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247 stories by "Neil Norman"

ENB's Romeo and Juliet review at Royal Festival Hall " 'drab and lifeless' by Neil Norman

Over-choreographed and underwhelming, Rudolf Nureyev's Romeo and Juliet has always suffered in comparison with versions by MacMillan, Cranko and even Ashton. Created

SOURCE: The Stage Registration at 1:14pm on August 2, 2017

Nina review at Young Vic, London " 'a searing one-woman show' by Neil Norman

While Josette Bushell-Mingo's one woman show about Nina Simone may invite comparisons with Lady Day at Emerson's Bar and Grill, currently at

SOURCE: The Stage Registration at 5:57am on July 24, 2017

Peter Mumford: 'Lighting dance in the 1970s has influenced everything I've done' by Neil Norman

From fringe shows in London to a musical version of King Kong in Australia, Peter Mumford is at home working on productions

SOURCE: The Stage Registration at 5:06am on July 24, 2017

Dorrance Dance " ETM: Double Down review at Sadler's Wells " 'playful and exciting' by Neil Norman

Michelle Dorrance is tapping into technology in this show that made its debut in New York last year. A revolutionary tap choreographer,

SOURCE: The Stage Registration at 6:04am on July 13, 2017

Displacement review at Lilian Baylis Studio, London " 'lean and hungry' by Neil Norman

This is lean and hungry work. Part of the Shubbak Festival celebrating contemporary Arab culture, Mithkal Alzghair's Solo and Trio are two

SOURCE: The Stage Registration at 9:15am on July 7, 2017

Scottish Dance Theatre: Dreamers/TutuMucky review at the Place " 'controlled fury' by Neil Norman

Beneath dim and shuddering light figures move in shadow; heavily muscled male torsos unfurl like Rodin sculptures coming to life while music

SOURCE: The Stage Registration at 9:07am on June 19, 2017

Taj Express review at Peacock Theatre, London " 'a colourful tribute' by Neil Norman

The guitarist calls himself Flash. Which is as good a description of this tribute to the prolific Bollywood composer AR Rahman as

SOURCE: The Stage Registration at 10:16am on June 15, 2017

Scottish Ballet review at Sadler's Wells, London " 'remarkably adventurous' by Neil Norman

One of Crystal Pite's greatest virtues is that she knows when to stop. The Canadian choreographer's Emergence is stuffed with ideas and

SOURCE: The Stage Registration at 11:14am on June 8, 2017

Zippos Circus: Jigit review at Brockwell Park, London " 'infinite variety' by Neil Norman

The problem with contemporary circus is that it doesn't smell. Circus should smell of animals and popcorn and candy floss, hot dogs

SOURCE: The Stage Registration at 7:05am on May 12, 2017

60 dancers, 44 tutus and two washing machines: on the road with Birmingham Royal Ballet by Neil Norman

The logistics of taking a large-scale ballet on tour can be mind-boggling. Key backstage workers and performers from Birmingham Royal Ballet tell

SOURCE: The Stage Registration at 6:41am on May 5, 2017

Mayerling review at Royal Opera House, London " 'the stuff of dreams' by Neil Norman

Sex, drugs and Franz Liszt, Mayerling has them all. Kenneth MacMillan's greatest masterpiece is the ultimate antidote for those suffering from a

SOURCE: The Stage Registration at 5:32am on May 2, 2017

Requiem for Aleppo review at Sadler's Wells, London " 'well-intentioned' by Neil Norman

Now in its sixth year, the civil war in Syria shows little sign of ending. The conflict has created an unprecedented exodus

SOURCE: The Stage Registration at 3:23am on April 25, 2017

Sergei Polunin " Project Polunin review at Sadler's Wells, London " 'a tedious triple bill' by Neil Norman

I would love to say that Sergei Polunin has recovered his mojo. I would love to say that Project Polunin is a

SOURCE: The Stage Registration at 8:24pm on March 14, 2017

Echoes / I Imagine review at Lilian Baylis Studio, London " 'extraordinary versatility' by Neil Norman

Two solo pieces, one performer. And yet so marked is the difference between the two it is hard to believe they are

SOURCE: The Stage Registration at 9:19am on March 10, 2017

Blanca Li Dance Company: Robot review at Barbican, London " 'charm and whimsy' by Neil Norman

This might have been subtitled Automata for the People. Made in 2011 and a big hit on the Continent, Blanca Li's show

SOURCE: The Stage Registration at 9:06am on February 23, 2017

Eva Yerbabuena: Apariencias review at Sadler's Wells " 'uncompromising intensity' by Neil Norman

Eva Yerbabuena is the living embodiment of the phrase "dynamite comes in small packages". Her compact, formidable form contains enough explosive energy

SOURCE: The Stage Registration at 8:48am on February 20, 2017

Masurca Fogo review at Sadler's Wells, London " 'infused with a sunny sensuality' by Neil Norman

Masurca Fogo (Fiery Mazurka) might be retitled Sex on the Beach. The myriad cavortings and mischievous couplings on the rocky seashore set

SOURCE: The Stage Registration at 7:20am on February 10, 2017

Neil Norman: It's time the dance world gave us all a good laugh by Neil Norman

Where are all our comedy ballets? The operatic tradition " opera buffa " is festooned with amusing works from Rossini to Offenbach.

SOURCE: The Stage Registration at 2:00am on February 10, 2017

German Cornejo's Tango Fire review at Peacock Theatre, London " 'still smoulders' by Neil Norman

There is nothing coy about tango. A stranger to political correctness it derives from an era (and place) where men were men

SOURCE: The Stage Registration at 6:52am on February 2, 2017

Les Enfants Terribles review at Barbican Theatre " 'a sensuous staging' by Neil Norman

Send in the clones. Javier de Frutos splits the characters into multiples in Philip Glass's operatic interpretation of Jean Cocteau's 1929 novel

SOURCE: The Stage Registration at 5:43am on January 30, 2017

Lucy Carter, lighting designer: 'I use light to create the ebb and flow of emotion' by Neil Norman

Award-winning lighting designer Lucy Carter is rarely restricted in her art. Though best known for her collaborations with choreographer Wayne McGregor, she

SOURCE: The Stage Registration at 5:00am on January 30, 2017

Wayne McGregor's Woolf Works review at Royal Opera House, London " 'a classic' by Neil Norman

If for nothing else, Woolf Works will be remembered for bringing back to the Covent Garden stage the fabulous Alessandra Ferri at

SOURCE: The Stage Registration at 7:15am on January 23, 2017

Strictly Come Dancing " The Live Tour review at Barclaycard Arena Birmingham by Neil Norman

It’s all about the Balls. Without missing a beat, the former shadow chancellor has embraced his inner showman and gone from bully

SOURCE: The Stage Registration at 5:36am on January 21, 2017

Whispers review at Sadler's Wells, London " 'intriguing, if mystifying' by Neil Norman

  The chittering of cicadas in the dark; the intermittent growl of approaching thunder. Mossoux Bonte's latest work, Whispers, explores the effect

SOURCE: The Stage Registration at 8:40am on January 13, 2017

The Mad Hatter's Tea Party review at the Roundhouse, London " 'superbly athletic' by Neil Norman

One of Royal Ballet supremo Kevin O’Hare’s more inspired ideas was to commission Kate Prince’s hip-hop version of Alice for the Linbury

SOURCE: The Stage Registration at 9:24am on January 5, 2017
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