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126 stories by "Rosalind Lacy"

Amarillo by Rosalind Lacy

It’s a hot-button topic. What are borders anyway? Who draws these boundaries in the sand? Migrant workers crossing over from Mexico to the United States, often  family men, continue…

SOURCE: DC Theatre Scene at 12:04pm on November 4, 2012

Cartas de las Golondrinas (Letters From the Swallows) by Rosalind Lacy

The play’s title is allegorical. Emigrants, like the migratory birds, the swallows, move away from their native birthplace but carry within a deep instinctive longing for their homelan…

SOURCE: DC Theatre Scene at 2:34pm on October 28, 2012

Jesus Christ / Jesucristo by Rosalind Lacy

“My Lord, why have you abandoned me?” cries Jesus, his last words from his heart that rock our souls without deadening our ears. Argentine actor, the gifted Mariano Mazzei as Jes…

SOURCE: DC Theatre Scene at 4:42pm on October 19, 2012

Platero y Yo by Rosalind Lacy

“If they give you ruled paper, write the other way,” wrote Spanish poet Juan Ramon Jimenez, who won the Nobel Prize for Literature in 1956, and has a language building named afte…

SOURCE: DC Theatre Scene at 12:15pm on October 16, 2012

Othello…Sniff by Rosalind Lacy

 Teatro de la Luna launches its Fifteenth International Festival of Hispanic Theater with a wickedly cynical, needling, protest play that is a send-up. Dominican identity  is dissected…

SOURCE: DC Theatre Scene at 3:06pm on October 12, 2012

La Dolorosa by Rosalind Lacy

The prologue that draws us into the Teatro Lirico of DC’s La Dolorosa (The Woman of Sorrows), a zarzuela by Jose Serrano, is totally mystifying. A dark-haired young woman, hugging a sw…

SOURCE: DC Theatre Scene at 1:31pm on October 3, 2012

In Spite of Love by Rosalind Lacy

The GALA Hispanic Theatre has launched its 37th season with a bracing, not-to-be-missed U.S. premiere of a comic masterpiece by Agustin Moreto, a Spanish Catholic priest and contemporary of …

SOURCE: DC Theatre Scene at 7:58am on September 18, 2012

Hispanic theatre's most outstanding productions and performances of the season by Rosalind Lacy

Despite draconian financial cuts in arts funding in 2011, the Hispanic theatres have had the most terrific of all possible seasons ever!  Aside from the fact that I am proud of my own per…

SOURCE: DC Theatre Scene at 11:16pm on August 12, 2012

Sacred and Scared Get the Same Score in Scrabble by Rosalind Lacy

The piped-in recording of the toe-tapping, banjo strumming, “Down By the Riverside,” with the lyrics “I ain’t gonna study war no more,” captures some of the dow…

SOURCE: DC Theatre Scene at 1:23pm on July 16, 2012

Souls by Rosalind Lacy

Have you ever walked down a city street with a mass of people and felt utterly alone? You as an individual feel helpless to make contact with any other preoccupied human being rushing by? &#…

SOURCE: DC Theatre Scene at 4:27pm on July 13, 2012

Sleuth by Rosalind Lacy

British playwright Anthony Shaffer’s ingenious, hairpin-turn stage thriller about a competitive game of one-upmanship, humiliation and revenge, is scored like a tennis game. The incomp…

SOURCE: DC Theatre Scene at 8:40am on June 20, 2012

Puerto Rico…¡Fuá! by Rosalind Lacy

The GALA Theatre company has outdone Monte Python with the Washington premiere of this quirky, over-the-top political satire by Carlos Ferrari. This burlesque of the history of European and …

SOURCE: DC Theatre Scene at 8:46am on June 12, 2012

Las Quiero a las Dos (I Want Them Both) by Rosalind Lacy

Ricardo Talesnik is the Neil Simon of Hispanic Theatre.  But look out, Talesnik’s humor can throw you off-guard. A multi-award-winner for Argentine television comedies and for La…

SOURCE: DC Theatre Scene at 6:18am on May 15, 2012

Begotten: O'Neill and the Harbor of Masks by Rosalind Lacy

Fog rises and permeates the stage. From the dark, an ensemble of five actors emerge carrying lanterns. An atonal, drifting melody from an on-stage clarinet player, sounds of lapping water an…

SOURCE: DC Theatre Scene at 9:02am on April 28, 2012

de mi corazon latino: From My Latin Heart by Rosalind Lacy

Jesus Daniel Hernandez’ sensational tenor voice has a clarion purity that could fill a cavernous auditorium  and scenic designer Osbel Susman-Pena reinforces that impression by givi…

SOURCE: DC Theatre Scene at 9:42am on April 16, 2012

On the Waterfront by Rosalind Lacy

It’s a miracle this play exists. The Oscar-winning 1954 movie On the Waterfront,  written by Budd Schulberg and directed by Elia Kazan, has reached iconic status as a Mob violenc…

SOURCE: DC Theatre Scene at 10:12am on April 4, 2012

Solo Petru (Petru: All by Himself) by Rosalind Lacy

Last May, when The 3 Rascals (A3Vidos) performed their rioplatense cafe concert for Teatro de la Luna, the moon was at its brightest in twenty years. Comedian Petru Valenski was an unf…

SOURCE: DC Theatre Scene at 12:30pm on March 16, 2012

I Cannot Live Without a Maid (No Puedo Vivir sin Mucama) by Rosalind Lacy

From a blackout on stage, we hear her voice: “I am the most important person in my boss-lady’s life.” A musical fanfare resounds from overhead. Ta-dah! Lights come up cente…

SOURCE: DC Theatre Scene at 10:56am on March 9, 2012

Family Under Construction (Familia en Construccion) by Rosalind Lacy

Five madcap players from Spain fire up wholesome, exciting ‘theatre with a capital T,’ for this weekend’s addition to The Moon’s Embrace, Teatro de la Luna’s ne…

SOURCE: DC Theatre Scene at 11:31am on March 2, 2012

El Inmigrante (The Immigrant) by Rosalind Lacy

Why do they keep crossing the border? Slide projections of hate-graffiti flash by on a back wall screen: “We Are Against Immigrants,” “Get out, Nicaraguans,” “I…

SOURCE: DC Theatre Scene at 10:27am on February 24, 2012

Ana en el Tropico (Anna in the Tropics) by Rosalind Lacy

Nilo Cruz’ exquisite verbal symphony about the transforming power of literature simmers with surprising moment-to-moment vitality, thanks to this new Spanish interpretation of the 2003…

SOURCE: DC Theatre Scene at 8:43am on February 14, 2012

Blood Wedding by Rosalind Lacy

When the lights come up, Death, impersonated by an ominous, stone-faced Matthew Pauli, stands center stage, softly playing a ukulele. Death, who is biding his time, often grinning, even leer…

SOURCE: DC Theatre Scene at 11:23am on February 6, 2012

Luisa Fernanda by Rosalind Lacy

Think of the present day Arab Spring. In 1868 Spain, public dissent was in the air. The revolutionary fervor, called La Gloriosa (Glorious Revolution) led to the overthrow of Queen Isabella …

SOURCE: DC Theatre Scene at 10:34am on November 18, 2011

Relatos Borrachos/Tales Told Under the Influence by Rosalind Lacy

"I've been dying for a drink," says Young Woman (Daniela Alvarado). That's scene one's startling first line that unreels Venezuelan playwright Enrique Salas' glib dialogue. When one drink be…

SOURCE: DC Theatre Scene at 11:45am on November 11, 2011

Coraje II / Courage II by Rosalind Lacy

We could all be going through airport security instead of being ushered onto a black box stage where we are about to become part of an art-making process. "Please come in. Leave your belongi…

SOURCE: DC Theatre Scene at 9:17am on November 4, 2011
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