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2,441 stories by "Michael Billington"

South Pacific " review by Michael Billington

Barbican, LondonThis production arrives from the Lincoln Center in the US laden with seven Tony awards. But, perhaps because only two of the original cast have made the journey, it is a litt…

SOURCE: The Guardian at 6:01pm on August 23, 2011

One Thousand and One Nights " review by Michael Billington

Royal Lyceum, EdinburghOne can divide theatre, broadly, into two categories: narrative and dramatic. The former is expansive and would include events like Peter Brook's The Mahabharata and t…

SOURCE: The Guardian at 8:34am on August 22, 2011

Tony Kushner: 'At first I was horrified' by Michael Billington

When Tony Kushner's honorary degree was vetoed over allegations that he was anti-Israel, there was an outcry. Here he talks for the first time about the controversyThe best dramatists, …

SOURCE: The Guardian at 4:31pm on August 15, 2011

The Tempest " review by Michael Billington

King's, EdinburghIt's a pity the word "hybrid" has acquired pejorative overtones, because that's exactly what this delightful production offers. Adapted and directed by Tae-Suk for Seoul's M…

SOURCE: The Guardian at 1:30pm on August 15, 2011

King Lear " review by Michael Billington

Royal Lyceum, EdinburghI suspect Wu Hsing-kuo is the Taiwanese answer to Orson Welles. He has not only written and directed but also performs, in Mandarin and with the aid of nine musicians,…

SOURCE: The Guardian at 1:00pm on August 14, 2011

John Wood: an actor who made us see things anew | Michael Billington by Michael Billington

Through his piercing intellect, the late British actor John Wood redefined every role he playedI've been very lucky in my professional life. And one of my greatest strokes of good fortune wa…

SOURCE: The Guardian at 8:32am on August 11, 2011

Crazy For You " review by Michael Billington

Open Air, Regent's Park, LondonIf this enjoyable 1992 musical has a slightly synthetic feel, it is hardly surprising. Ken Ludwig has rewritten the book of a 1930 Gershwin musical, Girl Crazy…

SOURCE: The Guardian at 2:00pm on August 10, 2011

Anna Christie " review by Michael Billington

Donmar Warehouse, LondonJude Law is the big draw in this outstanding revival of Eugene O'Neill's 1921 play. But Law's is only one in a triptych of fine performances, the others coming from R…

SOURCE: The Guardian at 6:00pm on August 9, 2011

The Mother " review by Michael Billington

The Scoop, LondonIn a concrete amphitheatre surrounded by the gleaming towers of capitalism, Phil Willmott has had the wit to stage Brecht's most explicitly communist play. And even if histo…

SOURCE: The Guardian at 2:00pm on August 9, 2011

Blue Surge " review by Michael Billington

Finborough, LondonRebecca Gilman is an American dramatist who writes about hot topics with unsensational honesty. Having dealt with stalking in Boy Gets Girl and racism in Spinning into Butt…

SOURCE: The Guardian at 1:40pm on August 8, 2011

A Midsummer Night's Dream " review by Michael Billington

Royal Shakespeare Theatre, Stratford-upon-AvonI feel slightly sorry for RSC directors of Shakespeare's most popular comedy. Every three years or so they are expected to come up with a brand-…

SOURCE: The Guardian at 4:30pm on August 5, 2011

Harold Pinter, by Michael Billington " quiz by Michael Billington

As the RSC stage a new production of The Homecoming, find out how much you know about Pinter's play " and the restMichael Billington

SOURCE: The Guardian at 11:56am on August 4, 2011

The Homecoming " review by Michael Billington

Swan theatre, Stratford-upon-AvonIt was the RSC that premiered Harold Pinter's play in 1965, so it seems fitting that the company should revive it as part of its 50th birthday celebrations. …

SOURCE: The Guardian at 6:54am on August 4, 2011

The Syndicate " review | Michael Billington by Michael Billington

Minerva, ChichesterAs anyone who had the luck to see Saturday, Sunday, Monday or Napoli Milionaria will know, Eduardo de Filippo was one of the great figures of European theatre. But his pen…

SOURCE: The Guardian at 7:06pm on August 2, 2011

Richard Pearson obituary by Michael Billington

Distinctive actor often cast as harassed establishment figuresIt was the destiny of the actor Richard Pearson, who has died aged 93, to be remembered for his role in one of the most famous t…

SOURCE: The Guardian at 3:32pm on August 2, 2011

Canadian theatre comes into its own by Michael Billington

Returning to the Shaw and Stratford Shakespeare festivals in Ontario after 25 years was a revelation, with Jesus Christ Superstar and The President helping me to see the lightBack in the lat…

SOURCE: The Guardian at 11:35am on August 1, 2011

How rude should theatre critics be? by Michael Billington

Legal action against a 'malicious' book review has revived an old question: can critics stay honest without giving offence?I was out of the country last week and have only just caught up wit…

SOURCE: The Guardian at 10:03am on July 29, 2011

Henry IV Parts One and Two " review by Michael Billington

Theatre Royal BathIt is now widely accepted that these two plays represent the twin summits of William Shakespeare's genius. Peter Hall, returning to them for the first time since he directe…

SOURCE: The Guardian at 1:03pm on July 28, 2011

This Happy Breed " review by Michael Billington

Theatre Royal, BathWatching this rare revival of Noël Coward's lower-middle-class comedy, I was unexpectedly reminded of Arnold Wesker's Chicken Soup With Barley. Coward's play trace…

SOURCE: The Guardian at 1:30pm on July 27, 2011

Rattigan's Nijinsky " review by Michael Billington

Chichester Festival TheatreIs sexual discretion the better part of aesthetic valour? To put it more bluntly, is a gay writer obliged to come out publicly or entitled to write in code? It's t…

SOURCE: The Guardian at 1:33pm on July 26, 2011

The Deep Blue Sea " review by Michael Billington

Chichester Festival TheatreIt is a well-documented fact that the play was partly inspired by the suicide of one of Rattigan's former lovers. But it transcends gender specifics to become Ratt…

SOURCE: The Guardian at 1:31pm on July 26, 2011

Ghost the Musical " review by Michael Billington

Piccadilly, LondonMusicals based on movies are a dime a dozen, but Ghost is the first I've seen that feels like a film. It is not just that Bruce Joel Rubin's book adheres closely to his mov…

SOURCE: The Guardian at 6:00pm on July 19, 2011

In the Penal Colony - review by Michael Billington

Young Vic, LondonThe Palestinian theatre company ShiberHur made a big impact last year with I Am Yusuf and This Is My Brother. Now it is back with an hour-long version of Kafka's 1916 short …

SOURCE: The Guardian at 11:23am on July 17, 2011

Lay Me Down Softly " review by Michael Billington

Tricycle, LondonBilly Roche made his name with the unforgettable Wexford Trilogy. But while his new play deals with a rundown roadshow in a manner reminiscent of Brian Friel's Crystal a…

SOURCE: The Guardian at 2:10pm on July 13, 2011

Pericles " review by Michael Billington

Regent's Park Open Air theatre, LondonNatalie Abrahami's production does exactly what it says on the tin. Billed as "Pericles reimagined for everyone aged six and over", what we get is a viv…

SOURCE: The Guardian at 4:45pm on July 11, 2011
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