By Jenny Rachel Weiner. Jenny Rachel Weiner writes about her residency at Roundabout Theatre Company.
By Caroline V. McGraw. Caroline V. McGraw writes about her residency at Page 73.
By Jaclyn Backhaus. Jaclyn Backhaus writes about her residency at Clubbed Thumb.
By Rachel Bonds. Rachel Bonds writes about her residency at Ars Nova.
By Paola Lázaro. Paola Lázaro writes about her residency at The Atlantic.
By Isaac Gomez. Isaac Gomez, Director of New Play Development at Victory Gardens, shares the engagement programs around their production of Marcus Gardley's The House That Will Not Stand.
By Alli Houseworth, Jacqueline E. Lawton, Laura Jacqmin, Tory Bailey, Brad Erickson. In this piece, Triple Play project leads Tory Bailey and Brad Erickson respond to selections of a convers…
By Neena Arndt. Neena Arndt writes about new strategies the Goodman is testing to give audience members information about shows before they arrive at the theatre.
By Michael Lueger. Michael Lueger talks with scholar and activist Jorge Huerta.
By Alli Houseworth. Theatre marketing consultant Alli Houseworth calls for marketing and audience engagement to come together, the first in a series of articles about Triple Play, a project …
By Raphael Khouri. Raphael Khouri writes about creating a work of queer Arab theatre in secret.
By Summer Banks. Summer Banks talks with Jaclyn Backhaus about bringing the story of Men On Boats to life on stage without any men.
By Allison Raynor. Allison Raynor talks with other early-career theatre artists about how the narratives they grew up loving influenced their sense of self.
By Michael Rohd, Maureen Towey. Michael Rohd and Maureen Towey share an excerpt from their new book The Penelope Project: An Arts-Based Odyssey to Change Elder Care , writing about creating …
By Amy Brady, Michael H. Arve. Amy Brady interviews Michael Arve about Dangerous Theatre , a piece he's directing based on Hallie Flanagan's 1938 testimony to the Special Committee to Invest…
By Shari Caplan. Shari Caplan on Love's Labour's Lost as performed by The Commonwealth Shakespeare Company in Boston, Massachusetts.
By Edward Einhorn. Edward Einhorn reflects on the failures of the current awards system for independent theatre in New York, and proposes a solution.
By Michael Lueger. Michael Lueger kicks off a month of interviews about political theatre by talking with Amy Brady about the Federal Theatre Project.
By Emilya Cachapero, Victor Maog, Randy Reyes. Emilya Cachapero, director of artistic and international programs at TCG, talks with playwright Victor Maog and Artistic Director of Mu Perform…
By Emma Wiseman. Emma Wiseman presents musings on audio storytelling and the world of radio from Cecil Baldwin, Jon Earle, and Audrey Quinn, three New York-based audiophiles.
By Lavina Jadhwani. Director Lavina Jadhwani shares her experience as an Asian American director, advocating the need for more spaces and opportunities for Asian American theatre artists to …
By Josh Platt. Josh Platt on The Merchant of Venice directed by Tina Packer in Lenox, Massachusetts.
By Julie McGarvie. In this final #IdentityWeek blog, Julie McGarvie writes about pioneering playwright Lorraine Hansberry.
By Oscar Lozano. Writer and performer Oscar Lozano reports on the artistic and labor movement in France among theatre professionals and in doing so considers the public theatre, social perfo…
By Erica Nagel. In this #IdentityWeek blog, Erica Nagel of the McCarter Theatre discusses how, and why, they've made Relaxed Performances part of their equity, diversity, and inclusion work.
