Theatre Review: 'How We Got On' at Forum Theatre
Whether you're a Generation X, a tweeting Millennial, or an emerging Generation Z-er, How We Got On will leave you appreciating these two letters: MC. Â Â That is, feminist Rap pioneer M…
Whether you're a Generation X, a tweeting Millennial, or an emerging Generation Z-er, How We Got On will leave you appreciating these two letters: MC. Â Â That is, feminist Rap pioneer M…
Let us ponder the line between beast and human. Is there one? Or alternatively, between genius and sociopathy? Synetic Theater's The Island of Dr. Moreau begs the discussion. Directed by (an…
As most of us wonder aimlessly in search of significance amidst an increasingly godless world, there is consolation in seeing this endless internal wondering articulated. And with nothing le…
And once again, we witness the ever-tragic consequences that happen in a society of repressed sexuality. Only this time, the controversial themes being brought to light on the contempora…
The road for professional dance has never been well paved. As the 21st century rolls out, dancers and choreographers are constantly searching new ways to combine classical ballet and …
AVAdventure Production introduced interactive audio theater with "Double Freakquency" at the Fringe. If you're the kind of person who finds themself falling asleep during your average theate…
If you are familiar with William Faulkner's Absalom, Absalom! you know that it is a dark and twisted tale of a southern 19th century family, laden with themes of sexism, racism, and…
So, what do we all remember about Macbeth? From what I can recall, and granted, this is after a period of estrangement from the work dating back to middle school, the plot centers around a S…
MOVEiUS Contemporary Ballet's debut of Big River (And other Wayfaring Ballets) graces the DC Fringe Festival this year with graceful movements, noteworthy ballet technique, and one key illum…