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2,446 stories by "Michael Billington"

Roots and forgotten fruits: Wesker tribute reminds us of his later plays by Michael Billington

The Royal Court hosted a moving celebration of Arnold Wesker. His early works such as Roots are well known " let's rediscover the rest of his 44 playsIf there is an ideal place to stage a ce…

SOURCE: The Guardian at 12:49pm on October 10, 2016☆⚑

The Autumn Garden review " Hellman's unhappy guests overstay their welcome by Michael Billington

Jermyn Street theatre, London A strong cast imbue Lillian Hellman's 1951 play with a keen malaise, though they are shackled by the author's enervating attitude towards her charactersA group …

SOURCE: The Guardian at 6:19am on October 10, 2016☆⚑

Half Life review " an unusually honest drama about love among elderly people by Michael Billington

Ustinov Studio, BathTwo nursing-home visitors watch their ailing parents strike up a romance in a play that explores the mysteries of the human heartIs sex the exclusive property of the unde…

SOURCE: The Guardian at 1:16pm on October 7, 2016☆⚑

A Room With a View review " Felicity Kendal's star power obscures Forster's story by Michael Billington

Theatre Royal, BathAs the complex chaperone Charlotte Bartlett, Kendal is a pleasure to watch, but her presence unbalances this rich tale of middle-class self-discoveryThe presence of Felici…

SOURCE: The Guardian at 7:58am on October 7, 2016☆⚑

Antigone review " Juliette Binoche stars in puzzling take on Sophocles by Michael Billington

Director Ivo van Hove's production has a sombre aesthetic beauty while Binoche avoids the easy path of pathosTeam Juliette Binoche with Ivo van Hove, director of A View from the Bridge, in G…

SOURCE: The Guardian at 3:00pm on October 6, 2016☆⚑

Arms and the Man review " a fresh take on Shaw's anti-romcom by Michael Billington

Watford Palace theatreTwo soldiers square up over an heiress in Brigid Larmour's production of this 1894 play that hints teasingly at Shaw's mature styleWhy would most producers rather cut t…

SOURCE: The Guardian at 8:34am on October 6, 2016☆⚑

Travesties review " Hollander makes mischief in Stoppard's serious comedy by Michael Billington

Menier Chocolate Factory, London Political and artistic revolutions collide in a sprightly revival, directed by Patrick Marber, highlighting the emotion as well as the erudition of this bril…

SOURCE: The Guardian at 7:34am on October 5, 2016☆⚑

No's Knife review " Lisa Dwan excels in Beckett's strange no man's land by Michael Billington

Old Vic, LondonDwan's vocal range is astonishing in her adaptation of Beckett's Texts for Nothing, but the ingenious staging still struggles to give physical life to mysterious proseLisa Dwa…

SOURCE: The Guardian at 7:16am on October 4, 2016☆⚑

Adding Machine: A Musical review " revenge, redemption and the afterlife by Michael Billington

Finborough, LondonElmer Rice's 1923 satire about a browbeaten wage slave gets added musical spice in this savagely comic adaptationEuropean expressionism had a big impact on American theatre…

SOURCE: The Guardian at 11:31am on October 2, 2016☆⚑

Blank canvas: the enduring appeal of Yasmina Reza's Art by Michael Billington

The French playwright's comedy has been packing audiences in worldwide for 20 years. What is the secret of its success?Twenty years ago Yasmina Reza's Art opened at the Comédie des Champs-E…

SOURCE: The Guardian at 11:04am on September 30, 2016☆⚑

Best Shakespeare productions: what's your favourite Henry VIII? by Michael Billington

The play that burned down the Globe theatre in 1613, after a stage cannon ignited the thatch, is a potent farewell to this seriesIt seems strange to end this series of favourite Shakespeare …

SOURCE: The Guardian at 12:28pm on September 29, 2016☆⚑

Floyd Collins review " subterranean homesick bluegrass in sentimental satire by Michael Billington

Wilton's Music Hall, LondonThere are some striking performances in this musical about an explorer stuck underground, but too many of the lyrics are incomprehensibleA musical about a hero tra…

SOURCE: The Guardian at 8:06am on September 29, 2016☆⚑

Battlefield review " Peter Brook's return to the Mahabharata is breathtaking by Michael Billington

Young Vic, LondonThe director's new work based on the ancient text is one of aesthetic beauty and great skill, if less convincing as a parable of our times Three decades ago, Peter Brook's p…

SOURCE: The Guardian at 11:26pm on September 28, 2016☆⚑

The Libertine review " Dominic Cooper is riveting as rakish hero by Michael Billington

Theatre Royal Haymarket, LondonCooper commands the stage as the Restoration rebel John Rochester in Stephen Jeffreys' portrait of debauchery and self-destructionDominic Cooper follows in the…

SOURCE: The Guardian at 6:55pm on September 27, 2016☆⚑

Imogen review " Globe unleashes sex, drugs and gang warfare on Cymbeline by Michael Billington

Shakespeare's Globe, London EastEnders actor Maddy Hill brings gutsy toughness as the heroine of this refocused Shakespeare adaptation, but Matthew Dunster's violent setting seems at odds wi…

SOURCE: The Guardian at 8:50am on September 25, 2016☆⚑

Twelve Angry Men " review by Michael Billington

Garrick, London This 1950s courtroom drama is an efficient piece of entertainment but is beginning to show its ageReginald Rose's script has had an incredibly long life. It first surfaced on…

SOURCE: The Guardian at 3:28am on September 25, 2016☆⚑

Father Comes Home from the Wars review " gripping African-American epic by Michael Billington

Royal Court, LondonPerformed by an excellent cast, Suzan Lori-Parks's trilogy about the US civil war is riddled with Homeric allusions and seamlessly incorporates songs into the action Relat…

SOURCE: The Guardian at 8:14am on September 23, 2016☆⚑

Miss Saigon review - an old tale put across with exemplary vigour by Michael Billington

Prince Edward theatre, LondonThe opposing forces of communism and capitalism carry strange visual echoes in this production by Laurence ConnorSo how does Boublil and Schönberg's musical sta…

SOURCE: The Guardian at 12:33am on September 23, 2016☆⚑

Good Canary review " Malkovich makes addiction drama dazzle by Michael Billington

Rose, KingstonJohn Malkovich's immaculately staged version of Zach Helm's clever play about drug dependency and genius doesn't quite escape its sentimental conclusion John Malkovich is renow…

SOURCE: The Guardian at 7:19am on September 22, 2016☆⚑

Theatre review: Waiting for Godot / Theatre Royal, Haymarket by Michael Billington

Theatre Royal HaymarketIt's a sign of how much our theatre has changed that Beckett's masterpiece, once seen as a subversion of West End theatre, now occupies one of its iconic temples. But …

SOURCE: The Guardian at 8:56pm on September 20, 2016☆⚑

No Man's Land review " McKellen and Stewart capture the contrasts of Pinter's masterwork by Michael Billington

Wyndham's theatre, LondonSean Mathias's production shows the comedy and bleakness in the story of a pub potman invited to a writer's luxurious homeWhen Ian McKellen and Patrick Stewart joine…

SOURCE: The Guardian at 6:44pm on September 20, 2016☆⚑

Paradise of the Assassins review " ancient fable questions modern faith and politics by Michael Billington

Tara theatre, LondonTara's new theatre is an enticing venue for this adaptation of a medieval tale, with topical lessons, about lovers manipulated by religious ideology This vital multicultu…

SOURCE: The Guardian at 11:40am on September 20, 2016☆⚑

Who's Afraid of Virginia Woolf? review " marital battle is a metaphor for America by Michael Billington

Theatre Royal, BathClare Higgins and Tim Pigott-Smith trade blows with relish, but Adrian Noble's revival brings little fresh insight to Albee's classicWhen Peter Hall ran the Bath summer se…

SOURCE: The Guardian at 12:13am on September 19, 2016☆⚑

Things I Know to Be True review " a blinkered view of family affairs by Michael Billington

Lyric HammersmithThis strongly cast British/Australian collaboration is a pleasure to watch but glibly assumes the strains of domestic life are the same the world overThe fraught family has …

SOURCE: The Guardian at 11:23am on September 18, 2016☆⚑

Who's Afraid of Virginia Woolf? is a misunderstood masterpiece by Michael Billington

The film, starring Elizabeth Taylor and Richard Burton, led Edward Albee's play to be remembered as a boozy marital slugfest. But it is as much about America itselfEdward Albee occasionally …

SOURCE: The Guardian at 7:57am on September 18, 2016☆⚑
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