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1,485 stories by "Matt Wolf"

Wicked Vet Dianne Pilkington on Getting Diva Training from Tyne Daly in London's Master Class by Matt Wolf

Dianne Pilkington enjoyed a long and acclaimed West End run as Glinda in Wicked and starred as Amalia in last year’s Chichester Festival revival of She Loves Me, with a stint in The 39…

SOURCE: Broadway.com at 12:59pm on February 8, 2012

Theater Review: Along the London Stage's Intimate Edges by Matt Wolf

In "Outward Bound" and "The House of Bernarda Alba," emotions play big at some smaller theaters.

SOURCE: The New York Times Subscription at 12:20pm on February 7, 2012

Ramin Karimloo on Trading the Phantom's Mask to Play Jean Valjean in London's Les Miserables by Matt Wolf

Ramin Karimloo spent many years wearing the most famous of musical theater masks, first in The Phantom of the Opera and then its sequel, Love Never Dies, for which he received an Olivier Awa…

SOURCE: Broadway.com at 1:19pm on February 1, 2012

The House of Bernarda Alba by Matt Wolf

No one can exactly accuse Federico Garcia Lorca's 1936 play of falling into neglect. From Howard Davies's National Theatre revival to this latest reclamation by the Almeida, The House of Ber…

SOURCE: The Arts Desk at 10:44am on January 27, 2012

Siobhan Dillon on Winning Her Dream West End Role in the Haunting Hit Ghost by Matt Wolf

Siobhan Dillon has spent a busy few years on West End stages, first in Grease and then as Elle Woods’ rival Vivienne in Legally Blonde. Now she has signed on for a yearlong run as the …

SOURCE: Broadway.com at 2:47pm on January 25, 2012

Siobhon Dillon on Winning Her Dream West End Role in the Haunting Hit Ghost by Matt Wolf

Siobhan Dillon has spent a busy few years on West End stages, first in Grease and then as Elle Woods’ rival Vivienne in Legally Blonde. Now she has signed on for a yearlong run as the …

SOURCE: Broadway.com at 2:47pm on January 25, 2012

Theater Review: Long Day's Journey Into Crushing Irony by Matt Wolf

Reviews of the London plays "Constellations," "The Art of Concealment" and "Travelling Light.''

SOURCE: The New York Times Subscription at 12:29pm on January 24, 2012

Tony Nominee Adam Cooper on His Leap from Ballet to Musicals in London's Singin' in the Rain by Matt Wolf

It’s been more than a dozen years since Adam Cooper stormed Broadway as the Swan in Matthew Bourne’s sexy, stylish, revisionist Swan Lake, earning a 1999 Tony nomination for Best…

SOURCE: Broadway.com at 1:19pm on January 18, 2012

Oliver Chris on His Hilarious Star Turn (and Upcoming Broadway Debut) in the London Hit One Man, Two Guvnors by Matt Wolf

Not everyone gets to make a West End splash as a lovesick, poshly spoken, faintly dimwitted chap who also happens to be wildly hairy and vaguely masochistic. “I, too, enjoy pain,&rdquo…

SOURCE: Broadway.com at 3:23pm on January 11, 2012

Theater Review: Finding Comedy Amid the Carnage by Matt Wolf

In several recent London productions, any jolliness on view moves very much toward murder or darkness " or everlasting hell.

SOURCE: The New York Times Subscription at 11:36am on January 10, 2012

Eddie Redmayne on His London Stage Triumph in Richard II and Climbing the Barricades on Film in Les Miserables by Matt Wolf

Just over two years ago, Eddie Redmayne opened at London’s cozy Donmar Warehouse as the assistant to artist Mark Rothko (Alfred Molina) in John Logan’s Red, a performance that wo…

SOURCE: Broadway.com at 4:04pm on January 4, 2012

London Stage Roundup: The Top Five Shows of 2011 by Matt Wolf

This was a year on the London stage in which Shakespeare often appeared twice over (with two productions each of Much Ado About Nothing, The Tempest, The Comedy of Errors and Richard III), a…

SOURCE: Broadway.com at 12:44pm on December 28, 2011

Critic's Notebook: In a Rough Year, London Theaters Embraced Comedy and a Deluge of Shakespeare by Matt Wolf

Highlights of 2011 included Richard Bean's "One Man, Two Guvnors" and a revisionist "Hamlet," starring Michael Sheen.

SOURCE: The New York Times Subscription at 12:28pm on December 27, 2011

2011: We Need to Talk about Grandage and Guvnors by Matt Wolf

And what a year it was! Comedy was king on stages around town, while a variety of Shakespeare royals -- Richard III à deux courtesy Kevin Spacey and the lesser-known but far more electrif…

SOURCE: The Arts Desk at 11:00pm on December 26, 2011

Company, Crucible Theatre, Sheffield by Matt Wolf

A generally grim year for musicals (Matilda and Crazy For You very much excepted) nears a belatedly emotional and rewarding close with the Crucible Theatre's revival of Company, which b…

SOURCE: The Arts Desk at 12:52am on December 23, 2011

The Wizard, the Phantom and a Possible Broadway Return: A Revealing Chat with Musical Superstar Michael Crawford by Matt Wolf

Michael Crawford will be forever remembered as the original Phantom of the Opera, but he has made a splash across all disciplines during his long, awards-laden career. Turning 70 on January …

SOURCE: Broadway.com at 11:33am on December 21, 2011

Blood Brothers' Marti Pellow on Jumping from Pop Stardom to West End Musicals by Matt Wolf

Pop stars and singers have been crossing over into theater more and more these days, from Shayne Ward (Rock of Ages) and Duncan James (Legally Blonde) in London to Harry Connick Jr (On a Cle…

SOURCE: Broadway.com at 11:18am on December 14, 2011

Theater Review: Unlikely Royalty and Sons of the London Stage by Matt Wolf

The Donmar Warehouse's Richard II leads a pack of young male characters, their demons at the ready.

SOURCE: The New York Times Subscription at 11:48am on December 13, 2011

Sharon Gless on Ageism, TV Stardom and Finding Lust on the London Stage in A Round-Heeled Woman by Matt Wolf

Sharon Gless has appeared three times on the West End but never before to the waves of empathy she is eliciting in A Round-Heeled Woman as Jane Juska, an American woman in her 60s who decide…

SOURCE: Broadway.com at 11:50am on December 7, 2011

Pippin, Menier Chocolate Factory by Matt Wolf

Should the people who made Tron - or for that matter James Cameron - ever decide  to take on a Broadway musical, they owe themselves a trip to the Menier Chocolate Factory's ludicrous p…

SOURCE: The Arts Desk at 5:35am on December 7, 2011

America Ferrera on Showing Off Her Sexy Side as Roxie in the West End's Chicago by Matt Wolf

In the six years since America Ferrera appeared off-Broadway in Dog Sees God, the actress, now 27, shot to TV fame in Ugly Betty, scooping up copious awards along the way. Ferrera is now bac…

SOURCE: Broadway.com at 11:51am on November 30, 2011

Theater Review: Growing Pains at Center Stage by Matt Wolf

Neil LaBute has a heart, it seems, and "Matilda" takes wing in song. Presented By: Chicago Booth Business Forecast   Ads by Pheedo

SOURCE: The New York Times Subscription at 1:31pm on November 29, 2011

Sean Palmer on Jumping from Mermaid Prince to West End Playboy in Crazy For You by Matt Wolf

Sean Palmer appeared an English National Opera production of On the Town in the spring of 2007, but this season has seen the Nevada-born co-star of Broadway’s The Little Mermaid move o…

SOURCE: Broadway.com at 10:12am on November 23, 2011

Bertie Carvel on His Astonishing Transformation in the Buzzed-About London Musical Matilda by Matt Wolf

Bertie Carvel made his name across London’s not-for-profit sector, winning raves at the Almeida (Rope), Royal Court (The Pride) and Donmar Warehouse (as Leo Frank in Olivier-nominated …

SOURCE: Broadway.com at 11:14am on November 16, 2011

The Lion In Winter, Theatre Royal, Haymarket by Matt Wolf

Don't be misled by the mini-history lesson with which Trevor Nunn's belated London stage premiere of The Lion in Winter begins, a sequence of dates, facts and maps that scroll up a decorativ…

SOURCE: The Arts Desk at 6:38pm on November 15, 2011
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