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2,344 stories by "Michael Dale"

BWW Review: Stephanie J. Block Dazzles With Power In Gutsy, Glitzy and Glam THE CHER SHOW by Michael Dale

From the moment the houselights dim and the music cranks up on The Cher Show, Broadway's newest bio-musical, the message is clear. Surrender to the fabulousness ahead and brace yourself for …

SOURCE: BroadwayWorld at 10:04pm on December 3, 2018

BWW Review: Company XIV's Erotically Elegant NUTCRACKER ROUGE Heats Up The Holiday Season by Michael Dale

Since family-friendly entertainments tend to dominate the holiday performing arts scene, it's especially cheery that for the past nineyears that scandalous crew called Company XIV has been o…

SOURCE: BroadwayWorld at 8:42pm on December 2, 2018

BWW Review: THE ILLUSIONISTS Return To Broadway With MAGIC OF THE HOLIDAYS by Michael Dale

If there's such a thing as subtlety in the world of The Illusionists, that band of touring magicians that have frequently been making Broadway their winter home, it's evident in their latest…

SOURCE: BroadwayWorld at 1:36am on November 30, 2018

BWW Review: Hansol Jung's Imaginatively Told Internet Age Romance, WILD GOOSE DREAMS by Michael Dale

'If you have to choose between family and flying, I hope you would choose the flying,' a father tells his children as the lesson behind a bedtime story involving an angel and a woodcutter. '…

SOURCE: BroadwayWorld at 9:17am on November 20, 2018

BWW Review: Tom Stoppard's THE HARD PROBLEM Debates The Existence of Selfless Acts by Michael Dale

Yes, in the world of Tom Stoppard post-coital pillow talk can be a debate about human consciousness and whether or not altruism truly exists. After all, nobody said anything about THE HARD P…

SOURCE: BroadwayWorld at 2:33am on November 20, 2018

BWW Review: Tony Yazbeck, Robyn Hurder Bring a Thrilling Dynamic To New York City Center's A CHORUS LINE by Michael Dale

The lack of permanence that allows new artists endless chances to bring their own interpretations to classic material is the most significant aspect that separates live theatre from movies a…

SOURCE: BroadwayWorld at 2:43pm on November 18, 2018

BWW Review: Brooks Ashmanskas Gives a Classic Musical Comedy Star Turn in Hilarious and Touching THE PROM by Michael Dale

Let's cut to the chase. The Prom is a great musical comedy on the same level as HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM and THE PRODU…

SOURCE: BroadwayWorld at 1:51am on November 16, 2018

BWW Review: Raul Esparza Is Bertolt Brecht's Symbolic Crime Boss in THE RESISTIBLE RISE OF ARTURO UI by Michael Dale

No, directordesigner John Doyle does not have Raul Esparza wearing a blonde wig when he delivers his climatic oratory at the close of CSC's revival of Bertolt Brecht's 1941 allegorical satir…

SOURCE: BroadwayWorld at 8:55am on November 15, 2018

BWW Review: In Ngozi Anyanwu's GOOD GRIEF, Shaping Memories Is A Part of Healing by Michael Dale

For those of us of a certain age, the phrase good grief has been a part of our vocabulary since childhood as simply an expression of exasperation, thanks to the influence of Charles Schulz a…

SOURCE: BroadwayWorld at 10:42am on November 13, 2018

BWW Review: Neil Diamond Is A Boy's Best Friend in THE OTHER JOSH COHEN by Michael Dale

Steve Rosen and David Rossmer's pop rock musical charmer THE OTHER JOSH COHEN has been hitting the regional circuit a bit since its 2012 Off-Broadway production that picked up Drama Desk, Lo…

SOURCE: BroadwayWorld at 1:17am on November 13, 2018

BWW Review: Mike Birbiglia's Musings on Fatherhood, THE NEW ONE, Moves To Broadway by Michael Dale

Though it often involves individuals speaking prepared material into a microphone in front of paying customers who may be enjoying a libation or two, and though generating laughter is usuall…

SOURCE: BroadwayWorld at 1:14am on November 12, 2018

BWW Review: David Arrow's Informative and Bittersweet KENNEDY: BOBBY'S LAST CRUSADE by Michael Dale

'We are a great country,' presidential candidate Robert F. Kennedy assured his supporters in a speech given moments after winning the Democratic Party's 1968 California primary and moments b…

SOURCE: BroadwayWorld at 7:46pm on November 11, 2018

BWW Review: KING KONG: It Was Inept Writing Killed The Musical by Michael Dale

Using Merian C. Cooper and Ernest B. Schoedsack's 1933 cinema classic 'King Kong' as the inspiration for a musical theatre piece really isn't such a bad idea. Among the film's notable achiev…

SOURCE: BroadwayWorld at 3:48am on November 9, 2018

BWW Review: Patricia Ione Lloyd's Chilling and Evocative EVE'S SONG Honors The Spirits of Real-Life Murdered Black Women by Michael Dale

'Cuddles the puppy had fallen into the 50 foot deep well and was trapped,' an unseen television anchor is heard reporting at the outset of Patricia Ione Lloyd's chilling and evocative EVE'S …

SOURCE: BroadwayWorld at 9:12am on November 8, 2018

BWW Review: Larissa FastHorse's Comedy of Social Justice Warrior Errors, THE THANKSGIVING PLAY by Michael Dale

There are many factors, grant and school board requirements that we need to fulfill with this piece, the director explains to the cast on the first day of rehearsal of a Thanksgiving play fo…

SOURCE: BroadwayWorld at 9:12am on November 7, 2018

BWW Review: Kerry Washington and Steven Pasquale Are Parents of a Missing Black Teen in AMERICAN SON by Michael Dale

A frustrated African-American woman, convinced that the young, armed, white police officer she's alone with isn't revealing everything he knows about her missing son, loses control of her te…

SOURCE: BroadwayWorld at 12:24am on November 5, 2018

BWW Review: Mobile Unit's A MIDSUMMER NIGHT'S DREAM Parties On at The Public by Michael Dale

For most New York playgoers, the words Shakespeare In The Park will immediately bring to mind the free performances at Central Park's outdoor Delacorte Theater, created decades ago by The Pu…

SOURCE: BroadwayWorld at 8:04pm on November 4, 2018

BWW Review: Michael Urie and Mercedes Ruehl Bring Harvey Fierstein's Groundbreaking TORCH SONG Back To Broadway by Michael Dale

The play is no longer titled TORCH SONG TRILOGY and the venue is no longer known as The Little Theatre, but there's still a marvelous homecoming taking place at The Helen Hayes, where Second…

SOURCE: BroadwayWorld at 8:42pm on November 1, 2018

BWW Review: Steven Levenson's Charming and Funny DAYS OF RAGE Takes a Sentimental Look at Young '60s Activists by Michael Dale

'I hate white people,' blurts out a diminutive, small-voiced white teenager, trying to convince the white activist she just met that she would be a valuable addition to his commune. 'I can't…

SOURCE: BroadwayWorld at 8:32am on October 31, 2018

BWW Review: Cynthia von Buhler's Entrancing Immersive Adventure THE GIRL WHO HANDCUFFED HOUDINI by Michael Dale

It was October 31st, 1926 when the world famous escape artist Harry Houdini succumbed to the one thing in life that's inescapable, and every year since, believers hold seances on Halloween n…

SOURCE: BroadwayWorld at 8:04am on October 30, 2018

BWW Review: Eleanor Burgess' Thought-Provoking THE NICETIES Debates Microaggressions and Revolutions by Michael Dale

You're more afraid of looking like a racist than you are of being a racist, an African-American college student surmises when her white professor reacts with panic when it becomes clear that…

SOURCE: BroadwayWorld at 8:48am on October 28, 2018

BWW Review: Elaine May Returns To Broadway in Kenneth Lonergan's Touching and Humorous THE WAVERLY GALLERY by Michael Dale

'The whole neighborhood is changing,' is the oft-repeated melancholy observation of the 85-year-old woman at the center of Kenneth Lonergan's 2001 Pulitzer-finalist, THE WAVERLY GALLERY.

SOURCE: BroadwayWorld at 10:18pm on October 25, 2018

BWW Review: John Kevin Jones is Both Ghoulish and Exquisite in KILLING AN EVENING WITH EDGAR ALLAN POE by Michael Dale

For the past five years the very fine actor John Kevin Jones has been drawing packed houses to East 4th Street's 1832 landmark Merchant's House Museum building for Summoners Ensemble Theatre…

SOURCE: BroadwayWorld at 12:24am on October 25, 2018

BWW Review: Miranda Rose Hall's PLOT POINTS IN OUR SEXUAL DEVELOPMENT Has a Loving Couple Torn By Sexual Incompatibility by Michael Dale

Falling in love is the easy part. Functioning day to day as a couple can take work, especially when sexual incompatibility becomes an issue.

SOURCE: BroadwayWorld at 10:33am on October 23, 2018

BWW Review: MCC Encores Jocelyn Bioh's Colorism Drama SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY by Michael Dale

As the grand finale of their fourteen year residency at Christopher Street's Lucille Lortel Theatre, before moving to their brand new Hell's Kitchen digs, Manhattan Class Company brings in a…

SOURCE: BroadwayWorld at 1:42am on October 23, 2018
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