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2,441 stories by "Michael Billington"

Edinburgh festival 2014 review: The War art theatre with a vengeance by Michael Billington

The staging is ingenious, the music fiercely eclectic, but it's hard to make out the central ideas in Vladimir Pankov's hyper-stylised first world war spectacular Playwright breaks Russian s…

SOURCE: The Guardian at 6:37am on August 10, 2014

Thérèse Raquin review Pippa Nixon seems destined for stardom by Michael Billington

Theatre Royal, BathEmile Zola's feverish, intense novel is exactly realised in this ultra-theatrical production Continue reading...

SOURCE: The Guardian at 11:43am on August 8, 2014

The White Devil review putting the patriarchy on trial by Michael Billington

The Swan, StratfordMaria Aberg update of the Webster play foregrounds its gender politics but ultimately loses as much as it gains Continue reading...

SOURCE: The Guardian at 9:36am on August 7, 2014

My Night With Reg review fine revival for caustic study of gay manners by Michael Billington

Donmar Warehouse, LondonKevin Elyot's breakthrough 1994 piece is well played, catching the secret fears and surface buoyancy of a group of companions 'His subject was the longing for love': …

SOURCE: The Guardian at 8:07am on August 6, 2014

Dessa Rose review too complicated for its own good by Michael Billington

Trafalgar Studios, London Ahrens's treatment of race relations is more exhausting than spiritually enlightening Continue reading...

SOURCE: The Guardian at 9:42am on August 1, 2014

The Nightmares of Carlos Fuentes review an Iraqi's identity crisis by Michael Billington

Arcola, LondonThis story of a Sunni man who flees sectarian Iraq for a life in Britain is more striking in individual scenes than as a whole Continue reading...

SOURCE: The Guardian at 7:19am on July 30, 2014

A Streetcar Named Desire review Powerful insight into incomplete people by Michael Billington

Young Vic, LondonAlthough this modern update of Tennessee Williams's play isn't always plausible, Gillian Anderson's performance is stellar Continue reading...

SOURCE: The Guardian at 7:33pm on July 28, 2014

The Nether review disturbingly sensationalist digital dreamlands by Michael Billington

Royal Court, LondonJennifer Haley's prizewinning play triggers a fascinating debate about online fantasy it's just a shame she sets out to shock us Continue reading...

SOURCE: The Guardian at 9:04am on July 25, 2014

Nicholas Hytner: 'No one's filling my shoes, I'm taking them with me' by Michael Billington

The National Theatre's director steps down next year, after introducing live broadcasts, cheap tickets and a wealth of new writing. How does he reflect on his tenure? Continue reading...

SOURCE: The Guardian at 7:01am on July 25, 2014

Shakespeare in Love review a heady celebration of the act of theatre by Michael Billington

Noël Coward theatre, LondonMany of the best lines may come from the film, but the play manages to be a warm and witty paean to life on the stage Continue reading...

SOURCE: The Guardian at 7:25pm on July 23, 2014

The Two Gentlemen of Verona review delightful dip into the power of love by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonDirector Simon Godwin eagerly explores the light and dark sides of romance in a striking RSC debutIt is astonishing to think it is 45 years sinc…

SOURCE: The Guardian at 8:03am on July 23, 2014

Galway arts festival, where dragons roam the streets by Michael Billington

Mythical creatures and Frasier's dad jostle with the crowds enjoying a surprising mix of art, music and new Irish playsThe Galway international arts festival is full of surprises. On Sunda…

SOURCE: The Guardian at 9:33am on July 22, 2014

Medea review Carrie Cracknell's play is a tragic force to be reckoned with by Michael Billington

Olivier, LondonHelen McCrory excels in this modern-dress take on Euripides that is alive with complexity and psychological astutenessAfter her success wth Ibsen's A Doll's House, Carrie Crac…

SOURCE: The Guardian at 8:37am on July 22, 2014

Ballyturk review " Cillian Murphy and Stephen Rea are in fine comic form by Michael Billington

Black Box, GalwayEnda Walsh's new manic physical comedy is like Under Milk Wood as interpreted by Buster KeatonThere's plenty of ballyhoo around Ballyturk. Written and directed by Enda Walsh…

SOURCE: The Guardian at 10:54am on July 21, 2014

Ballyturk review Cillian Murphy and Stephen Rea are in fine comic form by Michael Billington

Black Box, GalwayEnda Walsh's new manic physical comedy is like Under Milk Wood as interpreted by Buster KeatonThere's plenty of ballyhoo around Ballyturk. Written and directed by Enda Walsh…

SOURCE: The Guardian at 10:54am on July 21, 2014

Amadeus review Rupert Everett's Salieri darkly rages at God by Michael Billington

Chichester Festival TheatrePeter Shaffer's spectacle of Mozart's mediocre rival distorts historical reality but remains compelling and stylishly presentedFew living dramatists write big star…

SOURCE: The Guardian at 6:05pm on July 18, 2014

The Importance of Being Earnest review trivialises sublime Wilde by Michael Billington

Harold Pinter, LondonIf it stripped away the daft framing, this staging could capture Wilde's deft commentary on class, money, marriage and moralsIf visitors to Paris's Père Lachaise …

SOURCE: The Guardian at 6:00pm on July 17, 2014

In Lambeth review Blake v Paine in lively imaginary encounter by Michael Billington

Southwark Playhouse, LondonIn this well-acted revival, the poet and the philosopher face off in a slow-moving but stimulating debateDid William Blake ever meet Thomas Paine? It is not imposs…

SOURCE: The Guardian at 8:44am on July 15, 2014

Miss Julie/Black Comedy review sprightly Strindberg, sublime Shaffer by Michael Billington

Minerva theatre, Chichester Strindberg's Miss Julie is well directed, but it's Shaffer's dark comedy that illuminates in this contrasting double billAugust Strindberg's tragedy Miss Julie an…

SOURCE: The Guardian at 7:04am on July 11, 2014

Laurence Olivier: still the actor's actor 25 years after his death by Michael Billington

He was one of theatre's most daring stars, whose best films bear witness to a talent many never had the chance to see on stageIt's a shock to realise that it is 25 years since the death of L…

SOURCE: The Guardian at 7:41pm on July 10, 2014

Perseverance Drive review first-rate family drama tackles modern religion by Michael Billington

Bush theatre, LondonRobin Soans's play about a Pentecostal family at odds with each other shows the power of faith while exposing the failings of its followers Bush theatre's Madani Younis: …

SOURCE: The Guardian at 6:00pm on July 10, 2014

Richard III review Martin Freeman accomplished, but it's not quite enough by Michael Billington

Trafalgar Studios, LondonJamie Lloyd's latest Shakespearean staging is inventive, but it's missing the monarch's lurid sexiness and demonic exuberance Before Richard III: Martin Freeman on s…

SOURCE: The Guardian at 6:00pm on July 9, 2014

The Crucible review full of raw, visceral power by Michael Billington

Old Vic, LondonYaël Farber's extraordinary production of Arthur Miller's tale of the Salem witch hunt retains its disturbing relevance todayProductions of Arthur Miller's re-creation of t…

SOURCE: The Guardian at 6:44am on July 4, 2014

Julius Caesar review robustly energetic by Michael Billington

Dominic Dromgoole's lively production, with Elizabethan costume and Roman accessories, delivers Shakespeare with great clarity, but the main roles are unevenly castBefore you enter the theat…

SOURCE: The Guardian at 8:14am on July 3, 2014

Wonderland review Scargill, strikes, solidarity and scars by Michael Billington

Hampstead theatre, London Beth Steel's recreation of the 1984 strikes exposes the divisions between miners and the destruction of a defiant communityOnce identified with domestic drama, Hamp…

SOURCE: The Guardian at 10:04am on July 2, 2014
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