757 stories by "Ross"
Cracking the world wide open, Martyna Majok's Queens, the superb off-Broadway production from Manhattan Theatre Club at New York City Center, unfolds like a memory broken apart under pressur…
Frontmezzjunkies reviews: Horrorshow Productions' Sweeney Todd By Ross "How it shines in the light," one might sing out once Horrorshow Productions' Sweeney Todd, The Demon Barber of Fleet S…
The Off-Broadway Theatre Review: RadioTheatre's Edgar Allan Poe Festival By Acton On a perfectly dark and dreary evening, we venture down a cramped stairway into the crypt-like basement Unde…
Frontmezzjunkies Reports on The Revival of Arthur Miller's Death of a Salesman By Ross Arthur Miller's Death of a Salesman is heading back to Broadway next spring, and the announcement alone…
The Toronto Theatre Review: The Unauthorized Hallmark(ish) Parody Musical! By Ross With a sleighful of holiday cheer and a sardonic wink as wide as a big merger in the big city, The Unauthor…
The Toronto Theatre Review: Public Consumption at Factory Theatre By Ross A lone figure stands sealed inside a bright, sharp square of light, their rhythmic, sensual movements unfolding l…
The Toronto Theatre Review: Bijuriya By Ross An elegant, statuesque figure stands before us, moving with the fluid precision of a poem in motion, shifting from the art of lip-syncing to some…
Frontmezzjunkies Reports: Here For Now Announces Their 2026 Season I only started wandering into Here For Now's productions this past summer in Stratford, but it took about ten minutes for m…
The Off-Broadway Theatre Review: MTC's Queens By Ross Cracking the world wide open, Martyna Majok's Queens, the superb off-Broadway production from Manhattan Theatre Club at New York City Ce…
The Toronto Theatre Review: Canadian Stage's Robin Hood: A Very Merry Family Musical By Ross Inside the Elgin Winter Garden Theatre on a cold December eve, the air feels electric with mischi…
A Frontmezzjunkies Film Review: The History of Sound By Ross "My father said it was a gift from God. How I could see music. I thought everyone could see sound." These are the first lines spo…
The Toronto Theatre Review: Kanika Ambrose's Moonlight Schooner By Ross A ship and its crew at sea trying to survive a storm is a powerfully terrifying and engaging beginning of almost any p…
The Broadway Theatre Review: Little Bear Ridge Road By Ross The shadow of an overhead fan engulfs the space with its stark rhythm and cold lines. It fits perfectly alongside a shiny plastic …
The Ontario Theatre Review: Disney's Frozen at the Grand Theatre, London By Ross There is a particular kind of magic in seeing Disney's Frozen in the theatre, one that depends as much on who…
The Toronto Theatre Review: Jinkx & DeLa Holiday Show By Ross The Jinkx & DeLa Holiday Show returned to Toronto like a glitter-dusted snowstorm of chaos, sequins, and unexpected sinc…
Frontmezzjunkies reports: Theatrical Release of Chloé Zhao's "Hamnet." By Ross "From the first image of Agnes curled against her mother's tree, Hamnet casts a spell that never lets go." Chl…
The Off-Broadway Theatre Review: Public Theater's The Seat of Our Pants By Ross There's something extravagantly delightful and frankly miraculous about watching a show fully understand the i…
The Shaw Festival Theatre Review: Irving Berlin's White Christmas By Ross After strolling the Christmas-adorned streets of Niagara-on-the-Lake, with piped-in carols ushering us along those b…
There are plays that you see, and there are plays that change you. And then, there's The Laramie Project, a work of theatre so human, so painfully true, it becomes part of your bloodstream. …
The Toronto Theatre Review: Coal Mine Theatre's Fullfillment Centre By Ross Something deeply uncomfortable is happening inside the Coal Mine Theatre in Toronto, an unease that truly is the h…
The Toronto Theatre Review: debbie tucker green's a profoundly affectionate, passionate devotion to someone (-noun) at Tarragon's Mainspace By Ross With no apologies, debbie tucker green's a…
The Toronto Theatre Review: Dandelion Theatre's An Orchid and Other Such Lilies and Lies By Ross Truth be told, I love going to the Red Sandcastle Theatre on Queen Street East in Toronto bec…
The Toronto Theatre Review: b current, Crow's Theatre, and Studio 180's The Christmas Market By Ross Caribbean music slides into the space, playing up against all the frivolities of the holi…
The Broadway Theatre Review: Two Strangers (Carry a Cake Across New York) By Ross Two Strangers (Carry a Cake Across New York) arrives on Broadway with the kind of gentle confidence that fee…
The Broadway Theatre Review: Oedipus on Broadway By Ross The moment that Mark Strong's handsome frame fills that massive opening screen, a sensation passes through Broadway's Studio 54 Theat…
