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1,519 stories by "Peter Marks"

An "Appropriate" Amount of Mayhem by Peter Marks

When it comes to fruit from a poisoned tree, the biliously funny "Appropriate" displays it by the bushel. The young playwright Branden Jacobs-Jenkins dreams up a nasty extended family that h…

SOURCE: Washington Post at 2:50pm on November 11, 2013

Style Blog: Virgin America makes a song and dance out of an all-too-familiar airline ritual by Peter Marks

Don't think of the time you spend on the tarmac anymore as the takeoff. No, from now on you're going to have to call it the opening number. At least that's how it might feel on Virgin Americ…

SOURCE: Washington Post at 2:01pm on November 6, 2013

New 'Gigi' musical to be unveiled in D.C. by Peter Marks

The producers of a newly announced revival of "Gigi" " a stage musical adapted from the Academy Award-winning movie " are hoping that Washington audiences remember it well. The launch of thi…

SOURCE: Washington Post at 1:16pm on November 6, 2013

Idina Menzel, defying gravity again by Peter Marks

Idina Menzel knows a thing or two about charmed lives. She is, after all, the original Elphaba, the green-skinned witch of "Wicked," the megahit Broadway musical that earned her a Tony Award…

SOURCE: Washington Post at 11:52am on November 1, 2013

'Sister Act': Nuns just want to have fun by Peter Marks

By the numbers " and that's the only way, really, to understand the rationale for "Sister Act," the musical " the lay of the entertainment land would be welcoming to a stage version of the 1…

SOURCE: Washington Post at 8:45pm on October 31, 2013

Lahti appears, with "Pride" by Peter Marks

So devoted to her delusion of suburban bliss is Carly, the toned Southern belle of "Pride in the Falls of Autrey Mill," that she's blinded to all of the obvious cracks in the subdivision's f…

SOURCE: Washington Post at 6:31pm on October 28, 2013

Theater review: Folger's 'Romeo and Juliet' has a tough cookie for a heroine by Peter Marks

"Shut . . . the . . . door!" Erin Weaver's seething Juliet exclaims through clenched jaw, as she and Eric Hissom's dazed Friar Lawrence hunker down to absorb the …

SOURCE: Washington Post at 12:50pm on October 22, 2013

Mixed results for Arena transplants to N.Y.: 'A Time' doesn't kill; 'Joplin' buoyed by lead by Peter Marks

NEW YORK " They should have renamed it, "A Lot of Time to Kill." The producers stuck instead with the title it bore at Arena Stage, "A Time to Kill," the title it shares with the best-sellin…

SOURCE: Washington Post at 7:44pm on October 20, 2013

Melissa James Gibson's 'This' is engaging but doesn't end well by Peter Marks

Melissa James Gibson always seems to be writing about what's not been happening to her characters. In"[sic]", her subjects were young New York dilettantes, filling their undistinguished days…

SOURCE: Washington Post at 6:50pm on October 17, 2013

A 'Brief Encounter' for Shakespeare Theatre: Company to import Kneehigh Theatre show by Peter Marks

Adding to its burgeoning reputation as an importer of high-end artistic wares, Shakespeare Theatre Company will introduce Washington audiences in March to yet another innovative British thea…

SOURCE: Washington Post at 12:12pm on October 17, 2013

Broadway director Charles Randolph-Wright returns to D.C. with a play about love and war by Peter Marks

When you're setting a play in a country you've never visited, it's certainly a good idea to run the piece by people with more intimate knowledge of the place. This was the task dramatist Cha…

SOURCE: Washington Post at 10:32am on October 4, 2013

Nothing gray about Synetic's 'Dorian' by Peter Marks

If you're any kind of fan of horror movies, then you've probably taken in a splatter film or two. But a splatter PLAY? Leave it to the fiendish folks at Synetic Theater to find a way to thri…

SOURCE: Washington Post at 12:35pm on October 3, 2013

Suburban angst again, in 'Rancho Mirage' by Peter Marks

Boy, when best friends gather in "Rancho Mirage" " the name of both the new play and the deceptively idyllic subdivision of playwright Steven Dietz's imagination " bottles of wine aren't the…

SOURCE: Washington Post at 11:28am on October 1, 2013

Studio Theatre suits up for 'Red Speedo' by Peter Marks

Although "Red Speedo" concerns itself with events that occur in the water, the dramatic element most apparent on this evening at Studio Theatre is hot air. Lucas Hnath's topical new play, re…

SOURCE: Washington Post at 12:06pm on September 30, 2013

Shakespeare Theatre's latest play doesn't 'Measure' up to its prologue by Peter Marks

The most vivacious moments of the new "Measure for Measure" at the Shakespeare Theatre Company " on the whole, an evening on the dry side " aren't strictly Shakespearean. They're Munbian. As…

SOURCE: Washington Post at 7:33pm on September 24, 2013

'The Velocity of Autumn': Does Mom know best in her golden years? by Peter Marks

The part has bravura written all over it: An octogenarian iconoclast is so enraged at her children's efforts to send her to an old-age home that she barricades herself in her Brooklyn browns…

SOURCE: Washington Post at 2:26pm on September 23, 2013

New days for Helen Hayes Awards by Peter Marks

In the daily wrestling match with myself over how I feel about the piece of theater I'm seeing, the amount of money that's been spent to create it rarely if ever enters my consciousness. I d…

SOURCE: Washington Post at 12:25pm on September 20, 2013

'Mr. Burns, a Post-Electric Play,' from Woolly Mammoth debut to Broadway smash by Peter Marks

NEW YORK " The rapturous reception here for Anne Washburn's dazzling "Mr. Burns: A Post-Electric Play" is not only further validation of the ingenuity of an exciting young dramatist. It also…

SOURCE: Washington Post at 5:09pm on September 19, 2013

The dark 'burbs of Woolly Mammoth's 'Detroit' by Peter Marks

Meet the nightmare neighbors. Their names are Sharon and Kenny, and they've just moved into the unkempt tract house next door. Recent graduates of Rehab U., they seem friendly enough, even i…

SOURCE: Washington Post at 8:06pm on September 16, 2013

'The Velocity of Autumn': For Eric Coble's drama, it's full-speed ahead to Arena Stage by Peter Marks

In its march to the big time, "The Velocity of Autumn" was forced to decelerate. An announcement of Eric Coble's drama coming to Broadway last spring had been widely publicized, along with t…

SOURCE: Washington Post at 10:04am on September 13, 2013

Theater review: 'Agnes Under the Big Top' an underdeveloped drama by Peter Marks

"Agnes Under the Big Top" is doughnut theater: a mushy thing with a hole in the middle. Aditi Brennan Kapil's underdeveloped drama, tying together the stories of immigrants in America in a …

SOURCE: Washington Post at 11:42am on September 10, 2013

Lighting Fierstein's 'Torch' " again by Peter Marks

I say unto you that henceforward, the program of every new production of "Torch Song Trilogy" " Harvey Fierstein's groundbreaking comedy of gay American aspiration " should contain the words…

SOURCE: Washington Post at 8:06pm on September 9, 2013

Curtain is rising on fall theater season in Washington by Peter Marks

On "Next to Normal's" official opening night at Arena Stage in late 2008, the show's creators, Tom Kitt and Brian Yorkey, handed the musical's producer, David Stone, something he will always…

SOURCE: Washington Post at 1:53pm on September 6, 2013

Tiler Peck, New York City Ballet dancer, wins title role in 'Little Dancer' at Kennedy Center by Peter Marks

A big-time dancer will step into the ballet slippers in "Little Dancer," the musical inspired by a famous Edgar Degas subject that will have its world premiere at the Kennedy Center a year f…

SOURCE: Washington Post at 11:07am on September 5, 2013

'Miss Saigon' at Signature Theatre: No chopper, just chops by Peter Marks

Let's deal right at the top with the urgent transportation question of the day: Yes, "Miss Saigon" works without the helicopter. Some of you will recall that the technical coup in the long-r…

SOURCE: Washington Post at 3:18pm on September 4, 2013
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