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144 stories by "Rachel Halliburton"

A Midsummer Night's Dream, Shakespeare's Globe review - a blast of colour from our post-vaccine future by Rachel Halliburton

A production that revels in the joyously absurd while hinting at the play's darker edges A little less than two years after Sean Holmes's kick-ass Latin American carnival-style A Midsummer N…

SOURCE: The Arts Desk at 6:54am on May 29, 2021☆⚑

Money, Southwark Playhouse online review - ethical dilemmas for the Zoom generation by Rachel Halliburton

A vivid and credible production that is also limited by its form To accept or not accept a donation: that's certainly the burning political question of the moment.

SOURCE: The Arts Desk at 4:03am on May 3, 2021☆⚑

Dream, RSC online review - gaming version unleashes revolutionary potential by Rachel Halliburton

Co-production with Manchester International Festival, Marshmallow Laser Feast and Philharmonia Orchestra brings Shakespeare's metaphor to life Which of Shakespeare's plays is most plagued by…

SOURCE: The Arts Desk at 6:03am on March 17, 2021☆⚑

The Color Purple - at Home, Curve online review " life-affirming musical retelling of Alice Walker's novel by Rachel Halliburton

Celie learns how to live from the strong, rebellious women she encounters This production of The Color Purple is an extraordinary testimony to the fact that many of the twentieth century's m…

SOURCE: The Arts Desk at 7:33am on February 22, 2021☆⚑

All On Her Own, Stream.Theatre online review - a vivid monologue on bereavement by Rachel Halliburton

The tilt between our actual selves and our idealised selves will never cease to be an existential tension This stunningly delivered online monologue from a bereaved widow to her husband feel…

SOURCE: The Arts Desk at 7:03am on February 17, 2021☆⚑

Nine Lessons and Carols, Almeida Theatre review " spiky portrayal of a world turned upside down by Rachel Halliburton

Skilfully interwoven accounts of a life in which togetherness is forbidden How do you create a secular version of the Nine Lessons and Carols? The original can feel like a formulaic trot thr…

SOURCE: The Arts Desk at 6:48am on December 10, 2020☆⚑

The Flying Lovers of Vitebsk, Wise Children review " ravishing vision of Chagall's early life by Rachel Halliburton

An ingenious depiction of the artist's gravity-defying love One of Marc Chagall's last commissions was for a stained-glass window in Chichester Cathedral, which channelled his characteristic…

SOURCE: The Arts Desk at 4:03pm on December 5, 2020☆⚑

The Great Gatsby, Immersive London review " a warm and electric tribute to the book by Rachel Halliburton

It's a true achievement to feel the chemistry of a cast whirring into action again The Prohibition-era setting of The Great Gatsby brings an appropriately illicit feel to this bold dec…

SOURCE: The Arts Desk at 5:03am on October 23, 2020☆⚑

The Outside Dog & The Hand of God, Bridge Theatre review - gems of frustration and disquiet by Rachel Halliburton

Alan Bennett's monologues make us reflect on our own little worlds For some of us, it doesn't take a lockdown to imprison us in our own hellish little world. Since his first series of dramat…

SOURCE: The Arts Desk at 6:02am on September 11, 2020☆⚑

Beat the Devil, Bridge Theatre review " Ralph Fiennes delivers an arresting account of Covid-19 by Rachel Halliburton

Theatre itself become an act of rebellion against the microbe For a riveting, cathartic " and often surprisingly humorous " 50 minutes Ralph Fiennes paces the stage at the Bridge Theatre to …

SOURCE: The Arts Desk at 8:12pm on August 30, 2020☆⚑

Amadeus, National Theatre at Home review " wild dance at the edges of sanity by Rachel Halliburton

As Mozart, Adam Gillen erupts onto the stage as a Tourette's tornado It is 41 years since Peter Shaffer ripped off Mozart's respectable façade to reveal a foul-mouthed verbally incontinen…

SOURCE: The Arts Desk at 8:24am on July 17, 2020☆⚑

The Deep Blue Sea, National Theatre at Home review - hauntingly elegiac portrayal of Rattigan's world by Rachel Halliburton

Helen McCrory is the broken, irreparable heart of this production Helen McCrory is an actor who can inject a world of feeling into one syllable that many actors would struggle to muster in a…

SOURCE: The Arts Desk at 6:48am on July 10, 2020☆⚑

Toast, Lawrence Batley Theatre online review - pungent adaptation of Nigel Slater's autobiography by Rachel Halliburton

Food crimes of the Sixties and Seventies are revealed here as Michelin-starred memories I knew what a Howard Hodgkin painting would look like before I ever saw one because of Nigel Slater. T…

SOURCE: The Arts Desk at 4:03am on July 3, 2020☆⚑

The Madness of George III, National Theatre at Home review " a powerful, elegant depiction by Rachel Halliburton

A story told with the wit and elegance of a tune played on a harpsichord It has been the fate of George III " who on many levels was a visionary and accomplished monarch " to go down in hist…

SOURCE: The Arts Desk at 12:24pm on June 12, 2020☆⚑

Coriolanus, National Theatre at Home review " gritty 21st century update by Rachel Halliburton

The power of the mob still resonates in a production that speaks powerfully to our times An arrogant leader contemptuous of his people. Could there be a more perfect timing for Josie Rourke'…

SOURCE: The Arts Desk at 8:06am on June 5, 2020☆⚑

This House, National Theatre at Home review " timely revival of brilliant House of Commons drama by Rachel Halliburton

James Graham acutely perceives the obsessions and motivations of our times There is a line of argument that " unfairly " blames playwright James Graham for Dominic Cummings. Would Cummings, …

SOURCE: The Arts Desk at 1:42pm on May 29, 2020☆⚑

Barber Shop Chronicles, National Theatre at Home review - still lively after all these years by Rachel Halliburton

Barbershop banter and the place it occupies in black male identity Barber shops " as we are all starting to appreciate in this time of lockdown " fulfil an emotional as much as a cosmetic ro…

SOURCE: The Arts Desk at 7:54am on May 16, 2020☆⚑

The Seven Streams of the River Ota, National Theatre review - theatre at its transcendent best by Rachel Halliburton

Robert Lepage seizes on the fragments of human lives to build an epic If you want to pinpoint the genius of Robert Lepage's multi-faceted seven-hour epic, that has returned to the National T…

SOURCE: The Arts Desk at 11:48pm on March 15, 2020☆⚑

Not Quite Jerusalem, Finborough Theatre review - theatrical hit from 1980 now feels flat and stale by Rachel Halliburton

Paul Kember's play doesn't sing convincingly any more It may seem strange to watch a play about four English people on a kibbutz in the Seventies, and find yourself thinking about Brexit, bu…

SOURCE: The Arts Desk at 9:32pm on March 8, 2020☆⚑

Women Beware Women, Shakespeare's Globe, review " wittily toxic upgrade of a Jacobean tragedy by Rachel Halliburton

In the #Metoo era, the exploitation of the female characters is particularly resonant This raunchy, gleefully cynical production takes one of Thomas Middleton's most famous tragedies and tur…

SOURCE: The Arts Desk at 6:18am on February 28, 2020☆⚑

On McQuillan's Hill, Finborough Theatre review - timely glance at Northern Irish myths and tensions by Rachel Halliburton

Joe Crilly believed in skewering the romance surrounding sectarian violence The news that the Continuity IRA created a bomb destined for England on Brexit Day has added to the timeliness of …

SOURCE: The Arts Desk at 5:32am on February 10, 2020☆⚑

Girl From The North Country, Gielgud Theatre review " poignant collaboration between Conor McPherson and Bob Dylan by Rachel Halliburton

Raw depiction of a community where dreams go to die Despair hangs like mildew over the small iron-ore mining town of Duluth, Minnesota, where dreams go to die, and the living haunt the clapp…

SOURCE: The Arts Desk at 10:12am on December 23, 2019☆⚑

Swive, Shakespeare's Globe review " pacy, dagger-sharp rewriting of history by Rachel Halliburton

An interrogation of power, womanhood and the mythologies with which we surround ourselves History has corseted Elizabeth I with the title of "Virgin Queen" for centuries, but in Ella Hickson…

SOURCE: The Arts Desk at 8:42am on December 16, 2019☆⚑

The Ocean at the End of the Lane, National Theatre review - terrifying, magical coming of age story by Rachel Halliburton

A stunning tribute to the wild and wonderful life of the mind This scary, electrically beautiful adaptation of Neil Gaiman's book about living on the faultline between imagination and realit…

SOURCE: The Arts Desk at 3:36pm on December 12, 2019☆⚑

The Lion, The Witch and The Wardrobe, Bridge Theatre review " spellbinding narrative of parallel worlds by Rachel Halliburton

An electric interpretation in which the White Witch " like the devil " has all the best tunes We all remember that moment when we walked through the back of the wardrobe: the heaviness of th…

SOURCE: The Arts Desk at 6:33am on November 26, 2019☆⚑
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