By Aditi Kapil. Aditi Kapil reflects on her experience having and raising children as a freelance artist, and how residencies can alleviate certain challenges.
By Nolen Bivens. Nolen Bivens challenges communities to set up a n Arts and Military Community Health and Wellness Ecosystem.
By Arthur S. DeGroat. Dr. Arthur S. DeGroat writes about the power art has to accurately communicate the experience of war, and the importance of that in our current era.
By Michael Lueger. Michael Lueger talks with Beth Mannion about plays depicting urban Ireland.
By Aislinn Rose. In the final installment of this series"a collaboration with SpiderWebShow"Aislinn Rose describes her experience and revelations at the Women's March in Washington, DC.
By Majdi Bou-Matar. In the second installment of this series"a collaboration with SpiderWebShow"Majdi Bou-Matar writes about the power and relevance of a Canadian production featuring the wo…
By Kelly Tsai. Writer and performer Kelly Tsai shares the process of devising Ai Weiwei: The Seed, which is based on the art and writings of activist-artist Ai Weiwei.
By Paul Gagliardi. Paul Gagliardi, a scholar of the Federal Theatre Project, considers recent productions of It Can't Happen Here and why the play is resonating with both directors and audie…
By P. Carl. P. Carl considers how to teach theatre in the time of Trump.
By Michael Lueger. Michael Lueger talks with Dr. Mac Test about his new translation of La monja alfèrez , or The Lieutenant Nun.
By Ramona Ostrowski, Garry Hynes. Ramona Ostrowski speaks with director Gary Hynes about Druid Theatre Company, revisiting Beauty Queen of Leenane twenty years after its first production, an…
By Jonathan Mandell. In light of a recent controversy at a New Jersey high school, Jonathan Mandell talks to theatre artists about their views on using or not using the n-word in shows.
By Michael Lueger. Michael Lueger talks with George Drance about Pedro Calderon de la Barca.
By Michael Lueger. A conversation with Alejandro Garcia-Reidy about discovering a previously-unknown work by Spanish Golden Age playwright Lope de Vega.
By Michael Whatley. Michael Whatley makes the case why every theatre should have an active shooter policy.
By Adrianna M. Santos. Professor Adrianna M. Santos writes about assigning a performance project to the undergrads in her Latina/o Literature survey class.
By Seth Bockley, Anne Hamburger. Morgann Jenness facilitates a conversation with Anne Hamburger and Seth Bockley on their collaborative development and production of Wilderness .
By Kimi Eisele. In this second installment of her series on the Standing with Saguaros project, Kimi Eisele writes about integrating radio into her performance project.
By Regina V. Fields, SK Kerastas, Lisa Evans. Regina V. Fields interviews SK Kerastas and Lisa Evans about their work to make theatre institutions more accessible for trans* people, on and o…
By Michael Lueger. Michael Lueger and Jeremy Morris discuss Bert Williams.
By Sara Warner, Holly Hughes, Lois Weaver, Mary Jo Watts. Sara Warner interviews performance artists Holly Hughes and Lois Weaver and social media coordinator Mary Jo Watts about their initi…
By Abbey Fenbert. Abbey Fenbert examines the intersection of theatre and physical discrimination, and considers what is the responsibility of artists interested in transcending, rather than …
By Café Onda. The LTC steering committee announces a name change.
By Catherine Weingarten. Playwright Catherine Weingarten writes about her fatigue with the Strong Female Character, and pushes playwrights to strive for real nuance.
By Saheem Ali. Saheem Ali, a steering committee member for The Ghostlight Project, outlines the inspiration for and aims of the initiative, and suggests action steps for individuals and inst…
