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10 stories by "Natalie Russett"

Review: A Curmudgeon's Guide to Christmas Round Robin Letters, The Hope Theatre by Natalie Russett

A Curmudgeon’s Guide to Christmas Round Robin Letters certainly succeeds in nurturing the Christmas spirit among audience members. As you enter, the performance space is decked out wit…

SOURCE: A Younger Theatre at 7:06am on December 10, 2017

Review: Shut Down, The Place by Natalie Russett

It is a topic charged with relevance- what it is to be a man in a society that is nowadays more concerned with feminist voices. The combination of a reputable feminist voice working with an …

SOURCE: A Younger Theatre at 5:33am on December 1, 2017

Review: Contractions, New Diorama Theatre by Natalie Russett

Your first and lasting impression of this production has to be the space. The play takes place so aptly inside a huge office block, in a corporate quarter of London. We are seated on the fir…

SOURCE: A Younger Theatre at 9:36am on November 20, 2017

Review: The Retreat, Park Theatre by Natalie Russett

The Retreat is ninety minutes with two ordinary brothers and a woman that raises many life-affirming questions, ultimately pointing to the futility of the way we lead our lives. The comedy o…

SOURCE: A Younger Theatre at 8:33am on November 20, 2017

Review: Busking It, Soho Theatre by Natalie Russett

Busking It is a thoroughly personal, theatrical dive into the experiences of Danusia Samal as a busker in the Underground, telling her story through impersonations, songs and storytelling. S…

SOURCE: A Younger Theatre at 2:18am on November 18, 2017

Review: Heather and Harry, Stumble Trip Theatre by Natalie Russett

Heather and Harry is a three-women, mini-musical parodic extravaganza " an all singing, all dancing duo and equally entertaining musicians. The short show had me laughing and giggling for th…

SOURCE: A Younger Theatre at 12:48pm on November 17, 2017

Review: Fishskin Trousers, Park Theatre by Natalie Russett

Fishskin Trousers is a humble play, with just three actors who barely move from their spots onstage. The set is simple and delicate " a circle of pebbles and other assortments that might be …

SOURCE: A Younger Theatre at 8:48am on November 10, 2017

Review: Giulio Cesare, Hackney Empire by Natalie Russett

Unfamiliar as I am to opera, I was moved by the power it has to communicate without (English) words, but through music, voice and expression. Handel’s Giulio Cesare is a story of…

SOURCE: A Younger Theatre at 5:33am on November 10, 2017

Review: A Day by the Sea, Southwark Playhouse by Natalie Russett

When I enter the cosy space of the Southwark Playhouse, an immediate feeling of nostalgia sweeps over me. Background music plays, the kind that conjures images of lovers running through fiel…

SOURCE: A Younger Theatre at 11:33am on October 29, 2017

Review: Shorty, Camden People's Theatre by Natalie Russett

As the audience take their seats in the intimate space of the Camden People’s Theatre, Hester Chillingworth is herself onstage- sitting leisurely, watching us enter and smiling at frie…

SOURCE: A Younger Theatre at 5:33am on October 29, 2017
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