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2,441 stories by "Michael Billington"

The Silver Tassie review a fine revival of O'Casey's tumultuous play by Michael Billington

Lyttelton, LondonHoward Davies brilliantly handles Seán O'Casey's blend of Dublin realism and expressionismSeán O'Casey's tumultuous play has always posed a problem: how to reconci…

SOURCE: The Guardian at 8:43am on April 24, 2014

Best Shakespeare productions: what's your favourite Troilus and Cressida? by Michael Billington

In honour of the 450th anniversary of Shakespeare's birth, we're recalling our favourite stagings of his plays. This tragedy has come into its own in today's war-weary times, yielding many f…

SOURCE: The Guardian at 3:00am on April 24, 2014

Best Shakespeare productions: what's your favourite Hamlet? by Michael Billington

To mark the 450th anniversary of Shakespeare's birth we're choosing our favourite versions of his plays. Here's a handful of the finest Hamlets 45 Hamlets for Shakespeare's 450th birthday i…

SOURCE: The Guardian at 2:00am on April 23, 2014

Privacy review Taut drama short-circuits the crucial debate by Michael Billington

Donmar Warehouse, LondonJames Graham's new play under the direction of Josie Rourke is rich and adrenalin-fuelled but lacks a real intellectual tussleJames Graham's new play deals with the b…

SOURCE: The Guardian at 7:34pm on April 22, 2014

The School for Scheming review 'An intriguing comedy about capitalism' by Michael Billington

Orange Tree, RichmondThis lively revival of Boucicault's play starts promisingly, but his assault on speculative capitalism soon turns into a convoluted comedy about aristocratic marriageA k…

SOURCE: The Guardian at 7:12am on April 22, 2014

Best Shakespeare productions: what's your favourite Twelfth Night? by Michael Billington

This comedy demands a balance between laughter and pain and needs a strong, all-round ensemble. Here's a handful of stagings to celebrateTwelfth Night is Shakespeare's most perfect comedy. …

SOURCE: The Guardian at 8:06am on April 21, 2014

The Notorious Mrs Ebbsmith review 'A flawed but intriguing curiosity' by Michael Billington

The first revival in 100 years of Arthur Wing Pinero's proto-feminist, anti-marriage drama is shrewd and polished, even though it does patronise its independent-minded heroine"The play …

SOURCE: The Guardian at 9:48am on April 18, 2014

Best Shakespeare productions: what's your favourite Julius Caesar? by Michael Billington

By setting this play in a modern African state, the RSC's Gregory Doran gave its debate new urgency. Which versions of Julius Caesar have you hailed?For all its popularity, Shakespeare's Rom…

SOURCE: The Guardian at 3:00am on April 18, 2014

Henry IV Parts I and II review Antony Sher's magnificent, magnetic Falstaff by Michael Billington

Royal Shakespeare theatre, Straford-upon-Avon These plays embrace the whole range of human experience and the RSC's production is rich in psychological insight What are your favourite versio…

SOURCE: The Guardian at 8:44am on April 17, 2014

Best Shakespeare productions: Much Ado About Nothing by Michael Billington

From Robert Stephens and Maggie Smith to Simon Russell Beale and Zoë Wanamaker, countless duos have sparred as Benedick and Beatrice. What's your favourite version?Charles I famously wrot…

SOURCE: The Guardian at 2:00am on April 17, 2014

The Roaring Girl review 'Spirited start to the RSC's heroines season' by Michael Billington

The Swan, Stratford-upon-AvonUpdating this Jacobean play to the 1890s diminishes some of its impact, but it's a rousing productionThe RSC has had the bright idea of giving the new Swan seaso…

SOURCE: The Guardian at 9:09am on April 16, 2014

Best Shakespeare productions: The Merry Wives of Windsor by Michael Billington

From Ben Kingsley's Ford to Bill Alexander's 50s-era staging, Shakespeare's only purely English comedy perfectly captures middle-class mores. Let us know the best versions you've seenI've al…

SOURCE: The Guardian at 11:13am on April 15, 2014

Oh My Sweet Land review Stunning reportage that gives Syria conflict human face by Michael Billington

Young Vic, LondonAncestral memory and a labyrinthine quest intertwine in this extraordinary piece set in Paris and the Middle EastHow do you present the situation in Syria on stage? The answ…

SOURCE: The Guardian at 7:30am on April 15, 2014

Relative Values review | Michael Billington by Michael Billington

Stylishly presented, but why Trevor Nunn chose to lavish such loving care on this rancid relic from Noël Coward is a mysteryI can't imagine Noël Coward's 1951 light comedy being much…

SOURCE: The Guardian at 6:30pm on April 14, 2014

HighTide festival review new plays put across with zest by Michael Billington

Halesworth, SuffolkThe premiere of Nick Payne's ingenious play Incognito leads an exceptional festival devoted to new worksIt's a sign of the growing prestige of this exemplary festival for …

SOURCE: The Guardian at 11:18am on April 14, 2014

Best Shakespeare productions: Henry IV Parts I and II by Michael Billington

Michael Billington recalls a feast of Falstaffs including Joss Ackland, David Warner and Orson Welles. Tell us your favourite versions of these state-of-the-nation playsKenneth Tynan called …

SOURCE: The Guardian at 7:32am on April 14, 2014

The Olivier awards 2014: predictable, yes, but not necessarily wrong by Michael Billington

Lucy Kirkwood's Chimerica deserves all the praise heaped upon it but I'm sad to see The Scottsboro Boys coming away empty-handed Almeida theatre defeats West End giants Video: Watch scenes …

SOURCE: The Guardian at 4:30pm on April 13, 2014

A View from the Bridge review spartan makeover for Arthur Miller by Michael Billington

Young Vic, LondonArthur Miller's 1955 Brooklyn drama is stripped right back to showcase rich behavioural accuracy and high-quality performances Interview: Ivo van Hove Interview: Mark Strong…

SOURCE: The Guardian at 7:51am on April 13, 2014

Best Shakespeare productions: The Merchant of Venice by Michael Billington

Peter O'Toole, Patrick Stewart and Antony Sher have all made stunning Shylocks which versions of this problematic play have you been sold on?Obviously, The Merchant of Venice poses a proble…

SOURCE: The Guardian at 6:00am on April 13, 2014

Michael Billington on Sue Townsend: 'Plays poured out of her' by Michael Billington

On stage, the diary-writing teenager Adrian Mole was a joy because Townsend was serious about her single-parent hero and funny about everything elseI first came across Sue Townsend in 1979. …

SOURCE: The Guardian at 7:57am on April 11, 2014

King Charles III a flawed premise but royally entertaining by Michael Billington

Almeida theatre, LondonMike Bartlett has written a speculative play about the future of the monarchy that has the courage to ask serious questionsMike Bartlett has written a speculative play…

SOURCE: The Guardian at 8:28pm on April 10, 2014

Best Shakespeare productions: A Midsummer Night's Dream by Michael Billington

This enchanting comedy has been revived many times yet the play gives constant pleasure. Peter Brook and Michael Boyd's versions both had a magical sensualityI sometimes feel sorry for direc…

SOURCE: The Guardian at 11:08am on April 10, 2014

Birdland review Ceaselessly inventive critique of rock stardom by Michael Billington

Mega-fame and limitless cash can turn a man into a monster, and Simon Stephens's new play excellently evokes its hero's spiritually shrunken worldNo one will be surprised to learn, from Simo…

SOURCE: The Guardian at 7:05am on April 10, 2014

Best Shakespeare productions: what's your favourite Romeo and Juliet? by Michael Billington

Shakespeare's poorly plotted tragedy turns on the shortcomings of the Veronese postal service and is eclipsed by West Side Story yet the best productions overcome these defectsI once anger…

SOURCE: The Guardian at 8:33am on April 9, 2014

A Small Family Business review revival sells Ayckbourn short by Michael Billington

Olivier, LondonNigel Lindsay hits the right note, but this production lacks the farce that unlocks the pain within Alan Ayckbourn's fable Ayckbourn: 'I've never been a political writer: I'm …

SOURCE: The Guardian at 7:23am on April 9, 2014
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