against the rotating cackling and chattering of New Orleans, this riveting, electric, and thoughtfully pounding A Str…
A quiet flies fast over the excited crowds that have gathered in downtown NYC at the Lucille Lortel Theatre, as Andrew Scott (Veracity Digital's Sea Wall the Film) saunters out, flicki…
The Off-Broadway Theatre Review: The Jonathan Larson Project By Ross Those first "525,600 minutes, 525,000 moments so dear. 525,600 minutes " how do you measure..." measure the beautiful fee…
The Broadway Theatre Review:Â Operation Mincemeat By Ross It begins with a radio broadcast straight out of every World War II movie in existence, with England standing firm against the ons…
The third time's a charm, I guess, as this condensed new adaptation by Mark O'Rowe ("Normal People") attempts to get underway on the Mitzi E. Newhouse stage at Lincoln Center Theater. The ca…
The Off-Broadway Theatre Review: Conversations with Mother By Ross "I hate camp." A plea made in the first few moments of the sentimental charmer written lovingly by playwright(er) Matthew L…
It's a thoroughly clever initial engagement that ignites Rajiv Joseph's fascinating journey through a story within a story, a time within a time, where all is said to be true, but with numer…
The Off-Broadway Theatre Review: Vanya By Ross A quiet flies fast over the excited crowds that have gathered in downtown NYC at the Lucille Lortel Theatre, as Andrew Scott (Veracity Digital'…
The Off-Broadway Theatre Review: MTC's Dakar 2000 By Ross It's a thoroughly clever initial engagement that ignites Rajiv Joseph's fascinating journey through a story within a story, a time w…
The Off-Broadway Theatre Review: Henrik Ibsen's Ghosts at the Lincoln Center Theater By Ross The third time's a charm, I guess, as this condensed new adaptation by Mark O'Rowe ("Normal Peopl…
"Do better," one of the young women states, emphatically to another, as they gather around a hypnotically oblong table for their last full-on All Nighter in the last week of their last year …
The Off-Broadway Theatre Review: Natalie Margolin's All Nighter By Ross "Do better," one of the young women states, emphatically to another, as they gather around a hypnotically oblong table…
They gather together around a long split white table, filled to overflowing with black sound props and four microphones, wired up to the ceiling for amplification and effect. The crew of fiv…
The actual, full title is a meaningful mouthful, much like the play, and as There is Violence and there is Righteous Violence and there is Death or, The Born-Again Crow gets underway, we rea…
The Toronto Theatre Review: Buddies in Bad Times/Native Earth Performing Arts' The Born-Again Crow By Ross (Mohawk/Scottish) The actual, full title is a meaningful mouthful, much like the pl…
The piano plays a sweet arrangement as the shadows dance behind the gentle white draping, courtesy of scenic & costume designer Ting-Huan æŒºæ¡ Christine Urquhart (Tarragon's Cock…
The Toronto Theatre Review: Red Snow Collective's Carried by the River By Ross The piano plays a sweet arrangement as the shadows dance behind the gentle white draping, courtesy of scenic &a…