12 stories by "Robert Montenegro"
About halfway through Casey Bauer’s surreal Half Past What?, I came to the stark realization that I wasn’t exactly sure what was going on yet was still completely …
Critical Point Theatre’s quirky Fringe show When We Grow Up is difficult to review for several reasons. The piece is highly-interactive and its best moments are improvis…
Few things are as “Capital Fringe” as an irreverent take on the Bard, and King’s Players have got themselves a hell of an irreverent take in their outrageousÂ�…
As is implied by the title of Mark Jason Williams’ bleak comedy Straight Faced Lies, the members of the oppressively dysfunctional Ryan family aren’t very good at …
Every year the Fringe produces a few real standouts among its more serious offerings. D.W. Gregory’s thoughtful and funny Salvation Road is an excellent example. Anchored by a…
With a title like How to Be a Good Mom… When You’ve Got a Schizophrenic Mother for a Role Model, Pamela Meek’s storytelling piece can seem intimidating at first. But spend …
Kris Noteboom is incredibly endearing. The fluffy, neurotic figure at the heart of And Then I Woke Up establishes very quickly that there’s little space between Kris the artist and Kri…
Thee Candidates Graduate Theatre Company presents a production of Amanda Zeitler's La Llorona in this year's Capital Fringe festival. The play recently won the Wichita State University Natio…
As a self-described launching pad for plays, the Source Festival offers writers and artists an opportunity to incubate promising new work, even if scripts exist in but a fledgling state. Suc…
Choosing a show for a company's inaugural production is like deciding on a dress for the debutante ball. The primary goal is to draw attention, to dazzle the room and attract the eyes of the…
When Spamalot director Kevin Kuchar delivered the ubiquitous pre-show curtain speech, he emphasized a focus on process over product that serves as the foundation for the Act Two @ Levine's P…
On a superficial level, the two women at the heart of Lisa Loomer's elegantly crafted Living Out couldn't be more different. Ana (Belén Oyola-Rebaza) is an undocumented nanny working …
