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1,020 stories by "Nelson Pressley"

2015 Tony Awards: What you missed, and why they will always be (mostly) a yawn by Nelson Pressley

First things first: it was a big night for "Fun Home," the daring musical based on Alison Bechdel's graphic novel. The play based on the memoir of family life and growing up gay took home th…

SOURCE: Washington Post at 3:46am on June 8, 2015

Tony Awards 2015: A lack of competition makes for a fairly painless show by Nelson Pressley

As far as infomercials go, this evening's Tony telecast was pretty painless. The goal was crystal clear, as always: Showcase the musicals! Even shows barely (or not) nominated " "Gigi,…

SOURCE: Washington Post at 12:34am on June 8, 2015

Is this actually a grown-up Tonys? by Nelson Pressley

Even with Kristin Chenoweth popping out from under a giant hoop skirt worn by co-host Alan Cumming, the first hour of the Tony Awards has shaped up to be one of the least wince-worthy in mem…

SOURCE: Washington Post at 10:24pm on June 7, 2015

Tony Awards 2015: Kristin Chenoweth and Alan Cumming open the show while Harvey Weinstein continues to rake in money by Nelson Pressley

Our first thought while watching the 2015 Tony Awards? We didn't tune in to see Alan Cumming's knees. Cummings' short trousers weren't a great look on the red carpet, where Sting (whose m…

SOURCE: Washington Post at 8:48pm on June 7, 2015

Extra! Extra! The story behind Disney's surprise hit 'Newsies' by Nelson Pressley

"Newsies" flopped at the multiplex in 1992, so nobody could have guessed that the live- action Disney movie musical about scrappy street urchins would someday become a Broadway hit. After al…

SOURCE: Washington Post at 6:20pm on June 4, 2015

A clowning 'Our Town' brings Wilder to life by Nelson Pressley

Thornton Wilder's experiments were gentler than those of the French wild man Alfred Jarry, whose manic and profane "Ubu Roi" scandalized Paris and prefigured Dada in 1896. Both men are being…

SOURCE: Washington Post at 3:02pm on June 2, 2015

'NSFW' looks at London's mag trade " nude photos included by Nelson Pressley

Lucy Kirkwood's "NSFW" may not be deep but it is bright, which makes it a good mirror to the men's and women's magazines it attacks.Doghouse, a London "lads mag," inadvertently publishes a t…

SOURCE: Washington Post at 12:26pm on June 2, 2015

Nelson Pressley reviews Rorschach Theatre's 'Voices Underwater' by Nelson Pressley

Everybody gets wet in Abi Basch's "Voices Underwater," a lyrical ghost story involving a flood tide of Civil War history. A young couple - white woman, black man - arrive late one rainy nigh…

SOURCE: Washington Post at 5:58pm on May 25, 2015

Broadway stalwart Lewis gives a flirty, fun take on standards by Nelson Pressley

Norm Lewis seemed to arrive at the Kennedy Center's Terrace Theater from around 1962 on Saturday night. The Broadway stalwart dared to confess his early influences as Lawrence Welk and the R…

SOURCE: Washington Post at 5:58pm on May 25, 2015

Irene Lewis leaves Center Stage with the same edge that defined her career by Nelson Pressley

One way to measure Center Stage's departing artistic director, Irene Lewis, is by the way she gauges audience response to her current - and final - show there, Harold Pinter's "The Homecomin…

SOURCE: Washington Post at 5:58pm on May 25, 2015

Taking the stage by storm: True tales by Nelson Pressley

"Some of the work has been very, very impactful," says Moises Kaufman, who directed "I Am My Own Wife" on Broadway. "These are works that over the last decade have been among the most perfor…

SOURCE: Washington Post at 5:58pm on May 25, 2015

Theater review: 'Tether' by Julie Taiwo Oni by Nelson Pressley

A rare angle on race is the subject of "Tether," a new two-character drama now being presented by the Doorway Arts Ensemble. The play is about two sisters: twin girls, different races.

SOURCE: Washington Post at 5:58pm on May 25, 2015

Tracy Letts, a playwright at home in role as an actor by Nelson Pressley

Some actors write, and some writers act. Harold Pinter was supremely praised for his acting forays, and Sam Shepard's face is as well-known as his plays thanks to a durable on-screen career.…

SOURCE: Washington Post at 5:58pm on May 25, 2015

A rare vortex of D.C. stars, on one stage by Nelson Pressley

A hazard of being a Washington stage actress: It can isolate you from your female peers.

SOURCE: Washington Post at 5:58pm on May 25, 2015

McDermott: From page to stage by Nelson Pressley

Alice McDermott doesn't have to adapt. The Bethesda-based novelist has no taste for collaboration, and that chased her away from theater and toward fiction years ago, despite an affinity for…

SOURCE: Washington Post at 5:58pm on May 25, 2015

Theater review: Barbara Cook's Spotlight series featuring Tammy Grimes by Nelson Pressley

An informal but enthusiastic Tammy Grimes fan club convened Saturday night at the Kennedy Center's Terrace Theater, and they knew who -- and what -- they wanted. Grimes, a Tony winner for h…

SOURCE: Washington Post at 5:58pm on May 25, 2015

Ken Ludwig returns to Signature Theatre with golf farce 'A Fox in the Fairway' by Nelson Pressley

Writer uses small cast, golf milieu to skewer country club culture

SOURCE: Washington Post at 5:58pm on May 25, 2015

Review: 'On the Fringe: Eye on Edinburgh' at the Kennedy Center by Nelson Pressley

Can you Fringe from the Center? That's the question posed by "On the Fringe: Eye on Edinburgh," a brief sampling of works from the sprawling annual arts festival in Scotland now playing not …

SOURCE: Washington Post at 5:58pm on May 25, 2015

Music review: Idina Menzel, Marvin Hamlisch and National Symphony Orchestra Pops by Nelson Pressley

SOURCE: Washington Post at 5:58pm on May 25, 2015

'Rosencrantz and Guildenstern,' still waiting for Hamlet by Nelson Pressley

Rosencrantz and Guildenstern can't even tell themselves apart in "Rosencrantz and Guildenstern Are Dead," Tom Stoppard's famous 1960s mashup of "Hamlet" and "Waiting for Godot.""Shouldn't we…

SOURCE: Washington Post at 2:10pm on May 22, 2015

Redacting history in 'The Letters' by Nelson Pressley

"The Letters" is a drama of thought control in Stalin's Soviet Union, and it's a good one " a slick 75 minutes with a Hitchcock-like grip. There are just two characters in John W. Lowell's p…

SOURCE: Washington Post at 11:55am on May 21, 2015

'Jumpers for Goalposts' is a tender, offbeat take on the locker room play by Nelson Pressley

How gently can you make a joke about a largely gay soccer team called Barely Athletic struggling to beat a squad of transgender players in heels? This kind of thing comes across as sweet and…

SOURCE: Washington Post at 12:56pm on May 18, 2015

Miller's firm 'Price': Selling the furniture and hashing out the past by Nelson Pressley

In Arthur Miller's great brass-tacks drama "The Price," Victor, an honest cop, wants to play squarely with his brother Walter, a rich doctor he hasn't seen in the 16 years since their father…

SOURCE: Washington Post at 4:04pm on May 17, 2015

International adoption: Not so black and white in Theater J's 'The Call' by Nelson Pressley

In Tanya Barfield's troubling drama "The Call," Peter and Annie are hoping to adopt a baby. They've tried IVF with all of its hormone treatments and side effects (no luck), and now they're w…

SOURCE: Washington Post at 12:02pm on May 12, 2015

Buoyant 'Dontrell, Who Kissed the Sea': Heavy themes, light touch by Nelson Pressley

"Dontrell, Who Kissed the Sea" is an uncommonly pretty show, a tropical vision of ocean blue and foam white. This isn't just director Timothy Douglas dressing up the new 80-minute play with …

SOURCE: Washington Post at 12:07pm on May 11, 2015
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