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2,441 stories by "Michael Billington"

Antony and Cleopatra " review by Michael Billington

Shakespeare's Globe, LondonOne important aspect of the Globe to Globe season is its appeal to expatriate communities. On a hot Saturday afternoon the Globe was packed with Turks, young and o…

SOURCE: The Guardian at 12:08pm on May 28, 2012

Events While Guarding the Bofors Gun " review by Michael Billington

Finborough, LondonIt is 10 years since the playwright John McGrath died; 46 since this play was last seen in London. Both the man and his work are honoured in this superb revival by Robert H…

SOURCE: The Guardian at 7:08am on May 28, 2012

Michael Billington on the link between cricket and the theatre by Michael Billington

You could easily make up a men's 11 of playwrights passionate about the game and directors, too, are often cricket nuts " so what's the appeal?With the summer game getting into its…

SOURCE: The Guardian at 2:31pm on May 27, 2012

Absurd Person Singular, 40 years on by Michael Billington

Alan Ayckbourn, a playwright with a remarkable ability to take the national temperature, is reviving his landmark 1972 play to mark its 40th anniversary"It is difficult to find a bright mome…

SOURCE: The Guardian at 5:55pm on May 25, 2012

Children's Children " review by Michael Billington

Almeida, London I find myself wondering what Matthew Dunster's new play is really about. Is it a satire on the perils of TV fame, a study of the fragility of friendship, or a didactic warnin…

SOURCE: The Guardian at 7:20am on May 25, 2012

Posh " review by Michael Billington

Duke of York's, LondonWith even a Tory attacking the "arrogant, posh boys" who run her party, now seems a good time to revive Laura Wade's 2010 play.It has undergone a good deal of revision …

SOURCE: The Guardian at 6:01pm on May 23, 2012

Chariots of Fire " review by Michael Billington

Hampstead theatre, London"Will it run?" people asked when they first heard that the celebrated 1981 movie was to be adapted for the stage. That question seems to have been answered by the ne…

SOURCE: The Guardian at 6:58pm on May 22, 2012

X is for xenophobia by Michael Billington

For decades, Britain ignored European, African and Asian theatre. But do we now have an uncritical acceptance of anything foreign?Do we in Britain suffer from theatrical xenophobia? I used t…

SOURCE: The Guardian at 8:27am on May 22, 2012

Arnold Wesker: food for thought by Michael Billington

As playwright Arnold Wesker turns 80, he talks about his early successes, his later battles " and the day he tried to flog his entire oeuvre for £10,000'I don't feel I'm known as a playwr…

SOURCE: The Guardian at 2:30pm on May 21, 2012

A Marvellous Year for Plums " review by Michael Billington

Chichester festival theatreHugh Whitemore has written a play about something that sounds eerily familiar: a legally dubious British invasion of a Middle Eastern country run by a militaristic…

SOURCE: The Guardian at 7:16am on May 18, 2012

The Sunshine Boys " review by Michael Billington

Savoy, LondonAmerica's Danny DeVito and Britain's Richard Griffiths join forces in this joyous revival of Neil Simon's 1972 comedy about a pair of superannuated vaudevillians. But what makes…

SOURCE: The Guardian at 6:02pm on May 17, 2012

What the Butler Saw " review by Michael Billington

Vaudeville, LondonJoe Orton's final play, unrevised at the time of his death in 1967, is a hard one to get right, since it combines manic farce with non-stop social commentary. That doesn't …

SOURCE: The Guardian at 7:01am on May 17, 2012

Detroit " review by Michael Billington

Cottesloe, LondonThere's room for more than one play about American suburbia. But, after the brilliance of Bruce Norris's Clybourne Park at the Royal Court, which dealt with the intersection…

SOURCE: The Guardian at 1:24pm on May 16, 2012

Chair " review by Michael Billington

Lyric Hammersmith, LondonI am normally wary of futuristic fables, since they brook no disagreement: we can't challenge the writer's experience with our own. But Edward Bond's piece, set…

SOURCE: The Guardian at 8:45am on May 15, 2012

Top Hat - review by Michael Billington

Aldwych, LondonThe nostalgia market gets a further boost with the arrival of this amiable stage version of the celebrated Astaire-Rogers 1935 RKO musical. The evening can be quickly summed u…

SOURCE: The Guardian at 7:37pm on May 9, 2012

Three Kingdoms " review by Michael Billington

Lyric Hammersmith, LondonPlaywright Simon Stephens has long registered his horror at the heartless world of commodified sex we now inhabit. Given the current headlines, you could s…

SOURCE: The Guardian at 2:10pm on May 9, 2012

Macbeth " review by Michael Billington

Shakespeare's Globe, LondonThis is the third Polish Macbeth London has seen in recent years, and there is yet another to come at the Edinburgh international festival. But, while this version…

SOURCE: The Guardian at 11:43am on May 9, 2012

All Good Men/Thermidor " review by Michael Billington

Finborough, LondonOriginally seen as a BBC Play for Today in 1974, watching Trevor Griffiths's All Good Men makes one painfully nostalgic for a time when TV was unafraid to show serious poli…

SOURCE: The Guardian at 1:42pm on May 8, 2012

V is for verbatim theatre by Michael Billington

Theatre that incorporates the words of real people has never been more popular " and has proved itself infinitely flexible Continue reading...

SOURCE: The Guardian at 9:50am on May 8, 2012

V is for verbatim theatre by Michael Billington

Theatre that incorporates the words of real people has never been more popular " and has proved itself infinitely flexibleVerbatim theatre, as Will Hammond and Dan Steward point out in their…

SOURCE: The Guardian at 9:50am on May 8, 2012

The Rest Is Silence " review by Michael Billington

Shoreham, SussexThe hottest ticket at the Brighton festival is this 90-minute "meditation on Hamlet" staged by the experimental company dreamthinkspeak. Two years ago they caused a stir with…

SOURCE: The Guardian at 1:00pm on May 7, 2012

Love, Love, Love " review by Michael Billington

Royal Court, LondonMike Bartlett, as we know from plays such as 13 and Cock, can write big or small. In this piece, originally produced by Paines Plough and the Drum Plymouth in 2010, he com…

SOURCE: The Guardian at 1:00pm on May 4, 2012

Belong " review by Michael Billington

Royal Court, LondonBola Agbaje has made a name for herself with plays such as Gone Too Far! and Off the Endz, which showed her to be a sharp, witty observer of London life. Now she extends h…

SOURCE: The Guardian at 1:15pm on May 3, 2012

U is for university theatre by Michael Billington

British drama's secret weapon is university-trained talent " from the venerable theatre societies of Oxbridge to world-beating modern drama departmentsI don't know how it is in other Europea…

SOURCE: The Guardian at 7:32am on May 1, 2012

Measure for Measure " review by Michael Billington

Shakespeare's Globe, LondonWarning: contains spoilers about the productionI know it's a cliche but it's true: foreign-language Shakespeare, necessarily an adaptation, often has a liberating …

SOURCE: The Guardian at 8:25am on April 25, 2012
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