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1,604 stories by "Robert Shuman"

CONSTANT STANISLAVSKI (49) by Robert Shuman

To heighten tone means to heighten the mood of the audience, to strengthen the interest of the spectator in the performance; to quicken tempo means to live more strongly and intensively and …

SOURCE: stagevoices.com at 9:12pm on October 22, 2019

THEATER RESOURCES UNLIMITED TRU LOVE BENEFIT, SUNDAY, DEC. 8 by Robert Shuman

Theater Resources Unlimited TRU Love Benefit: Follow Your Art, Fulfill Your Dreams Honoring James Morgan and Haley Swindal Sunday, December 8, 2019 (via Michelle Tabnick) Theater Resource…

SOURCE: stagevoices.com at 8:50pm on October 22, 2019

CONSTANT STANISLAVSKI (48) by Robert Shuman

The prevalent mistake of beginning stage directors and actors is that they think that the heightening of tone is the quickening of tempo; that playing in full tone is loud and quick talking …

SOURCE: stagevoices.com at 2:16pm on October 19, 2019

LET'S GO:  'SUGIMOTO BUNRAKU SONEZAKI SHINJU' (OCTOBER 19"22, 2019 AT LINCOLN CENTER'S FREDERICK P. ROSE HALL) by Robert Shuman

The Love Suicides at Sonezaki U.S. production premiere October 19"22, 2019 Rose Theater, Jazz at Lincoln Center's Frederick P. Rose Hall At the turn of 18th-century Japan, a clerk and a cour…

SOURCE: stagevoices.com at 1:52pm on October 19, 2019

CONSTANT STANISLAVSKI (47) by Robert Shuman

The work of stage direction began. As was the custom I wrote a detailed mise en scène,"who must cross to where and why, what he must feel, what he must do, how he must look. . . . (MLIA)

SOURCE: stagevoices.com at 10:40pm on October 17, 2019

PLAY FOR TODAY: REWRITING 'PERICLES' by Robert Shuman

(Adam Smyth's article appeared in The London Times, 10/24.) Ben Jonson's comedy The New Inn (1629) was, by all accounts, a theatrical disaster: 'negligently played' at the Blackfriars …

SOURCE: stagevoices.com at 9:09pm on October 17, 2019

CONSTANT STANISLAVSKI (46) by Robert Shuman

Chekhov was most enthusiastic about Hauptmann's "Lonely Lives." He saw it for the first time and he liked it more than any of his own plays. (MLIA)

SOURCE: stagevoices.com at 8:00pm on October 16, 2019

"TONYA PINKINS' TRUTH AND RECONCILIATION: WOMYN WORKING IT OUT!" AND "THE GLASS MENAGERIE" (REVIEWS FROM NEW YORK) by Robert Shuman

By Bob Shuman Director Tonya Pinkins asked six American women of multi-cultural backgrounds to compose one-acts on the theme of women oppressing women"her seven actors are all women, too"a c…

SOURCE: stagevoices.com at 10:26pm on October 14, 2019

CONSTANT STANISLAVSKI (45) by Robert Shuman

The Chekhov mood is that cave in which are kept all the unseen and hardly palpable treasures of Chekhov's soul, so often beyond the reach of mere consciousness. The cave is that vessel in wh…

SOURCE: stagevoices.com at 10:39pm on October 12, 2019

STREAMING LIVE: TUNE IN FOR THE FUNERAL SERVICE OF INTERNATIONAL OPERA STAR JESSYE NORMAN (TODAY, SATURDAY, OCTOBER 12, 2019) by Robert Shuman

Tune In for the Funeral Service of International Opera Star JESSYE NORMAN Today, Saturday, October 12, 2019 1:00 p.m. ET (12:00 p.m. CT/10:00 a.m. PT) ABC-TV (Augusta, GA) NBC-TV/CBS-TV (Aug…

SOURCE: stagevoices.com at 12:57pm on October 12, 2019

CONSTANT STANISLAVSKI (44) by Robert Shuman

I know of no greater idealism than that which believes in a better future although it is surrounded by hopeless circumstances. (MLIA)

SOURCE: stagevoices.com at 9:45pm on October 11, 2019

WHITE LIGHT FESTIVAL THEATER ADVISORY: TENTH ANNIVERSARY OF FESTIVAL INCLUDES TWO U.S. THEATER PRODUCTION PREMIERES by Robert Shuman

White Light Festival Theater Advisory   Tenth Anniversary of Festival Includes Two U.S. Theater Production Premieres   The premiere of Sugimoto Bunraku Sonezaki Shinju: The Love …

SOURCE: stagevoices.com at 9:20pm on October 11, 2019

CONSTANT STANISLAVSKI (43) by Robert Shuman

There are plays written on the simplest of themes, which in themselves are not interesting. But they are permeated by the eternal, and he who feels this quality in them perceives that they a…

SOURCE: stagevoices.com at 9:03pm on October 10, 2019

PETER HANDKE: AN ADVERSARIAL TALENT AND CONTROVERSIAL NOBEL LAUREATE by Robert Shuman

(Hugo Hamilton's article appeared in the Guardian, 10/10.) Since his 1966 debut The Hornets, the Austrian playwright and author has tested, inspired and shocked audienceshares It was, undoub…

SOURCE: stagevoices.com at 8:49pm on October 10, 2019

CONSTANT STANISLAVSKI (42) by Robert Shuman

Everyday cares, politics, economics, the larger part of general social interests"these make the kitchen of life. Art lives higher, observing from the height of its birdlike flights all that …

SOURCE: stagevoices.com at 10:22pm on October 9, 2019

REVIEW: 'CAESAR & CLEOPATRA,' DRESSED DOWN YET WISED UP (SV PICK, NY) by Robert Shuman

(Laura Collins-Hughes's article appeared in The New York Times, 10/3; via Pam Green.) George Bernard Shaw gets sensitively streamlined in a briskly entertaining production with winning perfo…

SOURCE: stagevoices.com at 10:11pm on October 9, 2019

CONSTANT STANISLAVSKI (41) by Robert Shuman

Let us leave trivial matters at home, let us gather here in a common effort and not engage in petty squabbles and the settling of scores. . . . Let us be guided by the motto of "common work,…

SOURCE: stagevoices.com at 5:39pm on October 8, 2019

A BLACK ACTOR'S UNREQUITED LOVE FOR SHAKESPEARE by Robert Shuman

  (Patricia Storace's article appeared in The New York Review of Books, 10/5.) Keith Hamilton Cobb in American Moor The first recorded African-American theater troupe, the African Comp…

SOURCE: stagevoices.com at 12:53pm on October 8, 2019

HOMECOMING SERVICE FOR INTERNATIONAL OPERA STAR JESSYE NORMAN SET WITH 4-DAY WEEKLONG SERVICES AND CELEBRATIONS by Robert Shuman

(via Gwendolyn Quinn) (New York, NY " October 7, 2019) " The family of international opera star Jessye Norman announces today through the family spokesperson, Gwendolyn Quinn, the H…

SOURCE: stagevoices.com at 6:37pm on October 7, 2019

BRECHT/EISLER: 'THE MOTHER' ('DRAMA ON 3') by Robert Shuman

Listen  The Mother by Bertolt Brecht with original musical score by Hanns Eisler. Translated by Mark Ravenhill, from a literal translation by Marc Funda, with song lyrics translated by St…

SOURCE: stagevoices.com at 2:18pm on October 7, 2019

CONSTANT STANISLAVSKI (40) by Robert Shuman

It is necessary to play a role hundreds of times, to crystallize its essence, to perfect the crystal, and in showing it, to interpret the quintessence of its contents.  (MLIA)

SOURCE: stagevoices.com at 9:03pm on October 6, 2019

LET'S GO: AUSTIN PENDLETON AND PETER BLOCH RETEAM FOR CHILLING NEW VERSION OF 'THE GLASS MENAGERIE' by Robert Shuman

LET'S GO: AUSTIN PENDLETON AND PETER BLOCH RETEAM TO HELM CHILLING NEW VERSION OF THE GLASS MENAGERIE TO USHER IN THE HALLOWEEN SEASON AT THE WILD PROJECT  New York, New York " Ruth Stage…

SOURCE: stagevoices.com at 8:42pm on October 6, 2019

CONSTANT STANISLAVSKI (39) by Robert Shuman

It is a hard nut to crack"the Symbol.  It is successful when it has its source not in the mind, but in the inner soul.  In this sense symbol and grotesque are alike.  (MLIA)

SOURCE: stagevoices.com at 3:23pm on October 5, 2019

GILLIAN SLOVO: LETTER FROM INSIDE by Robert Shuman

Gillian Slovo Listen Novelist Gillian Slovo's letter to her mother, the anti-apartheid activist, Ruth First. Part of a series in which writers from around the world read letters on the theme…

SOURCE: stagevoices.com at 1:06pm on October 5, 2019

DIAHANN CARROLL, ACTRESS WHO BROKE BARRIERS WITH 'JULIA,' DIES AT 84 by Robert Shuman

(Margalit Fox's article appeared in The New York Times, 10/4; via Pam Green.) Diahann Carroll, who more than half a century ago transcended racial barriers as the star of "Julia," the fir…

SOURCE: stagevoices.com at 3:05pm on October 4, 2019
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