Feeling both flattered and insulted at the same time, Jonathan Wilson (My Own Private Oshawa), writer and performer of Studio 180 Theatre's A Public Display of Affection, makes his way to ce…
Frontmezzjunkies reports: 40th Annual Lucille Lortel Award Nominations Announced Nominations for the 40th Annual Lucille Lortel Awards " the only New York theatre award to exclusively honor …
There is a slow buzz swarming around the Helen Hayes Theater, and the feeling of tension and a certain kind of stinging danger fills the air. There's a warning given by our guide, the 'weird…
Frontmezzjunkies Reports: Tarragon Theatre's 2025/26 Season April 3, 2025, TORONTO " Artistic Director Mike Payette and Executive Director Lisa Li are proud to announce Tarragon …
An Acton NY Theater Review: The Firebird Project's Frankenstein; Or A Modern Prometheus By Acton A compact theater space becomes an icy sea in an instant, as director Zoe Senese-Grossberg's …
The Toronto Theatre Review: Riot King's Red By Ross Beautiful classical music floats in, transporting us to New York City in 1958, where a cigarette is lit in the dark, illuminating and draw…
The Toronto Theatre Review: Studio 180 Theatre's A Public Display of Affection By Ross Feeling both flattered and insulted at the same time, Jonathan Wilson (My Own Private Oshawa), writer a…
The Broadway Theatre Review: Steppenwolf Theatre Company's Purpose By Ross There is a slow buzz swarming around the Helen Hayes Theater, and the feeling of tension and a certain kind of stin…
The stage fills up quickly, with musicians and characters feeling the music and the beat of the Buena Vista Social Club. The bodies flow like waves coming in from the Gulf of Mexico (and no …
The Broadway Theatre Review: Broadway's Buena Vista Social Club By Ross The stage fills up quickly, with musicians and characters feeling the music and the beat of the Buena Vista Social Clu…
Against the rotating cackling and chattering of New Orleans, this riveting, electric, and thoughtfully pounding A Streetcar Named Desire squares itself off, finding its way up into that pseu…
Those first "525,600 minutes, 525,000 moments so dear. 525,600 minutes " how do you measure..." measure the beautiful feeling that overwhelms the soul when we first hear that melody fill the…
Drums, manned from above the ring, summon those willing to step forward into the circle with pride and purpose. This is the sacred world of the Sumo and, deep inside this play, the complex i…
The Off-Broadway Theatre Review: The Public Theater's Sumo By Ross Drums, manned from above the ring, summon those willing to step forward into the circle with pride and purpose. This is the…
It begins with a radio broadcast straight out of every World War II movie in existence, with England standing firm against the onslaught of German forces taking over Europe. These pinstriped…
"I hate camp." A plea made in the first few moments of the sentimental charmer written lovingly by playwright(er) Matthew Lombardo (Looped; High). It's a clarifying statement almost every ga…
The Off-Broadway Theatre Review: A Streetcar Named Desire at BAM By Ross Against the rotating cackling and chattering of New Orleans, this riveting, electric, and thoughtfully pounding A Str…
A quiet flies fast over the excited crowds that have gathered in downtown NYC at the Lucille Lortel Theatre, as Andrew Scott (Veracity Digital's Sea Wall the Film) saunters out, flicki…
The Off-Broadway Theatre Review: The Jonathan Larson Project By Ross Those first "525,600 minutes, 525,000 moments so dear. 525,600 minutes " how do you measure..." measure the beautiful fee…
The Broadway Theatre Review:Â Operation Mincemeat By Ross It begins with a radio broadcast straight out of every World War II movie in existence, with England standing firm against the ons…
The third time's a charm, I guess, as this condensed new adaptation by Mark O'Rowe ("Normal People") attempts to get underway on the Mitzi E. Newhouse stage at Lincoln Center Theater. The ca…
The Off-Broadway Theatre Review: Conversations with Mother By Ross "I hate camp." A plea made in the first few moments of the sentimental charmer written lovingly by playwright(er) Matthew L…
It's a thoroughly clever initial engagement that ignites Rajiv Joseph's fascinating journey through a story within a story, a time within a time, where all is said to be true, but with numer…
The Off-Broadway Theatre Review: Vanya By Ross A quiet flies fast over the excited crowds that have gathered in downtown NYC at the Lucille Lortel Theatre, as Andrew Scott (Veracity Digital'…
The Off-Broadway Theatre Review: MTC's Dakar 2000 By Ross It's a thoroughly clever initial engagement that ignites Rajiv Joseph's fascinating journey through a story within a story, a time w…