By W.M. Akers. The grace and fury in the performance of Jo Lampert as Joan in Joan of Arc: Into the Fire.
By Michael Lueger. Anne G. Morgan, Literary Manager and Dramaturg at the Eugene O'Neill Theatre Center, talks about the Monte Cristo Cottage, Eugene O'Neill's childhood summer home, and the …
By Iulia Popovici. Iulia Popovici writes about independent theatre in Romania.
By Erin Washington. Erin Washington highlights Black women who are doing extraordinary work, and encourages others to leave shout-outs in the comments.
By Meida McNeal, Honey Pot Performance. Meida McNeal writes about the ethos and processes of creative collective Honey Pot Performance.
By Lauren Gunderson. Lauren Gunderson shares a video of her teaching a playwriting class on dialogue and asks the question: why theatre?
By Michael Lueger. Dr. Craig Barker talks about excavating​ Nea Paphos, an ancient theatre on the southwestern coast of Cyprus.
By Gábor Takács. Káva Drama/Theater in Education Association is one of the most important groups on the scene in Budapest in taking responsibility for the next generation. / A Ká…
By Jonathan Mandell. Jonathan Mandell considers why he resented the decency of Come From Away , a 9/11 musical.
By Viktor Szeri. We would like to dedicate the fourth article of the series to dance. Viktor Szeri, an up-and-coming dancer from Budapest, leads us into its secrets. / A sorozat negyedik pos…
By Anikó Varga. In the first post of the series, Budapest-based curator and theatre critic Anikó Varga gives us an overview of the young independent theatre field from the capital. / A…
By HowlRound. We're looking for the next HowlRound fellow!
By Kirsten Greenidge. "What's that?" "I got a bracelet." "What's it say?" I hold up my wrist for my daughter to inspect. Her eyes widen. I explain. "Feminist just means boys and girls are eq…
By Christopher Diercksen. Team Awesome Robot wraps up their series on producing independent theatre in New York City.
By Lojo Simon. Lojo Simon writes about creating a reading and conversation series for her community.
By Kitty Drexel. Kitty Drexel writes about Stephen Sondheim's Assassins , and the need for artists to defend natinoal arts funding.
By Ioana Tamas. Ioana Tamas discusses the status of artists in Romania, i n this installment of the series leading up to the IETM Plenary Meeting in Bucharest.
By Michael Lueger. Michael Lueger talks with Dr. William O. Beeman about the Iranian performance tradition known as ta'ziyeh.
By Ricky Young-Howze. Ricky Young-Howze writes about why people with invisible disabilities might be wary to disclose that information.
By Ralph B. Peña. Ralph B. Peña offers advice to those looking to diversify their theatre companies and productions.
By Michael Lueger. Michael Lueger and Jack Viertel talk about The New Yorkers.
By Erik Nikander. Erik Nikander discusses Yaroslava Pulinovich's Russian play Natasha's Dream , presented in New Repertory Theatre in Massachusetts.
By Theodor-Cristian Popescu. In this installment of a new series leading up to the IETM Plenary Meeting in Bucharest, Theodor-Cristian Popescu writes about being an actor in Romania.
By Natalie Sacks. Indie theatre reviewer Natalie Sacks outlines how to avoid common mistakes she sees in press invites.
By Elizabeth Willow. Actor Elizabeth Willow writes about how Rumble Theatre's Living Room program has helped her find community and inspiration among other artists in Vancouver, Canada.
