By Holly L. Derr. Holly L. Derr writes about recent cases of sexual harassment in the American theatre, and asks when and how institutions and abusers will truly be held accountable.
By Maria Vlachou. Maria Vlachou, Executive Director of Acesso Cultura | Access Culture, a not-for-profit that promotes access to cultural participation in Portugal, writes about work being d…
By Nassim Balestrini. American Studies scholar and educator Nassim Winnie Balestrini reports on how Climate Change Theatre Action relates to her seminar on cultural studies at the University…
By HowlRound. HowlRound is thrilled to welcome May Antaki on board as our new Content Editor!
By Amy Clare Tasker. Director Amy Clare Tasker on how the organizing practice of Open Space has revolutionized her work.
By Emily Garside. Scholar Emily Garside looks at the significance of the revival of Tony Kushner's Angels in America and asks how a play about 1980s America and the AIDS epidemic fits in our…
By Cassidy Dawn Graves. Cassidy Dawn Graves writes about Thomas Ostermeier's production of Richard III and questions why we still see able-bodied actors playing characters with disabilities.
By HowlRound. We're looking for an experienced editor with a theatre background to join our team!
By Nedjma Hadj Benchelabi. Brussels-based curator and dramaturg Nedjma Hadj Benchelabi writes about the art scene in her city, and how it is and isn't addressing contemporary social and poli…
By Sylvia Botella, Éric Fassin. Sylvia Botella interviews sociologist Éric Fassin about his views on the connection between sociology, the performing arts, and politics in the age of…
By Michiel Vandevelde. Brussels-based choreographer, curator, and writer Michiel Vandevelde argues that artists need to reclaim a place of power in the arts sector.
By Brian Herrera. An overview of the history and progression of the Latinx Theatre Commons by Brian Herrera, as the LTC enters its fifth year of cross-cultural collaboration and lifting up a…
By David Lozano, Karen ZacarÃas, Alex Alpharaoh. A conversation between actor and writer Alex Alpharaoh, director David Lozano, and playwright Karen ZacarÃas about the inspiration for …
By Helen Schultz. Following the success of The Wolves , Helen Schultz looks at why are there so few dramas about teenage girls on stage and compiles a short list of plays about teenage girls…
By Peter Sinn Nachtrieb. Meet the staff of one Bay Area theatre company and see how their lives, jobs, and homes interact and affect the artistic ecology of the Bay Area.
By Kirsten Greenidge. Playwright Kirsten Greenidge and her family travel to feminist historical landmarks around New England.
By Colleen Murphy. Canadian playwright Colleen Murphy writes about the importance of including Indigenous characters in plays and Indigenous artists in the process of making them.
By Chantal Bilodeau. Chantal Bilodeau kicks off this week's series on Theatre in the Age of Climate Change, and argues that we as a theatre community need to recognize when our practices and…
By Sara Brookner, Emily Mann. Dramaturg Sara Brookner kicks off a new series of interviews with theatremakers with chronic illnesses.
By Martha Steketee, Ethan Lipton. Ethan Lipton returns to his artistic home at Public and Joe's Pub in New York City to play with toys, musical storytelling, and space travel.
By Trevor Boffone. Trevor Boffone writes about the effects Hurricane Harvey has had on the theatre community in Houston, Texas.
By Talleri McRae. Talleri McRae summarizes a breakout session she co-led at the 2017 Theatre Communications Group Annual Conference.
By Mike Lew, Rehana Lew Mirza. Rehana Lew Mirza and Mike Lew document their first year as parents and Playwrights-in-Residence at Ma-Yi.
By Abigail Vega. Abigail Vega writes about the process for choosing shows for the 2017 Encuentro de las Américas festival.
By MJ Kaufman. MJ Kaufman writes about the decision not to see To the End of the Land ​at Lincoln Center.
