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361 stories by "Paul Taylor, Paul Taylor"

Othello, Shakespeare's Globe, review: Mark Rylance is brilliant as Iago in a production that flares into glorious life by Paul Taylor, Paul Taylor

Shakespeare's Globe's great founding artistic director stars as Iago in this production directed by his wife, Claire van Kampen

SOURCE: The Independent at 10:33am on August 2, 2018[SHARE]

Home, I'm Darling, National Theatre, London, review: Sharp, funny and sad - and well worth a ticket by Paul Taylor, Paul Taylor

Laura Wade's first original play since Posh sees 38-year-old Judy's doomed attempt to achieve marital bliss by becoming a 1950s-style Domestic Goddess

SOURCE: The Independent at 7:12am on August 1, 2018[SHARE]

Spamilton, Menier Chocolate Factory, London, review: A relentlessly in-jokey spoof musical by Paul Taylor, Paul Taylor

Broadway's arch-parodist Gerard Alessandrini takes a swipe at Lin-Manuel Miranda and 'Hamilton'

SOURCE: The Independent at 8:48am on July 26, 2018[SHARE]

Pity, Royal Court, London, review: Wearisome whimsy and wackiness by Paul Taylor, Paul Taylor

Rory Mullarkey's absurdist cartoon about a society that topples into apocalyptic anarchy is not well served by Sam Pritchard's relentlessly jokey production

SOURCE: The Independent at 8:24am on July 20, 2018[SHARE]

Allelujah!, Bridge Theatre, London, review: Alan Bennett's new NHS play is a surprisingly high-spirited occasion by Paul Taylor, Paul Taylor

This feels like bonus treat from the 84-year-old: a play about our imperilled National Health Service that somehow leaves you bobbing on a wave of happiness

SOURCE: The Independent at 8:32am on July 19, 2018[SHARE]

A Monster Calls, Old Vic, London, review: Patrick Ness's novel is magnificently brought to life by Paul Taylor, Paul Taylor

Sally Cookson's adaptation of this best-seller about a boy coming to terms with grief is a wondrous feat of communal story-telling

SOURCE: The Independent at 8:24am on July 18, 2018[SHARE]

The Lehman Trilogy, National Theatre, London, review: A powerful play directed by Sam Mendes with extraordinary elegance by Paul Taylor, Paul Taylor

Magnificent performers multitask in this epic story of the Lehman Brothers family business

SOURCE: The Independent at 10:24am on July 13, 2018[SHARE]

The Lieutenant of Inishmore, Noel Coward Theatre, London, review: Aidan Turner is masterful in Martin McDonagh's savage farce by Paul Taylor, Paul Taylor

Michael Grandage's splatter-fest revival is exuberantly gruesome

SOURCE: The Independent at 8:06am on July 5, 2018[SHARE]

Miss Littlewood, Swan Theatre, Stratford-Upon-Avon, review: A new musical reminds us of the pioneering Joan Littlewood (but lacks tunes) by Paul Taylor, Paul Taylor

Is it ironic that this anti-establishment maverick should have her work celebrated at the other Stratford by the RSC? A bit " but you're soon swept up

SOURCE: The Independent at 7:48am on July 4, 2018[SHARE]

The King and I, Palladium, London, review: A nuanced, subtly updated revival by Paul Taylor, Paul Taylor

There's a smack of imperial condescension in Rodgers and Hammerstein's musical, but this is a culturally cogent account from Bartlett Sher

SOURCE: The Independent at 7:06pm on July 3, 2018[SHARE]

Genesis Inc, Hampstead Theatre, London, review: Harry Enfield stars in an over-egged comedy about the fertility industry by Paul Taylor, Paul Taylor

Jemma Kennedy's ambitious play has Enfield playing both Marx and God, while Jenni Murray lends her voice to a talking womb

SOURCE: The Independent at 11:24am on June 29, 2018[SHARE]

Fun Home, Young Vic, London, review: Another groundbreaking masterpiece from Jeanine Tesori by Paul Taylor, Paul Taylor

A sublime adaptation of Alison Bechdel's acclaimed graphic-novel memoir about growing up lesbian in small-town Pennsylvania with a closeted gay father

SOURCE: The Independent at 7:54am on June 28, 2018[SHARE]

The Town Hall Affair, Barbican, London, review: Germaine Greer and Norman Mailer brought vividly to life in a restaging of a debate on feminism by Paul Taylor, Paul Taylor

New York's experimental Wooster Group revisits and deconstructs the infamous Town Hall debate of 1971

SOURCE: The Independent at 8:12am on June 22, 2018[SHARE]

Kiss Me, Kate, Coliseum, London, review: A magnificent revival from Opera North by Paul Taylor, Paul Taylor

It's a joy to hear this orchestra do justice to lusciousness and comic sass of Cole Porter's score

SOURCE: The Independent at 11:04am on June 21, 2018[SHARE]

Beirut, Park Theatre, London, review: This 1987 AIDS allegory play is more an interesting curiosity than a valuable find by Paul Taylor, Paul Taylor

Robin Lefevre's highly charged revival of Alan Bowne's dystopian play features two lovers torn apart by a sexually-transmitted disease epidemic

SOURCE: The Independent at 8:48am on June 19, 2018[SHARE]

Notes from the Field, Royal Court, London, review: Anna Deavere Smith's powerful expose of America's criminal justice system by Paul Taylor, Paul Taylor

The West Wing actress and verbatim theatre pioneer spoke to over 250 people for this harrowing show about the US's school-to-prison pipeline

SOURCE: The Independent at 8:36am on June 18, 2018[SHARE]

Pressure, Ambassadors Theatre, London, review: A tense, funny and moving play " about weather forecasting by Paul Taylor, Paul Taylor

David Haig stars in his own play about a Scottish meteorologist who had to forecast the D-Day landings

SOURCE: The Independent at 8:18am on June 15, 2018[SHARE]

The Prime of Miss Jean Brodie, Donmar Warehouse, London, review: Lia Williams is revelatory in this new Muriel Spark adaptation by Paul Taylor, Paul Taylor

A comic yet complex central performances animates David Harrower's dynamic new adaptation

SOURCE: The Independent at 7:54am on June 13, 2018[SHARE]

Machinal, Almeida Theatre, London, review: Feels like it could have been written last week by Paul Taylor, Paul Taylor

The restlessness and desperation of a young woman forced into an unhappy marriage are superbly caught by Emily Berrington in this revival of Sophie Treadwell's Expressionist classic

SOURCE: The Independent at 8:48am on June 12, 2018[SHARE]

Julie, National Theatre, London, review: Vanessa Kirby shines, but the dramatic stakes are lowered in Polly Stenham's update of Strindberg by Paul Taylor, Paul Taylor

The play looks at the hypocrisies of middle class liberals in relation to the ill-paid immigrant work-force on whom their moneyed lives depend

SOURCE: The Independent at 9:48am on June 8, 2018[SHARE]

My Name is Lucy Barton, Bridge Theatre, London, review: Laura Linney is luminous in this one-woman show by Paul Taylor, Paul Taylor

The Oscar-nominee gives a deeply affecting performance of real directness in Rona Munro's adaptation of Elizabeth Strout's best-selling novel

SOURCE: The Independent at 6:36am on June 7, 2018[SHARE]

Killer Joe, Trafalgar Studios, London, review: Orlando Bloom has full command of the stage " but the play itself is queasily dated by Paul Taylor, Paul Taylor

The film star play against type as a psychotic hitman in Tracy Letts' Texan trailer-park Gothic

SOURCE: The Independent at 6:36am on June 5, 2018[SHARE]

Translations, National Theatre, London, review: A rich production of Brian Friel's classic by Paul Taylor, Paul Taylor

This magnificent revival stretches out in the Olivier, but still finds the subtleties within the play

SOURCE: The Independent at 5:18pm on May 31, 2018[SHARE]

Tartuffe, Theatre Royal Haymarket, London, review: A dual-language, modern updating does not fulfil its promise by Paul Taylor, Paul Taylor

Christopher Hampton's French and English production is relocated to Trump's America, but the setting rarely resonates

SOURCE: The Independent at 8:24am on May 30, 2018[SHARE]

The Gronholm Method, Menier Chocolate Factory, London, review: A clever exercise in audience manipulation but not a whole lot more by Paul Taylor, Paul Taylor

Jordi Galceran's black comedy about the group interview from hell has been produced in 60 countries around the world

SOURCE: The Independent at 7:12am on May 23, 2018[SHARE]
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