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2,446 stories by "Michael Billington"

Light Falls review " Simon Stephens' guilt-ridden love letter to the north by Michael Billington

Royal Exchange, ManchesterSarah Frankcom says her farewell as the Exchange's artistic director with this moving testament to the power of family life This has the air of an event. It is the …

SOURCE: The Guardian at 7:24am on October 30, 2019☆⚑

Hard talk: Broadway gets tough on America in crisis by Michael Billington

In an era of uncertainty and anxiety, New York theatre is shunning its obsession with private lives to throw a powerful spotlight on politics It used to be argued that British drama is drive…

SOURCE: The Guardian at 6:24am on October 29, 2019☆⚑

Joan Plowright at 90: the star who spoke truth to British theatre by Michael Billington

On the actor's birthday, our critic picks three key performances that illuminate her gift for earthy honesty Joan Plowright, who celebrates her 90th birthday today, is the senior figure in a…

SOURCE: The Guardian at 3:06am on October 28, 2019☆⚑

Vassa review " revolutionary attack on moribund politics by Michael Billington

Almeida, LondonSiobhan Redmond is impressive as a tyrannical mother trying to rescue her debt-ridden family in Tinuke Craig's strangely rootless production This production of Maxim Gorky's p…

SOURCE: The Guardian at 9:48pm on October 21, 2019☆⚑

[Blank] review " Alice Birch's build-your-own-play experiment by Michael Billington

Donmar Warehouse, LondonThe playwright throws down the gauntlet to directors, and the result is a show full of ideas but lacking unity Alice Birch's new play, whose title comes with built-in…

SOURCE: The Guardian at 7:18am on October 18, 2019☆⚑

A History of Water in the Middle East review " cheeky political lesson makes waves by Michael Billington

Royal Court, LondonPoet Sabrina Mahfouz uses songs, music and humour to deliver an impassioned assault on British imperialism Passion counts for a lot in the theatre. That is proved by this …

SOURCE: The Guardian at 8:33am on October 15, 2019☆⚑

The Ice Cream Boys review " an ambitious slice of South African history by Michael Billington

Jermyn Street theatre, LondonThis vigorously performed play confronts the country's past issues with a battle between the disgraced ex-president, Jacob Zuma, and one of his fiercest critics …

SOURCE: The Guardian at 2:37am on October 14, 2019☆⚑

Groan Ups review " school swots and bullies for life by Michael Billington

Vaudeville, London From age six to 30, Mischief Theatre's engaging band of classmates bicker and play but rarely test the assumption that character is formed in childhood Mischief Theatre, w…

SOURCE: The Guardian at 7:12pm on October 10, 2019☆⚑

The Man in the White Suit review " Stephen Mangan reinvents Ealing boffin by Michael Billington

Wyndham's theatre, London With fart jokes and skiffle songs, this Sean Foley adaptation ditches the innocence of the 1950s capitalist comedy, but has plenty of drive This is Sean Foley's ver…

SOURCE: The Guardian at 7:03am on October 9, 2019☆⚑

Shukshin's Stories review " moving tales of Siberian village folk by Michael Billington

Barbican, LondonA gifted cast from Moscow's Theatre of Nations brings Soviet-era stories of folly and obsession to enchanting life I confess to knowing little of Vasily Shukshin (1929-74) wh…

SOURCE: The Guardian at 3:24pm on October 8, 2019☆⚑

State of the arts: 'Theatre is usually in tune with our volatile times' by Michael Billington

The Guardian's theatre critic reflects on why the stage remains such a vital means of distilling society We live, to put it mildly, in volatile times. No one knows for sure where this countr…

SOURCE: The Guardian at 6:24am on October 8, 2019☆⚑

The Niceties review " race and revolution explode into campus feud by Michael Billington

Finborough theatre, LondonA patriotic history professor clashes with her activist student in a smart play sustained by an early surge of ideas First produced in Boston in 2018, Eleanor Burge…

SOURCE: The Guardian at 9:12am on October 4, 2019☆⚑

A Day in the Death of Joe Egg review " Peter Nichols' classic has rare truth by Michael Billington

Trafalgar Studios, LondonThere are excellent performances from a cast including Toby Stephens and Claire Skinner, in a fine revival of Nichols' humane play It is 52 years since Peter Nichols…

SOURCE: The Guardian at 10:24am on October 3, 2019☆⚑

'Master Harold' … and the Boys review " a waltz for worldly harmony by Michael Billington

Lyttelton, London Athol Fugard explores South Africa in 1950 through a white teenager and two black men who practise ballroom routines The plays Athol Fugard co-created with John Kani and Wi…

SOURCE: The Guardian at 8:24am on October 2, 2019☆⚑

Sanditon and The Watsons: TV and theatre finish what Austen started by Michael Billington

Unfinished Jane Austen novels have been adapted for television and the stage. Theatre's room for experiment delivers the most satisfying imaginative leap By a strange chance it is currently …

SOURCE: The Guardian at 9:18am on October 1, 2019☆⚑

Macbeth review " John Simm excels despite much toil and trouble by Michael Billington

Chichester Festival theatreThe murderous thane faces witches, relentless video and a musical assault in this lengthy production but emerges as a figure of rare complexity Read interview with…

SOURCE: The Guardian at 7:12am on September 29, 2019☆⚑

My Beautiful Laundrette review " an iconic movie cleverly reimagined by Michael Billington

Curve, LeicesterAdapted from Hanif Kureishi's 1985 film, this production retains its 80s ethos while speaking to today's world with the racial and gender politics heightened Making plays out…

SOURCE: The Guardian at 11:06am on September 27, 2019☆⚑

Two Ladies review " presidents' wives turn to violence by Michael Billington

Bridge theatre, LondonZoë Wanamaker and Zrinka CviteÅ¡ić attempt to seize power at a summit meeting in Nancy Harris's provocative play The finest song in Hamilton hymns the urge to …

SOURCE: The Guardian at 7:24pm on September 25, 2019☆⚑

Glass. Kill. Bluebeard. Imp. review - finding fascination in bloodshot fables by Michael Billington

Royal Court, LondonCaryl Churchill's four pieces entertainingly combine mythical, mundane and gory Every Caryl Churchill play is an experiment with form. Her latest work comprises four piece…

SOURCE: The Guardian at 7:24pm on September 25, 2019☆⚑

Youth Without God review " anti-Nazi drama calls out liberal bystanders by Michael Billington

Coronet theatre, LondonChristopher Hampton's disturbing adaptation of Ödön von Horváth's 1937 novel is a promising text, albeit let down by an imperfect production Christopher Hampto…

SOURCE: The Guardian at 6:33pm on September 24, 2019☆⚑

The Permanent Way review " if only Hare's study of railway chaos had dated by Michael Billington

The Vaults, LondonDavid Hare's searing play about the chaos and tragedy that followed rail privatisation rings as true today as ever 'We have ended up with a very dysfunctional and flawed sy…

SOURCE: The Guardian at 11:42am on September 20, 2019☆⚑

Reasons to Stay Alive review " striking staging of Matt Haig depression memoir by Michael Billington

Crucible, SheffieldThis dramatisation of the mental health bestseller takes a step towards removing the stigma from depression " though it's no substitute for the book Depression is "invisib…

SOURCE: The Guardian at 7:18am on September 19, 2019☆⚑

Faith, Hope and Charity review " urgent account of the austerity age by Michael Billington

Dorfman, LondonAlexander Zeldin's latest production shines a light on the resilience and humour of those struggling to survive Alexander Zeldin's plays are like no one else's: they humanely …

SOURCE: The Guardian at 7:54am on September 18, 2019☆⚑

Jez Butterworth: quicksilver sage behind the 21st century's best play by Michael Billington

In Jerusalem, the playwright laid bare a country's phoney myths and confronted who we are as individuals and nations The best plays of the 21st century Jez Butterworth is one of only two wri…

SOURCE: The Guardian at 7:18pm on September 17, 2019☆⚑

Anna Bella Eema review " trailer-park golem with a touch of Thoreau by Michael Billington

Arcola, LondonGothic sound design and a trio of sharp central performances lend this version of Lisa D'Amour's rather mystifying play some definition Lisa D'Amour's play is as weird as its t…

SOURCE: The Guardian at 8:54pm on September 16, 2019☆⚑
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