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1,485 stories by "Matt Wolf"

Theater Review: A Libidinous Frenzy That Is Hard to Resist by Matt Wolf

"Twelfth Night'' is a success in London, with Mark Rylance set to make waves again in the role of Olivia, while "The Magistrate'' leaves some room for improvement.

SOURCE: The New York Times Subscription at 2:10pm on November 27, 2012

Tony Winner Heather Headley on Honoring Whitney Houston and Eyeing a Broadway Run in London's The Bodyguard by Matt Wolf

Heather Headley has blazed a theatrical trail for herself on the strength of two Broadway shows (The Lion King and Aida, winning a Tony in 2000 for the latter) and via a Grammy-winning recor…

SOURCE: Broadway.com at 1:10pm on November 21, 2012

The Promise, Trafalgar Studios by Matt Wolf

An expert cast delivers on their promise in Aleksei Arbuzov's triangular Russian drama from 1965 of the same name, which offers up war and peace and the shifting tides of love - so much of t…

SOURCE: The Arts Desk at 7:16pm on November 19, 2012

British TV Favorite Stephen Tompkinson on Donning King Arthur's Crown in a Rebooted West End Spamalot by Matt Wolf

Stephen Tompkinson is a familiar name on screens both large and small, having starred in series like Wild At Heart and DCI Banks and in films such as Brassed Off. The 47-year-old Englishman …

SOURCE: Broadway.com at 4:02pm on November 14, 2012

Theater Review: Leading Ladies Get Their Chance to Shine Onstage by Matt Wolf

Matt Wolf reviews the plays "People," "NSFW" and "Daddy Long Legs," currently showing in London.

SOURCE: The New York Times Subscription at 11:50am on November 13, 2012

Honey, Honey! Haley Flaherty on the Joy of Playing the Saintly Teacher in London's Matilda by Matt Wolf

Haley Flaherty has appeared in a range of musicals in and outside London, from Chicago and Mamma Mia! to Love Never Dies, but the Scottish actress shines especially brightly as Miss Honey in…

SOURCE: Broadway.com at 1:03pm on November 7, 2012

IHT Rendezvous: Musical Rain-Making on the West End by Matt Wolf

Move over, "Singin' in the Rain." Here comes "The Bodyguard" and "Viva Forever!" Not to mention "The Book of Mormon."

SOURCE: rendezvous.blogs.nytimes.com at 11:00am on November 5, 2012

Megan McGinnis on Being BFF With Sutton Foster and Making Her West End Debut in Daddy Long Legs by Matt Wolf

Megan McGinnis has spent a large chunk of the past few years touring around America in Daddy Long Legs, and now the John Caird/Paul Gordon musical two-hander is touching down at London&…

SOURCE: Broadway.com at 3:43pm on October 31, 2012

Theater Review: Regime Change Amid the Salvos by Matt Wolf

Three new plays shake up the Off-West End and put it at center-stage.

SOURCE: The New York Times Subscription at 12:28pm on October 30, 2012

IHT Rendezvous: In London, Big Talent in Small Spaces by Matt Wolf

The current London theater season offers a chance to see some mighty actors up close. Very close.

SOURCE: rendezvous.blogs.nytimes.com at 3:42pm on October 29, 2012

The River, Royal Court Theatre by Matt Wolf

Still waters run deep, but that truism barely hints at the quiet power of The River, the eagerly awaited new play from Jez Butterworth (writer) and Ian Rickson (director) whose col…

SOURCE: The Arts Desk at 7:22pm on October 26, 2012

Lloyd Owen on Stepping Into Kevin Costner's Title Role in the West End Musical The Bodyguard by Matt Wolf

Versatile London stage star Lloyd Owen is about to grab the spotlight as he steps into the role made famous by Kevin Costner in the eagerly awaited musical adaptation of The Bodyguard. Owen …

SOURCE: Broadway.com at 4:19pm on October 24, 2012

IHT Rendezvous: Theater as a Moving Target by Matt Wolf

How hopelessly bourgeois, U.K. theater-makers seem to be saying these days, to be packed into rows of seats when we can be roaming about a particular dwelling for ourselves: Let the environm…

SOURCE: rendezvous.blogs.nytimes.com at 9:48am on October 20, 2012

Loserville the Musical by Matt Wolf

If all of Loserville were as arresting and witty as its design, the West End would finally have what it hasn't offered playgoers in years: a buoyant British musical not reliant on a celebrat…

SOURCE: The Arts Desk at 10:30pm on October 17, 2012

London Musical Star Scarlett Strallen on Jumping from Mary Poppins and Passion to Singin' in the Rain by Matt Wolf

Scarlett Strallen has been spending the better part of a year at London’s Palace Theatre, twirling an umbrella and sending her lilting soprano soaring into the hearts of audiences in S…

SOURCE: Broadway.com at 12:48pm on October 17, 2012

Theater Review: Fiona Shaw in Full Splendor Amid a Mixed Lineup on the London Stage by Matt Wolf

Fiona Shaw brings a sensual splendor to the revival of Howard Barker's onetime radio play "Scenes From an Execution," at the National Theatre's Lyttelton auditorium in London.

SOURCE: The New York Times Subscription at 11:51am on October 16, 2012

Damned by Despair, National Theatre by Matt Wolf

Spain's Golden Age turns unaccountably to dross in Damned by Despair, the Tirso de Molina play that is a good half-hour shorter than the running time given in the programme but won't (in thi…

SOURCE: The Arts Desk at 9:15pm on October 10, 2012

Idina Menzel Dishes on Glee, Funny Girl, Her London Concerts, a Possible Broadway Return & Much More by Matt Wolf

Idina Menzel needs no introduction to theater fans, who revere her Tony-winning performance as Elphaba in Wicked, as well as her recurring TV role as Lea Michele's birth mother, Shelby C…

SOURCE: Broadway.com at 12:28pm on October 10, 2012

Cabaret, Savoy Theatre by Matt Wolf

"All this hatred is exhausting," or so remarks Will Young's ceaselessly grimace-prone Emcee in Cabaret in a comment that encapsulates the evening as a whole. Returning to a show he directed …

SOURCE: The Arts Desk at 8:30pm on October 9, 2012

IHT Rendezvous: More Often These Days, the Director Is a She by Matt Wolf

The British stage as male preserve now seems a thing of the past.

SOURCE: rendezvous.blogs.nytimes.com at 12:23pm on October 9, 2012

Let It Be Standout Stephen Hill on Why Playing Beatle George Harrison Is the Only Job He Ever Wants by Matt Wolf

Tribute shows don’t get more robust and all-embracing than Let It Be, the audience-rousing canter through the Beatles’ catalog of hits that is newly opened at London’s Prin…

SOURCE: Broadway.com at 12:16pm on October 3, 2012

Theater Review: Desperately Showing Their Feelings by Matt Wolf

From "Hedda Gabler" to an Ayckbourn comedy to a new Caryl Churchill play, London theater offers a mishmash of emotions.

SOURCE: The New York Times Subscription at 11:02am on October 2, 2012

Life Is a Cabaret for London's New Sally Bowles, TV Vet Michelle Ryan by Matt Wolf

Michelle Ryan spent many years on the popular British TV show EastEnders and crossed the Atlantic to take on the title role in the short-lived 2007 reboot of The Bionic Woman. Now, the 28-ye…

SOURCE: Broadway.com at 12:53pm on September 26, 2012

Peter Co-Director Roger Rees on Returning to the London Stage in What You Will by Matt Wolf

Since beginning his career more than three decades ago with the Royal Shakespeare Company (including a Tony-winning performance in the title role of The Life and Adventure of Nicholas Nickle…

SOURCE: Broadway.com at 12:43pm on September 19, 2012

IHT Rendezvous: The New Season: Hot Tickets in London by Matt Wolf

Bertie Carvel in a new version of Tirso de Molina's "Damned by Despair," Michael Gambon and Eileen Atkins in Beckett's "All That Fall" and Jez Butterworth's new play, "The River," are among …

SOURCE: rendezvous.blogs.nytimes.com at 12:26pm on September 19, 2012
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