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1,519 stories by "Peter Marks"

A young classical actor, burning bright in Washington by Peter Marks

In college, Zach Appelman heard voices. And they convinced him that he was on the right track. They came to him through speakers and ear buds: the honeyed sounds of great Shakespeareans, act…

SOURCE: Washington Post at 1:49pm on March 8, 2013

Betting on next season, Signature plays a full house by Peter Marks

As plans for the new Washington theater season take shape, the lineup across the region is looking ever nervier. Although an occasional company is going for the tried-and-true " witness the …

SOURCE: Washington Post at 6:30pm on March 4, 2013

A frothy new 'Tempest' bubbling to the surface by Peter Marks

Synetic Theater is up to its old tricks. Which, of course, is very good news. It's added a few new tricks, too, in its never-ending quest for acrobatic dazzle, with a wet-and-wild version of…

SOURCE: Washington Post at 7:53pm on February 28, 2013

For Idina Menzel and prize-winning team, D.C. is a Broadway tryout town reborn by Peter Marks

Idina Menzel, one of the original cast members of "Rent" and a Tony winner for the role of Elphaba in "Wicked," will star in a new Broadway-bound musical by the creators of "Next to Normal" …

SOURCE: Washington Post at 2:12pm on February 28, 2013

From Oslo, a most eccentric 'Hedda Gabler' by Peter Marks

With a disarming disregard for theatrical convention, the actor playing the weak-willed Jorgen Tesman in the National Theatre of Norway's radically pared-down "Hedda Gabler" performs about 1…

SOURCE: Washington Post at 11:12am on February 27, 2013

For Arena Stage, a season of high hopes and big plans and bigger stars by Peter Marks

How's this for casting coups? Kathleen Turner as Mother Courage! The earthy Turner must have had a blast at Arena Stage last summer playing the tart-tongued liberal columnist Molly Ivins, be…

SOURCE: Washington Post at 9:37pm on February 25, 2013

Pointless Theatre's 'Canterbury' has the right spirit but lacks cohesion by Peter Marks

"Canterbury" is what might happen to Chaucer's raucous 14th-century pilgrims if they stopped for a brewski or three at an English major's dorm party. Draped in Natalie Drutz's wittily cartoo…

SOURCE: Washington Post at 6:56pm on February 24, 2013

A theater man casts his design eye on the Oscars by Peter Marks

It was one of those calls that can set aflutter the heart of the toughest showbiz veteran, even one accustomed to the wearying whims of the most demanding of Broadway directors and producers…

SOURCE: Washington Post at 12:17pm on February 22, 2013

'Metamorphoses': A delightfully fluid way to experience Roman mythology by Peter Marks

The first word uttered in Mary Zimmerman's luminously liquid pageant of ancient myths is "Bodies," and how fitting that proves to be. Over the 100 shimmering minutes of "Metamorphoses," a fl…

SOURCE: Washington Post at 6:34pm on February 19, 2013

In crowded theater market, Round House Theatre Seeks to Stand Out by Peter Marks

Theater lovers might want to get out their global positioning systems and plug in the settings for Montgomery County, because a new sense of dramatic direction is taking hold in the capital'…

SOURCE: Washington Post at 8:37pm on February 18, 2013

Review of 'The Convert' at Woolly Mammoth Theatre by Peter Marks

It isn't every dramatist these days who can sustain a nuanced narrative through a full three hours and two intermissions " a feat that makes all the more impressive Danai Gurira's absorbing …

SOURCE: Washington Post at 7:33pm on February 18, 2013

'Shakespeare's R+J' sets new themes in old play - The Washington Post by Peter Marks

It's the most famous teenage kiss of all time. "O then, dear saint, let lips do what hands do. They pray," Romeo declares on that fateful night of love at first sight at the Capulets' masked…

SOURCE: Washington Post at 9:54am on February 18, 2013

No Title by Peter Marks

It's the most famous teenage kiss of all time. "O then, dear saint, let lips do what hands do. They pray," Romeo declares on that fateful night of love at first sight at the Capulets' masked…

SOURCE: Washington Post at 11:16am on February 15, 2013

Two Mamet plays are on the boil on D.C. stages by Peter Marks

The distance between Round House Theatre in Bethesda and Theater J on 16th Street NW is only about seven miles, yet at the moment, that trip covers a large patch of David Mamet's polarizing …

SOURCE: Washington Post at 5:27pm on February 14, 2013

'Shakespeare's R+J' at Signature Theatre: An old heartache gets an electric jolt by Peter Marks

Fear not: The power surges occurring frequently and without warning inside Signature Theatre present no cause for alarm. They are, in fact, the reason you want to get as close as possible to…

SOURCE: Washington Post at 6:56pm on February 13, 2013

Arena does grandly by 'Good People' by Peter Marks

The people of "Good People" aren't all that good " which is partly why the play is better than good. As consequences of David Lindsay-Abaire's wisdom-filled script and Jackie Maxwell's super…

SOURCE: Washington Post at 9:23pm on February 11, 2013

Olney finds next leader in Jason Loewith by Peter Marks

Jason Loewith, an award-winning musical writer, stage director and national leader in the development of new American plays, has been appointed artistic director of Olney Theatre Center, the…

SOURCE: Washington Post at 7:30pm on February 7, 2013

Broadway, coming to a nonprofit theater near you by Peter Marks

David Lindsay-Abaire, author of the most-produced play in America this season, is sitting in a Brooklyn coffee shop, marveling at his excellent fortune. It isn't a mere five or six professio…

SOURCE: Washington Post at 12:00pm on February 1, 2013

Theater review: 'Our Town' at Ford's Theatre by Peter Marks

The stark visual eloquence of Ford's Theatre's revival of "Our Town" informs Thornton Wilder's portrait of the ordinary joys and sorrows of fictional Grover's Corners, N.H. But the picture p…

SOURCE: Washington Post at 5:55pm on January 31, 2013

At Constellation Theatre, a dashing 'Zorro' by Peter Marks

Let's stipulate right off the bat that Danny Gavigan makes for a dashing caped crusader. No, not the one with the souped-up car and the sidekick and the high Hollywood profile. This other gu…

SOURCE: Washington Post at 5:49pm on January 30, 2013

'Henry V': A royal star done justice by Peter Marks

Demonstrating decisively that a hero can always be found waiting in the wings, a young actor by the name of Zach Appelman has come along to grab hold of the oratorical reins of "Henry V" and…

SOURCE: Washington Post at 2:11pm on January 29, 2013

Arts preview: What's springing up in D.C. theater by Peter Marks

Curious about which topics, people and offerings might achieve hotness in #DCTheater this spring? Here are my prognostications about what's likely to be trending onstage in the coming months…

SOURCE: Washington Post at 2:12pm on January 25, 2013

On Broadway: 'Cat' lands on its feet; 'Picnic,' 'The Other Place' less successful by Peter Marks

NEW YORK " Imagine one of the plucky little orphans of "Annie," all grown up and fixing her sights on a sprawling Delta plantation, and you get an idea of the impression Scarlett Johansson m…

SOURCE: Washington Post at 8:13pm on January 17, 2013

In Theater J's 'Boged,' an Israeli whistleblower is seen as toxic by Peter Marks

Out in the Negev, an Israeli scientist has discovered the dark side of an industrial miracle. A bustling complex of factories that has brought prosperity to the desert is creating ecological…

SOURCE: Washington Post at 6:53pm on January 16, 2013

'We Tiresias:' Try not to myth it by Peter Marks

"Taking Care of Our Own" is the name of a financial aid effort for local actors and other artists run by a regional advocacy group, Theatre Washington. But this week, it also characterizes a…

SOURCE: Washington Post at 1:08pm on January 9, 2013
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