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1,494 stories by "Matt Wolf"

West End Star David Haig on Writing and Starring in Pressure, His Historical Drama Set on the Eve of D-Day by Matt Wolf

David Haig q-and-a / Matt Wolf Weather is the unlikely if potent topic of Pressure at the Ambassadors Theatre, written by and starring the protean Olivier Award-winning actor David Haig, who…

SOURCE: Broadway.com at 12:24am on July 21, 2018

The Lehman Trilogy, National Theatre review - an acting tour de force by Matt Wolf

A newly-minimalist Sam Mendes guides an expert cast to sublime heights There's surprising and then there's The Lehman Trilogy, the National Theatre premiere in which a long-established direc…

SOURCE: The Arts Desk at 6:48am on July 14, 2018

Lara Martins on Her Record-Breaking Run as Carlotta in London's The Phantom of the Opera by Matt Wolf

Lara Martins has quietly carved a slice of theatrical history by becoming the longest-running Carlotta in the storied history of The Phantom of the Opera, continuing on in its original West …

SOURCE: Broadway.com at 12:18pm on July 13, 2018

The Lieutenant of Inishmore, Noel Coward Theatre review - Aidan Turner makes a magnetic West End debut by Matt Wolf

Martin McDonagh revival brings Poldark to the London stage, guns blazing Aidan Turner may not reveal those famously bronzed pecs that have made TV's Poldark box office catnip in his West End…

SOURCE: The Arts Desk at 6:42am on July 5, 2018

London Theater Reviews: London's Stages Are Awash With American Plays by Matt Wolf

From big-name musicals to challenging new work at small theaters, the Yanks are everywhere.

SOURCE: The New York Times Subscription at 5:12am on July 5, 2018

Kelli O'Hara on Revisiting The King and I in London & Gearing Up for Kiss Me, Kate on Broadway by Matt Wolf

Kelli O’Hara is finally making her West End stage debut as British governess Anna Leonowens in Rodgers and Hammerstein’s The King and I, the role that brought the beloved America…

SOURCE: Broadway.com at 12:48am on June 29, 2018

West End Star Oliver Tompsett on How Starring in Kinky Boots Affects His Footwear Choices, Meeting Cyndi Lauper and More by Matt Wolf

Oliver Tompsett is a West End alum of such musicals as We Will Rock You, Wicked, Rock of Ages and Guys and Dolls. In June, he joined the Tony and Olivier Award-winning musical Kinky Boo…

SOURCE: Broadway.com at 1:04am on June 26, 2018

Imperium Star Joseph Kloska on the Appetite for Epic Theater in London and Beyond by Matt Wolf

Joseph Kloska has become something of a Royal Shakespeare Company regular of late and steps up a career notch with his co-starring performance opposite Tony winner Richard McCabe (The Audien…

SOURCE: Broadway.com at 12:32am on June 22, 2018

The Prime of Miss Jean Brodie, Donmar Warehouse review - Lia Williams makes an iconic role her own by Matt Wolf

Familiar title is reinvigorated afresh in a startling revival Lia Williams can be said to have been in her prime ever since the double-whammy several decades ago when she appeared onstage in…

SOURCE: The Arts Desk at 5:48am on June 14, 2018

London Theater Reviews: Stars Shine on London's Stage. But Who Wants Stars These Days? by Matt Wolf

Laura Linney and Orlando Bloom are drawing audiences to London's playhouses, even as theatergoers seem to be growing indifferent to who's in the cast.

SOURCE: The New York Times Subscription at 3:48am on June 14, 2018

West End Consent Star Stephen Campbell Moore on His Penchant for New Work and Overcoming a Health Crisis by Matt Wolf

Fondly remembered from his London and Broadway run in Alan Bennett’s Tony-winning The History Boys, Stephen Campbell Moore has since returned to the West End in Clybourne Park and Chim…

SOURCE: Broadway.com at 12:54pm on June 13, 2018

Machinal, Almeida Theatre review - descending into darkness by Matt Wolf

Lesser-known American classic exerts a clinical fascination The American playwright /journalist Sophie Treadwell's 1928 expressionist drama crops up every so often in order to allow a direct…

SOURCE: The Arts Desk at 7:32pm on June 11, 2018

BOTTOMLESS ABYSS by Matt Wolf

This is a feisty, animated Iceman , with the magnificent Denzel Washington leading the cast.

SOURCE: Theater News Online at 6:04pm on June 11, 2018

Julie, National Theatre review - vacuous and unilluminating by Matt Wolf

Vanessa Kirby leads superfluous update that is a lot more Stenham than Strindberg It seems appropriate that an onstage blender features amidst Tom Scutt's sleak, streamlined set for Julie gi…

SOURCE: The Arts Desk at 7:32am on June 9, 2018

London Stage Star Gavin Spokes on Truth and Consequences in James Graham's Quiz by Matt Wolf

Gavin Spokes is among those invaluable English performers who can do plays and musicals across both the British and American repertoire. A 2016 Olivier nominee for playing Nicely Nicely John…

SOURCE: Broadway.com at 12:12am on June 9, 2018

The Rink, Southwark Playhouse - lesser-known musical lands afresh by Matt Wolf

1980s Broadway flop proves an Off West End knockout Two dynamite lead performances and the chance to savour an underappreciated score give genuine charge to The Rink, a decades-old Bro…

SOURCE: The Arts Desk at 9:12am on June 6, 2018

London Stage Star Adam Gillen on Moving from the Viennese Court of Amadeus to the Trailer Park of Killer Joe by Matt Wolf

Adam Gillen recently finished an extended and electrifying run as Mozart in the National Theatre’s glorious revival of Peter Shaffer’s Amadeus, only to segue from the world of Eu…

SOURCE: Broadway.com at 1:12pm on June 4, 2018

The Two Noble Kinsmen, Shakespeare's Globe - a breezy bromance served up slight by Matt Wolf

Late Shakespeare collaboration is by turns engaging and daftThose who find the Bard tough going " wasn't that one of Emma Rice's admissions back in the day? " should beat a path to The Two N…

SOURCE: The Arts Desk at 6:36am on June 4, 2018

Translations, National Theatre review - an Irish classic returns with cascading force by Matt Wolf

Brian Friel's luminous play fully lands in the National's largest space What sort of physical upgrade can a play withstand? That question will have occurred to devotees of Brian Fr…

SOURCE: The Arts Desk at 6:36am on May 31, 2018

Blind to Race, Gender and Disability, Shakespeare's Globe Goes a New Way by Matt Wolf

Michelle Terry, the playhouse's artistic director, defines her agenda with productions of "Hamlet" and "As You Like It."

SOURCE: The New York Times Subscription at 5:48am on May 31, 2018

Caroline O'Connor on Leaving Anastasia for London's The Rink and the Legacy of Chita Rivera in the Role by Matt Wolf

Caroline O’Connor was born in the north of England to Irish parents, grew up in Australia, and works regularly in the U.S., including most recently on Broadway in Anastasia. She is ret…

SOURCE: Broadway.com at 12:24pm on May 29, 2018

The Grönholm Method, Menier Chocolate Factory - sleek and short but in no way deep by Matt Wolf

Much-traveled play contains one twist too many Add Catalan writer Jordi Galcerán to the shortlist of European playwrights who are finding an international perch, in this case with a tr…

SOURCE: The Arts Desk at 6:04am on May 25, 2018

The Moderate Soprano Star Nancy Carroll on Singing Ambition, Opera Appreciation & a Sondheim Dream Role by Matt Wolf

Nancy Carroll won a 2011 Olivier Award for Best Actress for her searing and stylish performance at the National Theatre in After the Dance and is rarely long away from the London stage. Know…

SOURCE: Broadway.com at 12:06am on May 17, 2018

London Theater Reviews: Healing and Hurting on the London Stage by Matt Wolf

Matthew Lopez's "The Inheritance" refracts gay American life through an English novel, while two new British plays choose a shorter, satirical path.

SOURCE: The New York Times Subscription at 5:18am on May 11, 2018

West End Les Miserables Star David Thaxton on the Joy of Returning to the Role of Javert by Matt Wolf

David Thaxton won the 2011 Olivier Award for his stunning performance as Giorgio in Stephen Sondheim’s Passion, but the performer has been spending much of his career returning to Les…

SOURCE: Broadway.com at 11:42am on May 5, 2018
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