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130 stories by "Rachel Halliburton"

The Glass Piano, Print Room at The Coronet review " fascinating story undermined by absurdism by Rachel Halliburton

The production's levity eviscerates the underpinning emotional realities Often the greatest works of dramatic absurdism spring from the worst extremes of human experience, whether it's Iones…

SOURCE: The Arts Desk at 6:06am on May 2, 2019[SHARE]

After Edward, Sam Wanamaker Playhouse review - delightfully risky by Rachel Halliburton

A soaringly irreverent postmodern caper through shifting attitudes to homosexuality A loo with fuschia-pink carpet to catch splashback; an Archbishop of Canterbury who's in it for the skirts…

SOURCE: The Arts Desk at 8:00pm on April 7, 2019[SHARE]

Fiddler on the Roof, Playhouse Theatre, review " energetic production whips up an emotional storm by Rachel Halliburton

A spikily poignant reminder of humanity in politically dark times In an age where political, social, and gender norms seem to be in perpetual meltdown, it should be pretty much impossible fo…

SOURCE: The Arts Desk at 3:19am on March 28, 2019[SHARE]

Richard II, Sam Wanamaker Theatre review - electrifying mixed-race all-female production by Rachel Halliburton

Adjoa Andoh is a magnetic Richard with her hawk-like glare and vigorous swagger Richard II has become the drama of our times, as it walks us through the impotent convulsions of a weak and va…

SOURCE: The Arts Desk at 6:30am on March 18, 2019[SHARE]

The Twilight Zone, Ambassadors Theatre review " retro wit for our new space age by Rachel Halliburton

Anna Washburn's play for the Almeida achieves lift-off in the West End As China and the US arm-wrestle for world-domination in everything from trade to military power, we find ourselves in t…

SOURCE: The Arts Desk at 5:15am on March 13, 2019[SHARE]

Berberian Sound Studio, Donmar Warehouse review " improves the original by Rachel Halliburton

This dark comedy raises disturbing questions about sound and intimacyTwo men called "Massimo" face the audience, one very tall, one very, well, minimo. The tall Massimo (Tom Espiner, picture…

SOURCE: The Arts Desk at 8:12am on February 15, 2019[SHARE]

The Cherry Orchard, Pushkin Drama Theatre, Barbican review - stunning absurdist Chekhov by Rachel Halliburton

Sex and technology run like faultlines through this workThere is no doubt that this Cherry Orchard, whirled into town by Roman Abramovich from Moscow, is going to be divisive. If you, lik…

SOURCE: The Arts Desk at 8:48am on February 6, 2019[SHARE]

Counting Sheep, The Vaults review - visceral recreation of an uprising by Rachel Halliburton

Revolution is about youth, music, anger, and - frankly - sexIs there a connection between revolution and theatre? The answer has to be yes " a visceral one. The supremacy of symbols, the col…

SOURCE: The Arts Desk at 4:32am on January 31, 2019[SHARE]

Rosenbaum's Rescue, Park Theatre review - curiously solid Jewish drama by Rachel Halliburton

Revelations that should feel toxic seem tepidTheatrical alchemy is eternally slippery.

SOURCE: The Arts Desk at 4:24am on January 16, 2019[SHARE]

The Tragedy of King Richard II, Almeida Theatre review - Simon Russell Beale leads revelatory interpretation by Rachel Halliburton

Shakespeare's study of flawed leadership becomes a paralable for our ageJoe Hill-Gibbins' uncompromising production of The Tragedy of Richard II for the Almeida hurtles through Shakespe…

SOURCE: The Arts Desk at 4:48am on December 19, 2018[SHARE]

The Box of Delights, Wilton's Music Hall review - captivating adaptation of John Masefield's darkly thrilling novel by Rachel Halliburton

Justin Audibert's production excels at portraying the book's alchemical qualitiesIf you're looking for a Christmas with more pagan edge than saccharine cheer, where the wolves are …

SOURCE: The Arts Desk at 4:36am on December 18, 2018[SHARE]

Doctor Faustus, Sam Wanamaker Theatre review - female Faustus reaps rich rewards by Rachel Halliburton

A deceptive lightness of tone brings new resonance to the textWhat do you gain by casting Dr Faustus and Mephistopheles as women? In the programme for this often illuminating production, dir…

SOURCE: The Arts Desk at 5:18am on December 7, 2018[SHARE]

Jeannie, Finborough Theatre review - unusual romantic comedy builds to fast spin by Rachel Halliburton

Our heroine is torn between the charms of a washing-machine inventor and a CountThe convention-challenging sexually adventurous life of Glaswegian writer Aimée Stuart is worth a play all on…

SOURCE: The Arts Desk at 3:54am on December 3, 2018[SHARE]

Summer and Smoke, Duke of York's Theatre, review " Patsy Ferran's remarkable performance by Rachel Halliburton

West End transfer from the Almeida retains pressure-cooker intensityThis production of Tennessee Williams' neglected classic, Summer and Smoke, arrives from the Almeida into the West End wit…

SOURCE: The Arts Desk at 3:24am on November 21, 2018[SHARE]

Macbeth, Shakespeare's Globe review - sexually-charged production draws power from the shadows by Rachel Halliburton

A daring counterintuitive reading proves richly rewardingMacbeth has rarely seemed quite as metrosexual as in this gorgeous shadow-painted production that marks artistic director at the Glob…

SOURCE: The Arts Desk at 4:32am on November 15, 2018[SHARE]

Honour, Park Theatre review - an assault on complacency by Rachel Halliburton

This scalpel-sharp drama anatomises marital breakdown with cold-eyed clarityAdultery seldom looks less adult than in the form of the mild-life crisis " that much-satirised condition in which…

SOURCE: The Arts Desk at 4:24am on November 2, 2018[SHARE]

A Guide For The Homesick, Trafalgar Studios review - warmy funny and deeply moving by Rachel Halliburton

Ken Urban's play is a psychological thriller crossed with a love storyThis blisteringly intense evening at Trafalgar Studios begins with two strangers in an Amsterdam hotel bedroom and …

SOURCE: The Arts Desk at 3:36am on October 19, 2018[SHARE]

Parents' Evening, Jermyn Street Theatre - chemistry so negligible it's antiseptic by Rachel Halliburton

A disappointing portrait of middle-class hypocrisyThe playwright Bathsheba Doran has blazed a stellar trail ever since graduating from Cambridge at the same time as David Mitchell and Robert…

SOURCE: The Arts Desk at 4:18am on October 11, 2018[SHARE]

Sketching, Wilton's Music Hall, review - less a dynamic babble than a disconsolate babel by Rachel Halliburton

James Graham's Dickens project is structurally ambitious but doesn't add upIt sounds like a marriage made in heaven. Charles Dickens and James Graham " both great chroniclers of…

SOURCE: The Arts Desk at 5:42am on October 3, 2018[SHARE]

Every Day I Make Greatness Happen, Hampstead Theatre Downstairs review - live-wire immediacy by Rachel Halliburton

Authentic performances hit the mark"I'm not a number, I'm not a grade, and I'm not a failure." The 17-year-old girl stands in front of the small class, who gaze at her goggle-eyed. "A robot …

SOURCE: The Arts Desk at 5:36am on September 28, 2018[SHARE]

The Outsider, Print Room at the Coronet review - power in restraint by Rachel Halliburton

The spirit of Magritte pervades this brand of existentialismAs the Syrian conflict enters its final convulsions, renewing memories of how the Sykes-Picot agreement " between an Englishman an…

SOURCE: The Arts Desk at 5:12am on September 20, 2018[SHARE]

Dance Nation, Almeida Theatre review - a tarantella through the convulsions of the teenage psyche by Rachel Halliburton

Humour used too often as a substitute for perceptionLycra, jealousy and pubescent ambition are put under the spotlight in Clare Barron's provocative probe into the American competitive danci…

SOURCE: The Arts Desk at 5:04am on September 6, 2018[SHARE]

Pericles, National Theatre review - a fizzingly energetic production by Rachel Halliburton

Celebrates multicultural diversity with a zingA break-dancing mini Michael Jackson, a transvestite Neptune, and a hero who wears his hubris as proudly as his gold-tipped trainers, are unconv…

SOURCE: The Arts Desk at 7:04am on August 27, 2018[SHARE]

Exit the King, National Theatre review - a vivid, brilliant production that somehow leaves you feeling empty by Rachel Halliburton

As the manic, self-obsessed king, Rhys Ifans cuts an extraordinary presenceThe image of a raging, narcissistic tyrant, convinced that he can crush even death into oblivion, has all too many …

SOURCE: The Arts Desk at 4:42am on July 26, 2018[SHARE]

A Monster Calls, Old Vic - wild, beautiful theatre that beguiles and bruises by Rachel Halliburton

A fearlessly experimental, physically ingenious exploration of the textA raw pagan vitality animates this extraordinary story about a teenage boy wrestling with tumultuous emotions in the fa…

SOURCE: The Arts Desk at 6:04am on July 19, 2018[SHARE]
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