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2,441 stories by "Michael Billington"

Luc Bondy obituary by Michael Billington

Director whose opera and theatre work was enriched by a broad European outlook and interest in new dramaIn an age when mainland European directors are often judged by the extravagance of the…

SOURCE: The Guardian at 2:57pm on December 4, 2015

Macbeth review " pounding electro and hurly-burly as witches storm the stage by Michael Billington

Young Vic, LondonAnna Maxwell Martin is a cool Lady Macbeth to John Heffernan's neurotic hero, but the relentless physical movement overshadows the text's potencyIf directing Shakespeare is …

SOURCE: The Guardian at 6:26am on December 4, 2015

Funny Girl review " a joyous Sheridan Smith keeps rain off parade by Michael Billington

Menier Chocolate Factory, LondonIt may be a poor man's Gypsy and Barbra Streisand has hitherto owned the role, but this production exhibits real class and Smith is a constant joy to watchThi…

SOURCE: The Guardian at 7:52am on December 3, 2015

Linda review " an invisible woman's improbable breakdown by Michael Billington

Royal Court, London Real social issues about older women get lost in sensory overload as Penelope Skinner's promising polemic lapses into melodramaNoma Dumezweni has stepped in at short noti…

SOURCE: The Guardian at 6:26am on December 2, 2015

Queen Anne review " pain and passion of a monarch's fight to rule with grace by Michael Billington

The Swan, Stratford-upon-AvonThe queen's relationship with Sarah Churchill (an icily seductive Natascha McElhone) is central to this fascinating, topical production on the last Stuart queen'…

SOURCE: The Guardian at 8:00am on December 1, 2015

Pygmalion - review by Michael Billington

Garrick, LondonLast year in Chichester I found Philip Prowse's production of Shaw's indestructible play coarse and overstated. If it has improved, it is partly because it fits more snugly in…

SOURCE: The Guardian at 1:38pm on November 30, 2015

Here We Go review - a chilling reminder of our own mortality by Michael Billington

Lyttleton Theatre, LondonCaryl Churchill has written a striking memento mori for an age without faith that evokes the idea that we are here for a short time and then are suddenly goneMany pl…

SOURCE: The Guardian at 6:14pm on November 29, 2015

Little Eyolf review " Richard Eyre's shockingly intense Ibsen by Michael Billington

Almeida, London A striking production, starring Lydia Leonard, vividly captures what Henry James called 'the hard compulsion' of this terrifying masterpieceThe Almeida is fast becoming the h…

SOURCE: The Guardian at 8:34am on November 27, 2015

Pericles review " marine miracles on an adventure around the Med by Michael Billington

Sam Wanamaker Playhouse, LondonIt's easy to be swept along by the humour and heroism in Dominic Dromgoole's poignant, beautifully staged productionDominic Dromgoole's production of Pericles …

SOURCE: The Guardian at 8:26am on November 26, 2015

Evening at the Talk House review " Wallace Shawn throws a hell of a party by Michael Billington

Dorfman, LondonIn his blunt new play, set in a genteel private club, Shawn tackles political barbarism via showbiz bitcheryWith airstrikes in Syria being debated in the UK and a massive inve…

SOURCE: The Guardian at 8:14am on November 25, 2015

The Divided Laing review " study of the psychiatrist's inner streetfighter by Michael Billington

Arcola, LondonPatrick Marmion's ambitious play about the commune created by RD Laing in the 1960s leaves the audience deeply dividedIt was possible to have double vision while watching Patri…

SOURCE: The Guardian at 7:58am on November 24, 2015

The Homecoming review " startling insights illuminate Pinter's domestic warfare classic by Michael Billington

Trafalgar Studios, LondonAn unexpected family reunion retains its power to shock and haunt in Jamie Lloyd's bold, impeccably acted and psychologically astute revival Fifty years after its Lo…

SOURCE: The Guardian at 6:56pm on November 23, 2015

Flowering Cherry review " a good play overshadowed by a great one by Michael Billington

Finborough, LondonRobert Bolt's 1957 play highlights the domestic tensions of a man at loggerheads with his family " and the echoes of Death of a Salesman are deafening Robert Bolt wrote man…

SOURCE: The Guardian at 9:41am on November 23, 2015

The Warrior Women of Yang review " a blazing, breathtaking spectacle by Michael Billington

Sadler's Wells, LondonChina National Peking Opera's female revenge tale blends music, acrobatics and invisible horses in a riot of colour and imagination Related: Somersaults in six-inch hee…

SOURCE: The Guardian at 7:00am on November 20, 2015

The Illusionists review " chainsaws, crossbows, origami … that's magic! by Michael Billington

Shaftesbury theatre, LondonSkilful money-making from Britain's Got Talent's Jamie Raven and forensic mind-reading from Colin Cloud add charm to this gaudy, showbiz affair Astonishingly, this…

SOURCE: The Guardian at 7:40am on November 17, 2015

Theatre review: Visiting Mr Green / Trafalgar Studios, London by Michael Billington

Trafalgar Studios, LondonHaving put a girdle round the Earth, Jeff Baron's 1996 American play finally gets a West End showing. But, for all its global popularity, it strikes me as a thin-tex…

SOURCE: The Guardian at 9:10am on November 14, 2015

King Lear review " incontinence and egg-smashing from Belarus Free Theatre by Michael Billington

Young Vic, London A spirit of jaunty anarchy, violent incontinence and a prankster king belie this deeply political tale of what it's like to live under an irrational dictatorship Anyone fea…

SOURCE: The Guardian at 8:22am on November 12, 2015

Theatre: Waste, Almeida, London by Michael Billington

Lovers of good drama and politics junkies should flock to Samuel West's superb revival of Harley Granville Barker's play. Written in 1907 and revised in 1926, it takes its time (just over th…

SOURCE: The Guardian at 10:56am on November 11, 2015

Waste review " a remarkable dissection of English malaise by Michael Billington

Lyttelton theatre, LondonMorals, sexual politics and hypocrisy are the big themes in this tragic psychological portrait of a man for whom ideals matter more than individuals Harley Granville…

SOURCE: The Guardian at 10:00am on November 11, 2015

Medea review " domestic drama seen through children's frightened eyes by Michael Billington

Gate, LondonKate Mulvany and Anne-Louise Sarks's radical update of Euripides' tragedy shows events from the perspective of the heroine's two sonsEuripides' Medea has achieved such mythical s…

SOURCE: The Guardian at 7:26am on November 10, 2015

Harlequinade/All on Her Own review " Branagh and co send up vanished theatrical world by Michael Billington

Garrick, LondonZoë Wanamaker is in soul-baring form in Rattigan double-bill depicting the actor-manager tradition the Branagh season is designed to subvertIronically, co-directors Rob Ash…

SOURCE: The Guardian at 8:50am on November 8, 2015

The Winter's Tale review " Kenneth Branagh and Judi Dench offer intriguing touches by Michael Billington

Garrick, LondonIn a production unafraid to hint at the darker elements of Shakespeare's fable, Branagh and Dench are surrounded by a first-rate teamThe image of the West End suddenly brighte…

SOURCE: The Guardian at 8:50am on November 8, 2015

Elf the Musical review " don't come, all ye faithful by Michael Billington

Dominion, LondonBen Forster sleighs them as Buddy, the Christmas-loving Laplander set down in Manhattan with Girls Aloud's Kimberley Walsh, but this show doesn't so much invoke the festive s…

SOURCE: The Guardian at 8:34am on November 6, 2015

Love for Love review " sex and scandal in Congreve's mad world by Michael Billington

The Swan, Stratford-upon-AvonDirector Selina Cadell gives a fine cast room to breathe in this delightful RSC revival of the sharp-witted restoration comedyWhy is William Congreve's great 169…

SOURCE: The Guardian at 8:09am on November 5, 2015

As You Like It review " love gets lost in a forest of chairs at the National by Michael Billington

Olivier, LondonRosalie Craig gives us an eminently sane Rosalind in director Polly Findlay's richly textured version, where Lizzie Clachan's set is the starOur march towards a Germanic direc…

SOURCE: The Guardian at 8:20am on November 4, 2015
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