13 stories by "Rebecca Wyrick"
If you're in the mood for an evening of classic musical magic with a dash of mid-century nostalgia and a solid helping of Shakespearean double-entendres, check out 2nd Star Productions' Kiss…
Andrew Rally is an actor. John Barrymore is an ACTOR. Andrew is experiencing a career crisis, and John Barrymore is… well, dead. I Hate Hamlet follows Andrew, a popular television actor, a…
Annapolis Shakespeare Company's production of The Tempest is fanciful in story, aesthetically pleasing in design, and acted with enthusiasm and a sense of humor. The Tempest tells the story …
Colonial Players' production of Coyote on a Fence features an unflinching ensemble of actors willing to bring depth and humanity to characters capable of inhuman acts of cruelty. The story c…
In Natural Novice, now playing at Charm City Fringe Festival, writer-performer Siobhan O'Loughlin captures an all-too-familiar phenomenon" that feeling of a lifetime of self-evaluation flash…
Rep Stage's A Young Lady of Property is an unobtrusive, atmospheric period piece that takes you back to a simpler time. Set in the 1920's but written for television in the 1950's, the play f…
In Murder on the Bare Stage, actor Stephen Mead invites the audience to inhabit the minds of murderers and other vagrants, and to experience vicariously the thrills and perils of criminal li…
Karel Capek's R.U.R. (Rossum's Universal Robots), playing at the Capital Fringe Festival, is a frantic cautionary tale of what happens when mechanical efficiency surpasses human intelligence…
If you were to tell me 24 hours ago that the high point of my weekend would be watching a play with an incomprehensible plot, trashy topical humor, and characters that are like the imaginary…
Apotheosis, presented by the Avalanche Theatre Company at the Capital Fringe Festival, does not aim to tell a story, but to capture and worship the darkness and light of human emotion. The s…
Stephen Notes' Moths, now playing at the Capital Fringe Festival and directed by Roma Rogers, is an exercise in self-expression masquerading as play about insects. Or rather, people who may …
A Gothic-novel-turned-musical is good, but a Gothic-novel-turned-rock-opera is better. Landless Theatre Company's Frankenstein is atmospheric and exciting, a surprisingly faithful adaptation…
The conception of the musical Camelot is like a set of Russian nesting dolls" it is an adaptation of an adaptation that was inspired by an adaptation of a legend. Lerner and Loewe based Came…
