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1,604 stories by "Robert Shuman"

MYSTERIOUS RUSSIAN ARTIST NICHOLAS ROERICH'S NEW YORK 'HEADQUARTERS' by Robert Shuman

(John Varoli's article appeared in Russia Beyond the Headlines, 2/20; ; photo: John Varoli, Alexander Krasavin/Sputnik.)  The Nicholas Roerich Museum in Manhattan is North America's only …

SOURCE: stagevoices.com at 3:36pm on February 23, 2020

DRUID, CHEKHOV AND THE POLITICS OF POWER by Robert Shuman

(Gemma Tipton's article appeared in the Irish Times, 2/15.) Garry Hynes directs The Cherry Orchard, a play she says that's still of the moment Power comes in many forms. There is physical po…

SOURCE: stagevoices.com at 10:37pm on February 20, 2020

A BELOVED NEIGHBOR LEAVES THE BUILDING by Robert Shuman

(Peter Khoury's article appeared in The New York Times, 2/13; via Pam Green.) An Illinois farm boy who came to New York to be a singer left an indelible mark on the Upper West Side co-op whe…

SOURCE: stagevoices.com at 9:09pm on February 18, 2020

IVO VAN HOVE ON ROUGHING UP WEST SIDE STORY:  "THE VIOLENCE SHOULD BE TANGIBLE" by Robert Shuman

(Alexis Soloski's article appeared in the Guardian, 2/27; via the Drudge Report.) Ivo van Hove likes it in America. Broadway rarely warms to avant-garde Belgian directors, but it has embr…

SOURCE: stagevoices.com at 12:14pm on February 17, 2020

CONSTANT STANISLAVSKI (72) by Robert Shuman

Perhaps in our art there exists only one correct path"the line of the intuition of feelings! And out of it grow unconsciously the outer and inner images, their form, the idea and the techniq…

SOURCE: stagevoices.com at 9:22am on February 16, 2020

RADICAL NEW WEST SIDE STORY PAINTS AN ANGRY YOUNG AMERICA by Robert Shuman

(Brian Schaefer's article appeared on Bloomberg, 2/13.) In spring 2016, Belgian theater director Ivo van Hove was in New York, preparing his Broadway production of Arthur Miller's The Crucib…

SOURCE: stagevoices.com at 12:41pm on February 14, 2020

'THE MIKADO' FROM THE 'THE MIKADO' FROM THE NEW YORK GILBERT & SULLIVAN PLAYERS (NYGASP)"REVIEW FROM NEW YORK by Robert Shuman

By Bob Shuman The New York Gilbert & Sullivan Players (NYGASP) brought its production of The Mikado to the Kaye Playhouse over the holiday season (12/27-1/5)"perhaps especial…

SOURCE: stagevoices.com at 8:21pm on February 12, 2020

HONG KONG ARTS FESTIVAL IS WIPED OUT BY VIRUS by Robert Shuman

(Norman Lebrecht's article appeared on Slipped Disc, 2/10.) Message from HKAF: We regret to inform our friends and supporters that the February and March performances and events of the 48th …

SOURCE: stagevoices.com at 5:32pm on February 10, 2020

NEW APP LETS YOU HEAR CHAUCER'S THE CANTERBURY TALES IN ORIGINAL 14TH-CENTURY ENGLISH by Robert Shuman

(Ellen Gutoskey's article appeared, 2/4, on mentalfloss.com; via Pam Green.) One of the many reasons Geoffrey Chaucer's 14th-century magnum opus The Canterbury Tales is considered a gr…

SOURCE: stagevoices.com at 4:14pm on February 9, 2020

FREE THINKING: SAMUEL BECKETT & THE PURPOSE OF CULTURE by Robert Shuman

(Released On: 05 Feb 2020, BBC 3.) Listen  Lisa Dwan tells Philip Dodd what playing Beckett taught her about herself and feminism; playwright Mark Ravenhill, arts editor Jan Dalley &am…

SOURCE: stagevoices.com at 12:24pm on February 8, 2020

KIRK DOUGLAS: LAST OF HOLLYWOOD'S GOLDEN AGE by Robert Shuman

(Robert Berkvist's article appeared in The New York Times, 2/2; via Pam Green.) Kirk Douglas, one of the last surviving movie stars from Hollywood's golden age, whose rugged good looks and m…

SOURCE: stagevoices.com at 11:55am on February 8, 2020

CONSTANT STANISLAVSKI (71) by Robert Shuman

Playing a role in a play that was one of the social and political productions, I struck on the line of the intuition of feelings and forgot the politics in the play, which became all the str…

SOURCE: stagevoices.com at 12:34pm on February 7, 2020

LIZA MINNELLI OPENS UP ABOUT MOM JUDY GARLAND, WORKING WITH FOSSE AND GOING TO REHAB by Robert Shuman

(Marc Malkin's article appeared in Variety, 2/4.) Liza Minnelli is getting ready to be photographed for the cover of Variety. She's wearing an off-the-shoulder black beaded shirtdre…

SOURCE: stagevoices.com at 12:26pm on February 5, 2020

REVIEW:  CARRIE COON IN 'BUG' IS THRILLING, OLD-SCHOOL STEPPENWOLF " THE GREATEST 'BUG' EVER (SV REVIEW PICK, CHI) by Robert Shuman

(Chris Jones's review appeared in the Chicago Tribune, 2/4.) Like a sleeping Midwestern beast loosed from its cage of self-imposed timidity and graduate-school moralism, the old-school Stepp…

SOURCE: stagevoices.com at 5:34pm on February 4, 2020

CONSTANT STANISLAVSKI (70) by Robert Shuman

I only had to assume the manners and habits [of the character], on the stage or off, and in my soul there were born the feelings and perceptions that had given them birth. In this manner, in…

SOURCE: stagevoices.com at 9:42am on February 3, 2020

WHY ALL NEW YORK HOTELS TURNED AWAY FAMOUS SOVIET WRITER MAXIM GORKY by Robert Shuman

(Alexandra Guzeva's article appeared in Russia Beyond the Headlines, 1/28.) America in the early 20th century turned out to be an even more puritan country than Russia. In the spring of 1906…

SOURCE: stagevoices.com at 9:17pm on February 1, 2020

FOR 13 YEARS, HE HAS HUMANIZED THE VILLAIN OF 'OKLAHOMA!' by Robert Shuman

(Laura Collins-Hughes's article appeared in The New York Times, 1/20; via Pam Green.) There was blood on the floor as usual, and on the costumes, too, when "Oklahoma!" finished its Broadway …

SOURCE: stagevoices.com at 7:45pm on January 31, 2020

CONSTANT STANISLAVSKI (69) by Robert Shuman

From the intuition of feelings I went to the outer image, for it flowed naturally from the inner image, and the body and soul of [the character]-Stanislavski became one organically. (MLIA) �…

SOURCE: stagevoices.com at 12:05am on January 30, 2020

TOM STOPPARD INTERVIEW: 'I ASPIRE TO WRITE FOR POSTERITY' by Robert Shuman

(Douglas Murray's article appreared in The Spectator, 1/27.) Tom Stoppard talks about inspiration, growing older and his new play, Leopoldstadt Sir Tom Stoppard is Britain's " perhaps the wo…

SOURCE: stagevoices.com at 4:33pm on January 28, 2020

CONSTANT STANISLAVSKI (68) by Robert Shuman

From the intuition of feelings I passed naturally to the inner image with its peculiarities and details. (MLIA)

SOURCE: stagevoices.com at 8:38pm on January 25, 2020

CURSING CORIOLANUS by Robert Shuman

(Lauren Shook's article appeared in Shakespeare and Beyond, 1/7; via Pam Green.) In 1608, famine plagued England. Preachers responded with sermons begging the gentry to show compassion for t…

SOURCE: stagevoices.com at 9:41pm on January 23, 2020

CONSTANT STANISLAVSKI (67) by Robert Shuman

I sincerely sympathized with Stockman ("The Enemy of the People") and understood his feelings when his eyes saw the rotten souls of the men who had once been his friends. I feared in those m…

SOURCE: stagevoices.com at 7:00pm on January 22, 2020

IN HAMLET AND IN LIFE, RUTH NEGGA DOES NOT HOLD BACK by Robert Shuman

(Robert Ito's article appeared in The New York Times, 1/17; via Pam Green.) The Ethiopian-Irish actress returns to a "completely destroying" stage role. Next: a film adaptation of a 1920s no…

SOURCE: stagevoices.com at 8:00pm on January 19, 2020

'END ZONE' BY BOB SHUMAN"MENTION IN THE RIVERDALE PRESS, 1/9 by Robert Shuman

Staples Scan

SOURCE: stagevoices.com at 10:02pm on January 11, 2020

CONSTANT STANISLAVSKI (66) by Robert Shuman

In those days (1905) "The Enemy of the People" (Ibsen) had not only artistic but social meaning and was to a great extent the expression of the time. It is not remarkable that the play at on…

SOURCE: stagevoices.com at 7:57pm on January 10, 2020
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