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By HowlRound. Are you interested in working for HowlRound? We're hiring a full-time Communications Manager"details about applying within.
By Sierra Carlson. Dramaturg Sierra Carlson describes her process for hosting a Women in Theatre Wikipedia Edit-a-Thon at her university, and encourages others engage in digital dramaturgica…
By HowlRound. Announcing a #howlround twitter chat on the state of theatre criticism now on Monday 13 August at 4pmET.
By Tiffany Antone. Tiffany Antone writes about Get Out the Vote initiatives at US theatre companies of various sizes.
By Regan Postma-Montaño. Regan Postma-Montaño reports on the 2018 Latinx Theatre Commons' Carnaval of New Latinx Work, which took place on the 19-21 July in Chicago, Illinois.
By David Dudley. David Dudley explores the story behind John Cage's Theater Piece No. 1 and discuses SITI Company's recent production of it, which was conceived and directed by Anne Bogart.
By Lauren Gunderson. Playwright Lauren Gunderson offers other writers lessons on dramatic structure, building characters, and crafting a powerful ending.
By Lisa Portes. Lisa Portes' remarks from the opening of the Latinx Theatre Commons Carnaval of New Latinx Work in Chicago, Illinois.
By Lauren Gunderson. Lauren M. Gunderson is the Playwright-in-Residence at Marian Theater Company through the National Playwright Residency Program , funded by the Andrew W. Mellon Foundatio…
By Emily C.A. Snyder. Emily Snyder encourages playwrights to write juicy, complex characters for people who have not historically been cast in leading roles.
By Lavina Jadhwani. Director Lavina Jadhwani summarizes conversations about casting she's been involved with in the past, and offers advice to artists and producers who find themselves facin…
By Warren Hoffman. Writer Warren Hoffman dives into the history of God of Vengeance , the Yiddish play from 1907 that inspired Paula Vogel's Indecent , and the questions around language and …
By Elizabeth Brendel Horn. Elizabeth Brendel Horn writes about Cartography at the Kennedy Center's New Visions/New Voices festival.
By Olivia D'Ambrosio. Olivia D'Ambrosio, Producing Artistic Director of Bridge Repertory Theater in Boston, MA discusses how the company's early ambitions led to challenges, and how the…
By Leilani Squire. Leilani Squire explores the healing power of writing through her experience of working with veterans to write a play about their time at war and sharing their stories with…
By Renée Darline Roden. Playwright Renée Darline Roden talks about her travels to Israel and Palestine to gain inspiration for a new play and encountering what Chimamanda Ngozi Adichie cal…
By Martha Steketee, Michelle Memran. Journalist and filmmaker Michelle Memran reflects upon the easy beginning, the messy middle, the focused concluding months, and MOMA premiere screening o…
By Jonathan Mandell. Jonathan Mandell writes about The Boys in the Band , The Gentleman Caller , and 217 Boxes of Dr. Henry Anonymous , and discusses their portrayal of gay male characters.
By Naomi Joseph. UK-based theatremaker Naomi Joseph looks at a problem many emerging theatre creators face: that artist development opportunities for them have upper age limits.
By Megan Sandberg-Zakian, Michael Rohd, Michael Garcés, Larissa FastHorse, Ty Defoe, Rebecca Martinez, Sulu LeoNimm, Maia Directors. Director Megan Sandberg-Zakian talks with representative…
By Jacqueline E. Lawton, Lisa Ravensbergen, mia susan amir, DeLesslin George-Warren. In this podcast, DeLesslin "Roo" George-Warren, Jacqueline E. Lawton, Lisa Cooke Ravensbergen, and mia su…
By Mary Kathryn Nagle, Robert Goodwin. Robert Goodwin and Mary Kathryn Nagle discuss decolonizing Western theatre, linear narrative structures, the historic silencing of underrepresented voi…
By 2018 LTC Carnaval Selection Committee. It is with great excitement that we introduce these six new Latinx plays into our field, by both emerging and established voices in the American the…
By Cynthia DeCure, Marissa Chibas. Announcing the Celebrando Fornés/Celebrating Fornés initiative, a year-long event to raise awareness of Maria Irene Fornés's impact on theatre and prese…
By Bincy Mary George. Social researcher Bincy Mary George details the history of the proscenium theatre in India and explores what independent artists and festivals like the Delhi Internatio…