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1,519 stories by "Peter Marks"

'Real Thing' revived at Studio Theatre by Peter Marks

Vows do not mean much to Henry, the adulterous playwright at the center of "The Real Thing." But words do. He's so high-minded about language, in fact, that he refuses to help his second wif…

SOURCE: Washington Post at 5:36pm on May 27, 2013

Kennedy Center unmasks 'The Guardsman' by Peter Marks

"The Guardsman"? Really? That Paleolithic bit of Broadway foolery? The farcical vehicle that once upon a time (1924, to be exact) starred the erstwhile duke and duchess of the American stag…

SOURCE: Washington Post at 10:07am on May 24, 2013

Beyond "Clybourne": "Beneatha's Place" by Peter Marks

BALTIMORE " Of all the nerve! Kwame Kwei-Armah, CenterStage's exuberant artistic director, believes theater is such a vital aspect of the culture that a Pulitzer Prize-winning play on the se…

SOURCE: Washington Post at 11:45pm on May 20, 2013

A 'Winter's Tale' for all seasons by Peter Marks

If only life offered the second chance Shakespeare so magnanimously grants the monstrously miscalculating Leontes of his late-career romance "The Winter's Tale." Sixteen years of penitential…

SOURCE: Washington Post at 7:37am on May 20, 2013

An English actress, transformed by Washington by Peter Marks

In a town possessed of more than its fair share of residents with impressive credentials, Hannah Yelland manages to stand out. Yes, Washington is home to ambassadors and generals and Cabinet…

SOURCE: Washington Post at 7:37am on May 20, 2013

A madcap but middling 'Twelfth Night' by Peter Marks

Sometimes, in its ongoing bout with Shakespeare's canon, Folger Theatre goes for the outright pin. At other times, it seems content with a draw. Its new "Twelfth Night" qualifies in the humb…

SOURCE: Washington Post at 6:17pm on May 8, 2013

Love and turmoil heat up 'Other Desert Cities' at Arena Stage by Peter Marks

Amid the cacti and tennis courts, betrayal lies in wait. The comfortably arid retirement of Lyman and Polly Wyeth " impeccably groomed survivors of Old Hollywood and California Republican po…

SOURCE: Washington Post at 10:14pm on May 7, 2013

For Jon Robin Baitz, all politics is verbal by Peter Marks

In the expansive living room of their bright Tribeca apartment, Jon Robin Baitz and his friendly, three-legged dog Trip both pad about restlessly, looking for comfortable places to alight. F…

SOURCE: Washington Post at 1:31pm on May 3, 2013

As another season on Broadway ends, more proof that it's much better Off- by Peter Marks

NEW YORK " The beat of David Byrne's sexy new life-of-Imelda-Marcos musical, "Here Lies Love," never rests. And neither, for that matter, does the audience. In a black-box-turned-disco insid…

SOURCE: Washington Post at 9:33pm on April 28, 2013

Theater's Prince, crowned yet again by Peter Marks

NEW YORK " Lest you imagine the career's a wrap for 85-year-old Harold Prince, imagine again. Not only is he working on a retrospective musical, "The Prince of Broadway," based on his own il…

SOURCE: Washington Post at 12:31pm on April 19, 2013

Robert Pinsky adapts 'Wallenstein' for Shakespeare Theatre by Peter Marks

"First of all, forget about the Thirty Years' War," the conflict-hardened and battle-weary Gen. Albrecht Wallenstein advises an audience in the first seconds of Shakespeare Theatre Company's…

SOURCE: Washington Post at 8:14pm on April 18, 2013

Kennedy Center plans Degas-inspired new musical, 'Little Dancer' by Peter Marks

You know it as the sculptural quintessence of grit, grace and love of ballet. Now see it as a musical. Edgar Degas's world famous "Little Dancer, Aged Fourteen" is the inspiration for an ori…

SOURCE: Washington Post at 11:12am on April 17, 2013

In resonant 'Andy and the Shadows,' not everything makes sense, for good and ill by Peter Marks

What one generation absorbs as abject suffering, the next may experience as utter bewilderment. For befuddled is how Andy Glickstein stumbles through his out-loud-neurotic, Jewish American l…

SOURCE: Washington Post at 7:42pm on April 14, 2013

A Poet Laureate Tackles a German Classic in Shakespeare Theatre's 'Wallenstein' by Peter Marks

ORANGEBURG, N.Y. " In the basement recording studio of a tract house in an aging subdivision, a former poet laureate of the United States rocks back and forth to the improvisational licks of…

SOURCE: Washington Post at 4:13pm on April 12, 2013

'Matilda' on Broadway: It's magic, and not just for kids by Peter Marks

NEW YORK " Dwelling among us, ladies and gentlemen, is a super-race of tiny entertainment machines. Disguised as children, they sing, act, dance, tumble and generally bedazzle, as if each of…

SOURCE: Washington Post at 7:51pm on April 11, 2013

'Coriolanus' turns on a potent Page by Peter Marks

With a voice that rumbles and quakes like an avalanche, Patrick Page unleashes his catalytic energy on "Coriolanus," the Shakespearean tragedy that builds ever so incrementally to a roaring …

SOURCE: Washington Post at 7:08pm on April 11, 2013

Theater review: In King's world, via 'The Mountaintop' by Peter Marks

He smokes. He cusses. He drinks. He comes on to a woman who isn't his wife. But he also speaks in the inspirational voice of a Gandhi-esque leader who forced America to search its conscience…

SOURCE: Washington Post at 7:42pm on April 8, 2013

Lauper's "Boots" were made for Broadway by Peter Marks

NEW YORK " When it's good, "Kinky Boots," the new Broadway musical with the rocking Cyndi Lauper score, is sweetly, vivaciously, irresistibly good. And when it's not so good " well, let's no…

SOURCE: Washington Post at 7:48pm on April 4, 2013

Daisey on Disney: A ride worth taking by Peter Marks

That dependably major meteorological event, Hurricane Daisey, has swept back into Washington. As with past storms of this variety, the latest one seeks to shake an institution to its foundat…

SOURCE: Washington Post at 8:05pm on April 2, 2013

'Mary T. & Lizzy K.' fashions relationship of Lincoln's wife and her dressmaker by Peter Marks

With actress Naomi Jacobson perched on a stand as she's fitted for a gown in Arena Stage's "Mary T. & Lizzy K.," an audience learns what's in and what's out in mid-19th-century haute cou…

SOURCE: Washington Post at 6:05pm on April 1, 2013

A new 'Dolly,' in dancing trim by Peter Marks

If Mount Rushmore had been carved to enshrine Broadway musicals rather than presidents, the four faces gazing majestically out from the mountain might look something like this: Yul Brynner a…

SOURCE: Washington Post at 5:21pm on March 31, 2013

On the heels of 'Really Really,' could D.C.'s next export be theater? by Peter Marks

NEW YORK " From the outset, the box-office appeal of "Really Really" astonished actor-turned-playwright Paul Downs Colaizzo. He was surprised when Eric Schaeffer, Signature Theatre's artisti…

SOURCE: Washington Post at 4:22pm on March 29, 2013

'4000 Miles' at Studio Theatre makes for wise travel by Peter Marks

Please give a warm welcome to Amy Herzog, a playwright of distinction whose rich portfolio you'll want to get to know. Shaped by deft observation and psychological texture, her work has begu…

SOURCE: Washington Post at 7:03pm on March 26, 2013

A bonanza of daring, across the boards by Peter Marks

Whether it's an intensifying appetite for novelty, a newfound embrace of boldness " or maybe an increase in spinach consumption " something has gotten into the theater makers who are decidin…

SOURCE: Washington Post at 8:48pm on March 13, 2013

An exuberant 'Fanny and Alexander' brings Bergman's Ekdahls to the Kennedy Center by Peter Marks

The turntable on which Sweden's Royal Dramatic Theatre places its stage version of "Fanny and Alexander" is an apt visual clue to director Stefan Larsson's elegant production " a beguiling s…

SOURCE: Washington Post at 3:47pm on March 8, 2013
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