Heisenberg: The Uncertainty Principle, Wyndham's Theatre, London, review: The two actors have superb chemistry by Paul Taylor, Paul Taylor

Anne-Marie Duff and Kenneth Cranham star in this two-hander by Simon Stephens in the first production of director Marianne Elliott's new theatre company

SOURCE: The Independent at 11:42am on October 10, 2017[SHARE]

King Lear, Minerva Theatre, Chichester, review: Ian McKellen's extraordinarily moving portrayal of King Lear by Paul Taylor, Paul Taylor

Jonathan Munby's compelling chamber version of 'King Lear' in the Minerva Studio, allows McKellan to play-around with the beat and tempo of the verse

SOURCE: The Independent at 11:48am on October 2, 2017[SHARE]

After the Rehearsal/Persona, Barbican, London, review: Ivo van Hove's fascinating double bill of Bergman by Paul Taylor, Paul Taylor

Toneelgroep Amsterdam artfully pair two Bergman screenplays about the phoniness of the theatre

SOURCE: The Independent at 8:18am on September 28, 2017[SHARE]

Ramona Tells Jim, The Bush, London, review: fizzes with talent by Paul Taylor, Paul Taylor

Sophie Wu's play captures the excruciating awkwardness of teenage love, but lacks plausibility when revisiting characters in adulthood

SOURCE: The Independent at 5:04am on September 26, 2017[SHARE]

Wings, Young Vic, London, review: A remarkable performance by Juliet Stevenson by Paul Taylor, Paul Taylor

The actress is aerially suspended in a void playing a stroke victim in this revival of Arthur Kopit's play

SOURCE: The Independent at 4:48am on September 22, 2017[SHARE]

Oslo, National Theatre, London, review: There is a Byzantime complexity that gives the show the grip of an intellectual thriller by Paul Taylor, Paul Taylor

Bartlett Sher's fast-paced and quick-witted staging of J T Rogers's new play is so much more than a slog through three hours of argument about the Middle East

SOURCE: The Independent at 11:54am on September 19, 2017[SHARE]

Boudica, Shakespeare's Globe, London, review: Gina McKee commands the stage by Paul Taylor, Paul Taylor

Tristan Bernays's new historical play starring Mckee as Boudica closes the Globe's summer season

SOURCE: The Independent at 7:42am on September 18, 2017[SHARE]

Prism, Hampstead Theatre, London, review: Robert Lindsay gives a superb performance by Paul Taylor, Paul Taylor

Terry Johnson's play about the Oscar-winning cinematographer Jack Cardiff with dementia is sensitively directed by the author

SOURCE: The Independent at 7:42am on September 18, 2017[SHARE]

The Blinding Light, Jermyn Street Theatre, London, review: A cracking new play by Paul Taylor, Paul Taylor

Howard Brenton's play tells the story of playwright August Strindberg who went through an infamous psychological crisis when he abandoned the stage and took up alchemy instead

SOURCE: The Independent at 11:42am on September 13, 2017[SHARE]

The Knowledge, Charing Cross Theatre, London, review: Well-acted, rather delightful production by Paul Taylor, Paul Taylor

Maureen Lipman directs her late husband Jack Rosenthal's play about would be cabbies

SOURCE: The Independent at 1:06pm on September 12, 2017[SHARE]

Hyem (yem, hjem, home), Theatre 503, London, review: This debut play yammers with natural ability by Paul Taylor, Paul Taylor

Actor Philip Correia's first play is a character study of broken lives

SOURCE: The Independent at 11:36am on September 11, 2017[SHARE]

Doubt, A Parable, Southwark Playhouse, London, review: A breathlessly tense production by Paul Taylor, Paul Taylor

John Patrick Shanley's play about a priest's ambiguous relationship with a young student gets its first London revival in ten years

SOURCE: The Independent at 11:36am on September 11, 2017[SHARE]

Follies, National Theatre, London, review: It's jaw-droppingly great by Paul Taylor, Paul Taylor

Imelda Staunton is stunning in Dominic Cooke's revival of Stephen Sondheim's musical

SOURCE: The Independent at 8:48am on September 7, 2017[SHARE]

Outlaws to In-Laws, King's Head Theatre, London, review: These disparate dramas connect like a moving, understated motif by Paul Taylor, Paul Taylor

As part of the King's Head Theatre's 2017 Queer Season, this compilation of seven, specially commissioned short plays, chart how the lives of gay men have changed since the 1950s

SOURCE: The Independent at 11:36am on September 4, 2017[SHARE]

Lions and Tigers, Sam Wanamaker Playhouse, London, review: A superb central performance from Shubham Saraf by Paul Taylor, Paul Taylor

Playwright Tanika Gupta's new play, based on the true story of her great uncle and freedom fighter Dinesh Gupta, marks the 70th anniversary of Indian independence from an unexepcted ang…

SOURCE: The Independent at 11:48am on August 30, 2017[SHARE]

Windows, Finborough Theatre, London, review: Splendid performance by Charlotte Brimble by Paul Taylor, Paul Taylor

This intimately staged production by Geoffrey Beevers marks the hundred-and-fiftieth anniversary of the author's birth

SOURCE: The Independent at 12:06pm on August 29, 2017[SHARE]

Loot, Park Theatre, London, review: Michael Fentiman's stylish and entertaining revival by Paul Taylor, Paul Taylor

This revival of Joe Orton's black farce reinstates some of the lines that had been censored by the Lord Chamberlain by the time it achieved a West End transfer and the Evening Standard …

SOURCE: The Independent at 4:06am on August 25, 2017[SHARE]

Knives in Hens, Donmar Warehouse, London, review: Judith Roddy gives a splendid, emotionally daring performance by Paul Taylor, Paul Taylor

Yaël Farber is back to form directing this haunting modern classic by David Harrower after her version of the Salome story at the National was scuppered by a terrible text

SOURCE: The Independent at 11:18am on August 23, 2017[SHARE]

Against, Almeida Theatre, London, review: From such an accomplished, on-the-ball writer as Christopher Shinn, this is a disappointment by Paul Taylor, Paul Taylor

Despite its flaws, Ben Whishaw returns to the Almeida to give a mesmerising portrayal of Luke, a Silicon Valley aerospace billionaire, who believes God has spoken to him

SOURCE: The Independent at 8:48am on August 21, 2017[SHARE]

King Lear, Shakespeare's Globe, London, review: A naked emotional spontaneity in Kevin McNally's fine performance by Paul Taylor, Paul Taylor

Nancy Meckler's 'King Lear' may not be a great production but it is an honourable one that gathers in a gutting climax

SOURCE: The Independent at 11:36am on August 17, 2017[SHARE]

The Majority, National Theatre, London, review: A thought-provoking play but not as revealing as one had hoped by Paul Taylor, Paul Taylor

This new play by Rob Drummond doesn't address enough of the specific problems posed for democracy by the Brexit vote and the election of Donald Trump

SOURCE: The Independent at 9:06am on August 15, 2017[SHARE]

Apologia, Trafalgar Studios, London, review: Stockard Channing's performance is magnificent by Paul Taylor, Paul Taylor

The star of 'The West Wing' and 'Grease' takes the lead in Jamie Lloyd's revival of Alexi Kaye Campbell's play about a family and its secrets

SOURCE: The Independent at 11:42am on August 7, 2017[SHARE]

Coming Clean, King's Head Theatre, London, review: an entertaining revival of Kevin Elyot's debut play by Paul Taylor, Paul Taylor

This bitter-sweet 1980s comedy offers a frank, moving portrait of gay relationships just before the AIDS crisis

SOURCE: The Independent at 6:36am on August 2, 2017[SHARE]

Road, Royal Court, London, review: Not as confrontational as the original by Paul Taylor, Paul Taylor

The Royal Court's revival of Jim Cartwright's protest play about the working class is as relevant as ever 30 years later

SOURCE: The Independent at 6:12am on July 31, 2017[SHARE]

Girl from the North Country, Old Vic, London, review: The idea is inspired and the treatment piercingly beautiful by Paul Taylor, Paul Taylor

Conor McPherson was approached by Bob Dylan's team to concoct a project round the songbook - the resulting play set in Depression-era Minnesota, conjures up the world from which Dylan&a…

SOURCE: The Independent at 4:42pm on July 27, 2017[SHARE]