Tapestry's ambitious Oksana G. is a beautiful opera about an ugly reality
The project, in the works for more than a decade, tells the story of a young Ukrainian girl, lured into the horror of human trafficking
The project, in the works for more than a decade, tells the story of a young Ukrainian girl, lured into the horror of human trafficking
Six years after the show helped announce the Toronto theatre company's presence, Against The Grain is once again staging its contemporary retelling of Puccini
Riel didn't live up to its expectations and Thursday night turned out to be a difficult evening at the opera house, but for reasons that are quite illuminating
Company reintroduces classic European performances with a modern flair to audiences in Versailles, Salzburg and Milan
An opera about the 1880s-era rebel that was created with a 1967 mindset gets an update with a sense of 2017 enlightenment
Saturday's performances, which kicked off the 8-day festival, demonstrates what happens when the new is allowed into the traditional
Pallett believes music expresses social values and politics in subtle, subliminal ways
As COC stages final leg of the Ring cycle " Gotterdammerung " conductor Johannes Debus reflects on the composer's 'dangerous' music
Announcement concludes a four-year search to replace Jeanne Lamon
After battling a serious illness, maestro to conduct the Mozart opera Thursday
The wide-ranging offering will feature a unique 'artist-in-residence' arrangement with Canadian soprano Jane Archibald
The Berlin Philharmoic was great because its playing was so transparent, so clear
Osvaldo Golijov's Ayre is brilliantly performed by Miriam Khalil and an ensemble of 11 musicians
Soprano Miriam Khalil to sing Ayre by Osvaldo Golijov, a work that might have been written for her
Let Us All Sing highlights the joyful sense of spontaneity that is the hallmark of the Choir and Orchestra
COC revives long-forgotten Handel opera at the Four Seasons Centre
Diva provides performance that could be talked about for generations
In a run-through of Norma, the Canadian Opera Company's first production of the season, its star soprano hits an awe-inspiring note
It's unclear if Elisa Citterio is actually a candidate to replace Jeanne Lamon, but she brought a new, original sound
Midway through Opera 5's performance of Die Fledermaus, the audience's chairs disappear and the participatory party begins
Toronto's Tapestry Opera takes on indie opera scene
Maometto II may be the best-sung production of the season at the COC, and that's saying something at Alexander Neef's COC, where the quality of the singing is always extremely high
No glittering lobby entrances, no opulent gowns or ill-fitting tuxes
It's time the COC retired this production of Carmen
The new opera, co-commissioned by Scottish Opera and Music Theatre Wales, is part of the artistic director's continuing plan to create an energetic, relevant and expanding role for one of To…