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2,437 stories by "Michael Billington"

Roger Lloyd Pack: the perfect Pinter performer by Michael Billington

His TV work might have upstaged his distinguished career in theatre, but the actor best known as Trigger excelled in work by Bennett, Marber and, especially, PinterYou can often tell the qua…

SOURCE: The Guardian at 11:56am on January 16, 2014

The Duchess of Malfi - review by Michael Billington

Gemma Arterton brings beauty, determination and moral goodness to one of the great female roles, writes Michael BillingtonA new theatre is often a challenge. Until weathered and worn by use,…

SOURCE: The Guardian at 7:58pm on January 15, 2014

Putting It Together " review by Michael Billington

St James Theatre, LondonGiving this revue of Sondheim numbers a narrative may be a little tenuous, but it's a feast of pleasure delivered with real verveIt's a sign of Stephen Sondheim's fec…

SOURCE: The Guardian at 6:30pm on January 15, 2014

Wolf Hall/Bring up the Bodies " review by Michael Billington

Swan Theatre, Stratford-upon-AvonTransferring a winning novel to stage is difficult. Doing it with two " and succeeding " is a special featTurning a novel into a play is always tricky: even …

SOURCE: The Guardian at 1:00am on January 9, 2014

Best theatre of 2013, No 2: Chimerica by Michael Billington

Michael Billington: Lucy Kirkwood's thrillingly ambitious play tackled global politics, multinational corporations and was bursting with big ideasMichael Billington

SOURCE: The Guardian at 4:00am on December 30, 2013

Best theatre of 2013, No 8: The Scottsboro Boys by Michael Billington

Susan Stroman's production, with its ironic minstrel-show format, skilfully suggested that the US's outlook on racial injustice had moved on since the 1930s " but not far enough' Read Michae…

SOURCE: The Guardian at 6:26am on December 20, 2013

Stephen Ward " review by Michael Billington

Aldwych Theatre, LondonMusical portrayal of the Profumo scandal with nifty songs in 1960s style sits oddly with social and political critiqueStephen Ward, the osteopath at the centre of the …

SOURCE: The Guardian at 6:30pm on December 19, 2013

Wendy and Peter Pan " review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonThis reinvention of JM Barrie's story dispenses with the original's dark ambiguity, but there's still plenty to enjoyElla Hickson, who has writt…

SOURCE: The Guardian at 6:58am on December 19, 2013

Coriolanus " review by Michael Billington

Donmar Warehouse, LondonA fast, witty, intelligent production that, in Tom Hiddleston, boasts a fine CoriolanusA chamber production of Coriolanus? It sounds a contradiction in terms. But, as…

SOURCE: The Guardian at 7:51pm on December 17, 2013

Fortune's Fool " review by Michael Billington

Old Vic, LondonA scathing portrait by Turgenev of the cruelties of Russian rural life finally gets a slap-up London productionWe've long thought of Ivan Turgenev as a one-play man who, in A …

SOURCE: The Guardian at 6:36am on December 17, 2013

The El Train " review by Michael Billington

Hoxton Hall, LondonRuth Wilson excels as actor and director in these three early plays by Eugene O'Neill, making a spellbinding eveningRuth Wilson and Sam Yates have joined forces to direct,…

SOURCE: The Guardian at 10:04am on December 16, 2013

Peter O'Toole on stage: a star's capacity to cast an unforgettable spell by Michael Billington

He found stardom on screen in Lawrence of Arabia, but O'Toole was a legendary and often mesmerising presence in the theatre' Obituary: Peter O'Toole, 1932-2013' Peter O'Toole: a life in pict…

SOURCE: The Guardian at 8:10am on December 16, 2013

Matt Smith helps Bret Easton Ellis's murderous yuppie to make a killing by Michael Billington

American Psycho, the musical, at the Almeida, LondonIt sounds improbable: a musical thriller about a serial killer. But Sondheim did it in Sweeney Todd. And, although this version of Bret Ea…

SOURCE: The Guardian at 8:52pm on December 12, 2013

The Duck House " review by Michael Billington

This satirical piece about the MPs' expenses scandal raises a few titters but lacks the brutal logic of first-rate farceI yield to no one in my love of farce, but this new one by Colin Swash…

SOURCE: The Guardian at 9:10am on December 12, 2013

Drawing the Line " review by Michael Billington

Hampstead theatre, LondonHoward Brenton's ambitious account of the partition of India in 1947 crams an amazing amount into 25 scenes of cool clarityIt is not often a critic wishes a play wer…

SOURCE: The Guardian at 8:11am on December 10, 2013

Dick Whittington " review by Michael Billington

Theatre Royal Stratford East, LondonDouble entendres abound in a family-friendly panto that puts a new spin on a familiar tale.It's not every day you hear 500 people enthusiastically chantin…

SOURCE: The Guardian at 1:48pm on December 9, 2013

From Morning to Midnight " review by Michael Billington

Lyttelton, LondonGeorg Kaiser's 1912 expressionist landmark comes to life thanks to a production full of vitality and a beautifully unsentimental central performanceThe National is clearly g…

SOURCE: The Guardian at 7:40am on December 8, 2013

Let The Right One In " review by Michael Billington

Royal Court, London While the story is about the mutual love between two marginalised people, it lacks any coherent frameworkI came fresh to Jack Thorne's play never having seen the film or …

SOURCE: The Guardian at 7:01pm on December 6, 2013

Emil and the Detectives " review by Michael Billington

National Theatre, London Bijan Sheibani's play is at its best when it returns to the human values of Erich Kastner's storyThe National has set the bar high when it comes to family entertainm…

SOURCE: The Guardian at 7:17pm on December 4, 2013

Henry V " review by Michael Billington

Jude Law's performance as Shakespeare's contradictory king brings to mind John Sutherland's provocative essayJude Law is the big draw in the fifth and final production of Michael Grandage's …

SOURCE: The Guardian at 6:00pm on December 3, 2013

Candide " review by Michael Billington

Menier Chocolate Factory, LondonLeonard Bernstein's musical gets a restless, comic-strip production that has a jaunty ebullience and two outstanding leadsI suspect there are two ways to appr…

SOURCE: The Guardian at 7:02am on December 3, 2013

Marathon '33 " review by Michael Billington

Guildhall School, LondonA beautifully staged show about the brutal Depression-era dance marathons is something of an endurance test for us as wellAvid fans of Gypsy will recall that Dainty J…

SOURCE: The Guardian at 9:29am on December 1, 2013

The White Carnation " review by Michael Billington

Finborough, London There are strong performances in this entertaining revival of RC Sherriff's ghost story, but much of the play feels like paddingIt is the fate of RC Sherriff to be remembe…

SOURCE: The Guardian at 8:20am on November 29, 2013

Once a Catholic " review by Michael Billington

Tricycle, LondonGuilty of the very intolerance it condemns, Mary O'Malley's 1977 convent school drama " here directed by Kathy Burke " is a jolly but nonetheless flawed affairTime has not b…

SOURCE: The Guardian at 12:23pm on November 28, 2013

In the Next Room (Or the Vibrator Play) " review by Michael Billington

St James's, LondonSarah Ruhl's superb drama of female frustration and solitude is well served by director Laurence BoswellSarah Ruhl's brilliant play is, to put it mildly, an eye-opener. Set…

SOURCE: The Guardian at 8:11am on November 26, 2013
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