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1,596 stories by "Robert Shuman"

CONSTANT STANISLAVSKI (12) by Robert Shuman

What is done on the stage is seen better from the auditorium than from the stage itself.  Looking from the auditorium I comprehended the mistakes on the stage at once. . . . (MLIA)

SOURCE: stagevoices.com at 10:16pm on August 30, 2019

MOSCOW THEATER PROMPTER TALKS ABOUT HER 'DYING' JOB by Robert Shuman

(Alexandra Guzeva's article appeared in Russia Beyond the HEadlings, 6/3.) Nowadays, most theaters have stopped using prompters, but the Maly Theater cherishes this tradition and regards pro…

SOURCE: stagevoices.com at 9:51pm on August 30, 2019

SONDHEIM:  RICHARD LINKLATER'S 'MERRILY WE ROLL ALONG' TO BE FILMED OVER 20-YEAR SPAN by Robert Shuman

(Mia Galuppo's article appeared in the Hollywood Reporter, 8/29; via the Drudge Report.) Blake Jenner, Beanie Feldstein and Ben Platt will star in an adaptation of the Stephen Sondheim music…

SOURCE: stagevoices.com at 11:02pm on August 29, 2019

CONSTANT STANISLAVSKI (11) by Robert Shuman

The feeling of truth is the best awakener of emotion and the sense of living. . . .  At first I did not have to imitate any one, and I felt well on the stage.  There was only one unple…

SOURCE: stagevoices.com at 8:33pm on August 29, 2019

MARCEL PROUST'S IN SEARCH OF LOST TIME WITH DEREK JACOBI (LISTEN NOW ON BBC RADIO 4"LINK BELOW) by Robert Shuman

Listen  Timberlake Wertenbaker's adaptation from the French of Marcel Proust's allegorical reflection on time, memory, art and love. It begins with the vivid memory of a young boy's child…

SOURCE: stagevoices.com at 5:41pm on August 29, 2019

CONSTANT STANISLAVSKI (10) by Robert Shuman

The greatest obstacle in the artistic development of an actor is hurry, the forcing of his immature powers, the eternal desire to play leading parts and tragic heroes.  To give heavy work…

SOURCE: stagevoices.com at 6:23pm on August 28, 2019

REWRITING THE RULES OF DRAG IN PARIS by Robert Shuman

(Laura Cappelle's article appeared in The New York Times, 8/22; via Pam Green.) PARIS " Anémone, 65, an impersonator at the famous Chez Michou cabaret, and Freya Kor, 22, the winner of the"…

SOURCE: stagevoices.com at 5:59pm on August 28, 2019

CONSTANT STANISLAVSKI (9) by Robert Shuman

The secret . . . Physical bodily restraint, the taming of the anarchy of muscles, to reveal emotion in the strong places and think of nothing, to work out my own image which I was to copy an…

SOURCE: stagevoices.com at 6:37pm on August 27, 2019

LARRY TODD COUSINEAU:  'ALL THAT HE WAS' (REVIEW PICK, CHI)  by Robert Shuman

(Chris Jones's article appeared in the Chicago Tribune, 8/21.) I find myself haunted by the funerals of the AIDS era. I attended too many of them and the creative lives they celebrated were …

SOURCE: stagevoices.com at 2:37pm on August 27, 2019

CONSTANT STANISLAVSKI (8) by Robert Shuman

It is much better to imitate an image created by yourself than another's methods of play or another's mannerisms. (MLIA)

SOURCE: stagevoices.com at 6:26pm on August 26, 2019

***** LUGHNASA FRIELFEST REVIEW " ART OVER TROUBLED BORDERS (VARIOUS VENUES, DERRY AND DONEGAL) by Robert Shuman

(Clare Brennan's article appeared in the Guardian, 8/25.) The annual celebration of the work of Brian Friel carries powerful reminders of the work of building community "Politics are so obtr…

SOURCE: stagevoices.com at 2:27pm on August 26, 2019

CONSTANT STANISLAVSKI (7) by Robert Shuman

In order to make the effect true, one must do things to [the voice] . . .  that in real life are not true.  The same applies to make-up.  One must paint, and pencil the brows to mak…

SOURCE: stagevoices.com at 5:35pm on August 25, 2019

KIMBERLEY RAMPERSAD IS TACKLING "MAN AND SUPERMAN" AT THE SHAW FESTIVAL by Robert Shuman

(Eric Grode's article appeared in The New York Times, 8/19; via Pam Green.) George Bernard Shaw's 6-Hour 'Beast'? She's All In A dancer turned director, Kimberley Rampersad is tackling "Man …

SOURCE: stagevoices.com at 1:20pm on August 25, 2019

CONSTANT STANISLAVSKI (6) by Robert Shuman

Emotion rose from the lowest to the highest notes, from calmness to insanity.  This is what you must remember.  Control yourself while you have strength to control yourself,"the longer…

SOURCE: stagevoices.com at 3:48pm on August 24, 2019

EDINBURGH FESTIVAL 2019: GUIDE TO THE BEST SHOWS TO SEE by Robert Shuman

(Holly Williams's article appeared in the Independent, 8/2.) It's nearly that time again: when crowds descend on Edinburgh for the world's biggest arts festival, where every pub basement and…

SOURCE: stagevoices.com at 2:40pm on August 24, 2019

CONSTANT STANISLAVSKI (5) by Robert Shuman

Faith has great meaning for the actor.  Physical truth, and faith in that truth, call out inner spiritual truth and faith, and these free emotion, which comes from its secret hiding place…

SOURCE: stagevoices.com at 4:50pm on August 23, 2019

***** SCHNITZLER: 'THE DOCTOR' FROM ROBERT ICKE, WITH JULIET STEVENSON (SV PICK, UK) by Robert Shuman

(Michael Billington's article appeared in the Guardian, 8/21.) Juliet Stevenson delivers one of the peak performances of the theatrical year in Robert Icke's striking reimagining of Schnitzl…

SOURCE: stagevoices.com at 2:41pm on August 23, 2019

CONSTANT STANISLAVSKI (4) by Robert Shuman

It is far from easy to stand motionless on the stage in the full sight of more than a thousand pair of eyes.  I was successful but only at the cost of a tremendous bodily strain.  I or…

SOURCE: stagevoices.com at 2:24pm on August 22, 2019

TOM HIDDLESTON ON 'BETRAYAL' AND THE ART OF SELF-PROTECTION by Robert Shuman

(Laura Collins-Hughes's article appeared in The New York Times, 8/21; via Pam Green.) The screen and stage star is making his Broadway debut as the bottled-up husband wearing a "mask of cont…

SOURCE: stagevoices.com at 1:51pm on August 22, 2019

CONSTANT STANISLAVSKI by Robert Shuman

Craftsmanship teaches the actor how to walk on the stage and play.  But true art must teach him how to awaken consciously his subconscious creative self for its superconscious organic cre…

SOURCE: stagevoices.com at 1:36pm on August 21, 2019

JAPAN THEATRE OLYMPICS GOES BACK TO ITS ROOTS FOR NINTH ITERATION by Robert Shuman

(Andrew Eglinton's and Mika Eglinton's article appeared in the Japan Times, 8/13.) Since the late 1970s, people from all over the world have traveled to the village of Toga in rural Toyama P…

SOURCE: stagevoices.com at 1:12pm on August 21, 2019

CONSTANT STANISLAVSKI by Robert Shuman

One accidental touch, the bud opened and from it burst fresh young petals, seeking he warmth of the sun.  And with me, an accidental touch of the makeup brush on my face served to open th…

SOURCE: stagevoices.com at 4:34pm on August 20, 2019

GETTING THE GUTS: AN INTERVIEW WITH "SATURDAY NIGHT LIVE" DIRECTOR, DON ROY KING by Robert Shuman

By Tania Fisher So how does the son of a mailman, from a small town near Pittsburgh, end up directing more live network television than anyone else in the history of the medium"and being …

SOURCE: stagevoices.com at 4:11pm on August 20, 2019

GUGGENHEIM, ANNOUNCES FALL 2019 SEASON by Robert Shuman

WORKS & PROCESS, THE PERFORMING ARTS SERIES AT THE GUGGENHEIM, ANNOUNCES FALL 2019 SEASON   Highlights ·  New commissions by Machine Dazzle and Caroline Shaw ·  Rotunda pe…

SOURCE: stagevoices.com at 3:58pm on August 20, 2019

CONSTANT STANISLAVSKI by Robert Shuman

One feature in my makeup gave a living and comic expression to my face, and something suddenly turned within me.  All that was dim became clear, all that was groundless suddenly had groun…

SOURCE: stagevoices.com at 10:19pm on August 19, 2019
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