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64 stories by "Ron Cohen"

NY Review: 'Take What Is Yours' by Ron Cohen

“Take What Is Yours,” from Anecdota at 59E59 Theaters, looks at the formidable U.S. suffragette Alice Paul with imaginative daring and poetic storytelling.

SOURCE: Backstage at 7:15am on May 9, 2012

NY Review: 'The Electric Lighthouse' by Ron Cohen

Ed Hime’s “The Electric Lighthouse,” part of the New Play Festival at the Flea Theater, is a glowering comedy-drama about media-obsessed 20-something Brits.

SOURCE: Backstage at 6:04am on May 2, 2012

NY Review: 'Macbeth' by Ron Cohen

Aquila Theatre’s “Macbeth” is a respectable but unsurprising rendering of Shakespeare’s classic, lacking the outsized portraits that elevate the play to tragic stat…

SOURCE: Backstage at 8:00am on April 25, 2012

NY Review: 'The Storm' by Ron Cohen

There's much to admire in Blessed Unrest's experimental production of Aleksandr Ostrovsky's classic drama, at Interart Theater, but also too much technique.

SOURCE: Backstage at 4:00am on April 15, 2012

NY Review: 'The Soap Myth' by Ron Cohen

Greg Mullavey stars in National Jewish Theater’s “The Soap Myth,” Jeff Cohen’s Holocaust drama, which has intelligence but seems too much a lecture.

SOURCE: Backstage at 8:00am on March 26, 2012

NY Review: 'Parts of Parts & Stiches' by Ron Cohen

Playwright Riti Sachdeva and Maieutic Theatre Works' impressive production make for an involving drama about the British partition of India and Pakistan.

SOURCE: Backstage at 6:41am on March 20, 2012

NY Review: 'Romeo and Juliet' by Ron Cohen

Tragedians of the City and Northwest Passage Theater Collective unite for an engrossing and passionate all-male "Romeo and Juliet."

SOURCE: Backstage at 5:14am on March 6, 2012

NY Review: 'Judge, Yuri & Executioner' by Ron Cohen

In Ed Malin's quirky and earthy "Judge, Yuri & Executioner," part of Frigid New York, Mac Rogers plays a suicidal masochist taking stock of his life.

SOURCE: Backstage at 6:41am on February 24, 2012

NY Review: 'The Other Man' by Ron Cohen

Bryant Martin writes himself a meaty role as a young cockney thug in "The Other Man," a thriller-cum–love story he co-authored with Mark Botts.

SOURCE: Backstage at 3:11am on February 23, 2012

NY Review: 'Lost on the Natchez Trace' by Ron Cohen

A slave auctioneer meets a runaway slave in a desolate swampland in this ultimately powerful two-hander, reminding us of the horrors of slavery and man's potential for inhumanity to man.

SOURCE: Backstage at 7:07am on February 12, 2012

Chekhovek by Ron Cohen

This dramatization of nine short stories by Anton Chekhov has fluid staging, aptly defined performances, handsome period costumes, and evocative music, but soul is in short supply.

SOURCE: Backstage at 7:00am on February 7, 2012

Growing Up Gonzales by Ron Cohen

Overflowing with colorful detail and smartly observed anecdotes, this one-man show is an affectionate, funny, and spicily authentic collage of growing up Puerto Rican in the Bronx of the 1…

SOURCE: Backstage at 5:07am on January 28, 2012

El Pasado Es un Animal Grotesco (The Past Is a Grotesque Animal) by Ron Cohen

Although there’s an abundance of straightforward narration, this Spanish-language production is smartly written and details in absorbing fashion the lives of four Argentineans over a…

SOURCE: Backstage at 2:42am on January 9, 2012

The Bee by Ron Cohen

Co-writer and director Hideki Noda illustrates his misogynistic belief in man's inherent unkindness to man in this unsettling but arresting play of feverish theatricality and escalating gr…

SOURCE: Backstage at 8:41am on January 6, 2012

Hot Pepper, Air Conditioner, and the Farewell Speech by Ron Cohen

In this quirky and surprisingly funny play, Japanese writer-director Toshiki Okada portrays the quiet malaise of his country's young office workers caught in an economic downturn.

SOURCE: Backstage at 8:33am on January 6, 2012

Macbeth After Shakespeare by Ron Cohen

Shakespeare's violent tragedy gets an even more brutal reworking in this production, in which the evil, chaos, and physicality are both unrelenting and enthralling.

SOURCE: Backstage at 12:44pm on December 9, 2011

Pure War/The Madness of the Day by Ron Cohen

Intense performances and imaginative visual imagery give theatrical fervor to this production, which consists mainly of fairly oblique monologues meditating on mortality and the impact of …

SOURCE: Backstage at 3:51am on December 8, 2011

The Infernal Comedy: Confessions of a Serial Killer by Ron Cohen

While John Malkovich portrays a real-life serial killer, sopranos sing arias from composers such as Mozart and Beethoven between his monologues, lifting the jukebox musical to rarified hei…

SOURCE: Backstage at 2:44am on November 18, 2011

Hand to God by Ron Cohen

Robert Askins' comedy is a provocative stew of religiosity, teenage angst, and sex, and the solid production fully mines its comedic value if not its darker dimensions.

SOURCE: Backstage at 7:00am on November 7, 2011

Costa Rehab by Ron Cohen

The problems of wounded soldiers returning from war are portrayed in Rich Rubin's play with tepid comedy that doesn't come anywhere near reflecting the complexity and importance of the sub…

SOURCE: Backstage at 8:00am on November 4, 2011

NY Review: 'Lebensraum' by Ron Cohen

Stella Adler Studio of Acting does itself proud with this powerful rendering of Israel Horovitz's drama, the school's first Off-Broadway production.

SOURCE: Backstage at 7:30am on October 29, 2011

A Splintered Soul by Ron Cohen

There are deeply affecting passages in Alan Lester Brooks' drama of Holocaust survivors, but it's burdened with a twisty plot that strains credibility to the breaking point.

SOURCE: Backstage at 8:00am on October 24, 2011

The Broadway Dolls in Tour De Fierce by Ron Cohen

Five musical performers get to show off their spectacular talents in this immensely enjoyable concert-style production, loaded with show tunes, pop and exhilarating dancing.

SOURCE: Backstage at 11:53am on October 14, 2011

Nightlands by Ron Cohen

There are poetic pretensions aplenty, but Sylvan Oswald's drama tells an arresting story of an unlikely love affair set against the racial strife of 1960s Philadelphia.

SOURCE: Backstage at 8:00am on October 10, 2011

Jack Perry is Alive (and Dating) by Ron Cohen

This show invites comparisons with "Company," but that's the least of the problems afflicting this musical tale of an unhappily single Manhattanite and his concerned pals.

SOURCE: Backstage at 3:29am on October 6, 2011
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