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135 stories by "Rona Kelly"

BWW Review: TAPE FACE, Garrick Theatre by Rona Kelly

Almost two and a half hours in a theatre with no talking. You might think you're at the ballet and you may be, given one of the skits. Returning to the London stage, Sam Wills dons his signa…

SOURCE: BroadwayWorld at 4:24am on June 8, 2017

FAVOURITE SONGS: 'Those You've Known', SPRING AWAKENING by Rona Kelly

It's an odd thing to say that one of my favourite musical songs is one which makes me cry. Even odder, in fact, that it's one which I couldn't bear to listen to for almost a year...

SOURCE: BroadwayWorld at 3:06am on May 29, 2017

BWW Review: LOVE IN IDLENESS, Apollo Theatre by Rona Kelly

The Menier Chocolate Factory is no stranger to transfers, both in the West End and beyond. The Color Purple notably made the jump, and now here's Trevor Nunn's Love in Idleness moving to the…

SOURCE: BroadwayWorld at 5:06am on May 19, 2017

BWW Review: TICK, TICK...BOOM!, Park Theatre by Rona Kelly

After an absence of almost a decade, tick, tickBOOM bursts back onto the London stage at the Park Theatre. There's plenty of energy, a natural spark among the three leads, but little emotion…

SOURCE: BroadwayWorld at 3:54am on May 9, 2017

BWW Review: THE RESISTIBLE RISE OF ARTURO UI, Donmar Warehouse by Rona Kelly

Written by Bertolt Brecht during World War II, The Resistible Rise of Arturo Ui serves as a parable for Adolf Hitler. Germany becomes Chicago, Hitler becomes gangster Arturo Ui, as we witnes…

SOURCE: BroadwayWorld at 5:54am on May 7, 2017

BWW Review: LA CAGE AUX FOLLES, New Wimbledon Theatre by Rona Kelly

Literally translated, La Cage aux Follesmeans 'the cage of mad women'. This seems an apt description for the characters and audience alike in Martin Connor's latest production. Funny and fli…

SOURCE: BroadwayWorld at 6:18am on March 16, 2017

BWW Review: THE WILD PARTY, The Hope Theatre by Rona Kelly

Billed as the 'little theatre with big ideas', The Hope Theatre is a transformative space. This year alone, it's been everything from a hospital waiting room to a post-apocalyptic bunker. Au…

SOURCE: BroadwayWorld at 9:32pm on January 12, 2017

BWW Review: LICENSED TO ILL, Southwark Playhouse, 2 December 2016 by Rona Kelly

Jukebox musicals seem to be as popular as ever in the West End, using familiar songs to tell stories on stage.Mamma Mia iscoming close to two decades in London, and newcomers likeMotown the …

SOURCE: BroadwayWorld at 4:46am on December 3, 2016

BWW Review: CYMBELINE, Barbican, 3 November 2016 by Rona Kelly

Over the next six years, the RSC aims to produce every single Shakespeare play. Its 2016 season features Cymbeline, one of the lesser known but not lesser performed plays this production is …

SOURCE: BroadwayWorld at 7:54am on November 4, 2016

Edinburgh Blog: EdFringe on a Budget " 24 hours for £50 by Rona Kelly

This summer, I decided to do something either incredibly brave or incredibly stupid: a last minute trip to the Edinburgh Fringe Festival. And if that wasn’t brave/stupid enough, I a…

SOURCE: A Younger Theatre at 3:56pm on August 13, 2015
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