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2,446 stories by "Michael Billington"

Forgotten plays: No 5 " Owners (1972) by Caryl Churchill by Michael Billington

The writer unleashed her gift for black comedy to excoriate British attitudes to property and possessions in this sprightly drama Caryl Churchill is rightly admired for many qualities: her f…

SOURCE: The Guardian at 11:36pm on June 28, 2020☆⚑

Forgotten plays: No 4 " Bloody Poetry (1984) by Howard Brenton by Michael Billington

This magnificently honest play about the Shelleys and Byron's summer of sexual experimentation raises difficult questions about the cost of utopian aspirations Howard Brenton's output is mas…

SOURCE: The Guardian at 12:03pm on June 22, 2020☆⚑

Forgotten plays: No 3 " The Coup (1991) by Mustapha Matura by Michael Billington

A Caribbean-set 'play of revolutionary dreams' acquires a chilling new relevance when protests confront the legacy of colonialism Although I admired its ambition, I was sceptical about The C…

SOURCE: The Guardian at 1:54am on June 15, 2020☆⚑

Forgotten plays: No 2 " Three Birds Alighting on a Field (1991) by Timberlake Wertenbaker by Michael Billington

Our series on forgotten theatre classics continues with Wertenbaker's stylish dissection of Thatcher-era morality I recently caught on BBC Four a repeat of Andrew Marr's History of Modern Br…

SOURCE: The Guardian at 1:48am on June 8, 2020☆⚑

Forgotten plays: No 1 " The No Boys Cricket Club (1996) by Roy Williams by Michael Billington

Our new series on lost theatre classics begins with an exceptional play about the dashed hopes of a middle-aged Jamaican woman When the theatrical lockdown ends, I suspect there will be a te…

SOURCE: The Guardian at 3:54am on June 1, 2020☆⚑

Velvet wonderlands: the plush pleasure palaces of Frank 'Matchless' Matcham by Michael Billington

He was our 'greatest theatrical architect', the creator of 150 magnificent buildings that delighted crowds from Glasgow to Blackpool to London. On the centenary of his death, we celebrate a …

SOURCE: The Guardian at 2:36am on May 13, 2020☆⚑

Judi Dench lets us in on the secret while remaining a true enigma by Michael Billington

A lengthy 2017 interview, to be streamed online, shows the acting great opening up about her craft and sharing priceless memories One of the many tantalising shows lost to the lockdown was …

SOURCE: The Guardian at 10:06am on April 17, 2020☆⚑

Six of the best plays about confinement | Michael Billington by Michael Billington

Dramatists have long focused on the agonies and irritations of self-imposed or enforced isolation 'I could be bounded in a nutshell and count myself a king of infinite space," says Hamlet. H…

SOURCE: The Guardian at 1:42am on April 3, 2020☆⚑

It's curtains for theatre " but not, let us hope, for too long | Michael Billington by Michael Billington

This is the art form that makes us feel most acutely human. We are going to need it more than ever How will society cope with the total shutdown of theatres for the foreseeable future? It wi…

SOURCE: The Guardian at 10:18am on March 19, 2020☆⚑

Roy Hudd: a charming star immediately embraced by audiences | Michael Billington by Michael Billington

A versatile master of stage, radio and TV, Hudd survived changes in popular taste through his good-hearted skill I last saw Roy Hudd, who has died at the age of 83, at a lunch organised by t…

SOURCE: The Guardian at 2:48pm on March 16, 2020☆⚑

Hail, Coriolanus! The greatness of Shakespeare's shape-shifting epic by Michael Billington

From Olivier's strangled fury to Ralph Fiennes' Oedipal embraces, this complex political play is extraordinarily flexible 'The tragedy of Coriolanus is one of the most amusing of our author'…

SOURCE: The Guardian at 1:33am on March 5, 2020☆⚑

Triumph from tragedy: how Greece's theatre roared out of a national crisis by Michael Billington

To kick off our critical tour of Europe's cultural hotspots, Michael Billington reports on thrilling theatre in a post-slump Greece " from a minimalist Doll's House to Beckett like he's neve…

SOURCE: The Guardian at 11:03am on March 2, 2020☆⚑

Love and Leopoldstadt: don't be surprised if Tom Stoppard gets emotional by Michael Billington

The playwright's new work has been seen as a departure from his intellectual stock-in-trade. But look deeper, and passion has always been present What kind of writer is Tom Stoppard? In coun…

SOURCE: The Guardian at 5:54am on February 27, 2020☆⚑

From rep to reps: can a 'Shakespeare gym' solve the crisis in verse-speaking? by Michael Billington

The Royal Shakespeare Company has vowed to drill the Bard's rhythms into its actors " but our alienation from his language runs deeper 'Speak the speech, I pray you, as I pronounced it to y…

SOURCE: The Guardian at 7:03am on February 18, 2020☆⚑

Terry Hands left our theatre infinitely richer than he found it by Michael Billington

The former RSC director had a stellar career, seeing the depth in derided plays and restoring the Histories to their rightful stage I was saddened to hear of the death of Terry Hands at the …

SOURCE: The Guardian at 10:36am on February 4, 2020☆⚑

Look back in Vanya: my encounters with Chekhov's classic over 60 years by Michael Billington

From Rome to Paris to London, Uncle Vanya delivers fresh meanings wherever and whenever it's performed Which is Chekhov's greatest play? It tends to be the one you've seen most recently. But…

SOURCE: The Guardian at 8:42am on January 20, 2020☆⚑

Pippi Longstocking review " Lindgren's rule-breaker is a festive delight by Michael Billington

Royal and Derngate, NorthamptonAstrid Lindgren's nine-year-old rebel is suitably anarchic and altruistic in a festive musical show that leaves you chuckling I've come late in life to Astrid …

SOURCE: The Guardian at 11:42am on December 19, 2019☆⚑

Top 10 theatre shows of 2019 by Michael Billington

Katori Hall gave us a miracle, Caryl Churchill delivered a dark quartet and Tom Hiddleston astounded in Betrayal. But the year's highlight was a breathtaking Ibsen with Hayley Atwell More on…

SOURCE: The Guardian at 5:33am on December 17, 2019☆⚑

Swive [Elizabeth] review " a not so modern queen fights for absolute power by Michael Billington

Sam Wanamaker Playhouse, LondonElla Hickson's Elizabeth I story vividly portrays her battles with men and a patriarchal system but doesn't make a strong case for contemporary parallels Ella …

SOURCE: The Guardian at 6:54am on December 15, 2019☆⚑

Teenage Dick review " Daniel Monks is a dazzling high-school Richard III by Michael Billington

Donmar Warehouse, LondonMike Lew's American update of Shakespeare, directed by Michael Longhurst, captures the king's complexity Mike Lew's relocation of Richard III to a US high school is p…

SOURCE: The Guardian at 10:48am on December 13, 2019☆⚑

A Kind of People review " uncompromising look at modern Britain by Michael Billington

Royal Court, London Race and relationships are the focus of Gurpreet Kaur Bhatti's deeply moving drama that presents an honest picture of multi-cultural Britain There's a great story by Dost…

SOURCE: The Guardian at 2:18pm on December 12, 2019☆⚑

Three Sisters review " Inua Ellams transfers Chekhov to Nigeria by Michael Billington

Lyttelton, LondonBuoyed by first-rate performances, this production transforms the Russian classic into an eye-opening account of the Biafran war Inua Ellams describes his new play, his firs…

SOURCE: The Guardian at 9:03am on December 11, 2019☆⚑

Song and dance of death: the musical " archive, 11 December 1972 by Michael Billington

11 December 1972: on the evidence of recent shows, the musical is in dead trouble: the more one watches dancers catapulting across the stage as if fired from a cannon and leading ladies bari…

SOURCE: The Guardian at 1:48am on December 11, 2019☆⚑

Sorry Jake Gyllenhaal, but the British musical is alive and kicking by Michael Billington

With shows such as Everybody's Talking About Jamie, Six and The Boy in the Dress, the musical is in rude health in this country " whether Broadway knows it or not Has the British musical los…

SOURCE: The Guardian at 12:18pm on December 9, 2019☆⚑

Cyrano de Bergerac review " James McAvoy is fierce in radical reboot of romantic classic by Michael Billington

Playhouse, LondonVisual flummery and the famous nose are dispensed with in Martin Crimp's modern take on Rostand's proxy-wooing play This version of Edmond Rostand's play, as adapted by Mart…

SOURCE: The Guardian at 8:12pm on December 8, 2019☆⚑
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