320 stories by "Matt Windman"
This extraordinary new musical deals honestly with complex characters going through emotional turmoil.
Although the performances are good, the stage version doesn t give you anything you can t get from the film.
This well-written drama is marred by bad casting and design choices.
This bizarre experience resembles an interactive take on an old-fashioned radio play.
A confessional hour-long monologue draws you in but leaves you wanting more.
This production makes a strong case that N.C. Hunter s 1953 drama should have been given a new life long ago.
Singer and actress Barbara Cook looks back at her long and erratic career.
Jonathan Munby’s especially violent staging goes heavy on the heavy material and light on the light.
J.T. Rogers long-winded but smart play dramatizes the negotiations between Israel and Palestine that led to the Oslo Accord.
This richly textured production benefits from an excellent ensemble and an intimate venue.
Aside from the revolving set, this production set in modern day hits the right notes.
An eerie sense of unease pervades the slick, unfeeling world of Patrick Bateman.
The audience is thrown for a loop as they glimpse through the perspective of a man suffering from dementia.
Lupita Nyong’o leads an excellent cast in a story of young girl caught in the brutality of Liberia’s civil war.
Although Stephen Karam’s family drama drags on without climax, it is not entirely without merit.
Sam Shepard’s 1978 drama remains a gritty, mysterious portrait of domestic life gone to hell.
This farce within a farce is particularly effective when the cast plays it truthfully, as it does here.
This over-the-top tragicomedy has plenty of heightened language, blood and cleavage.
Ethan Mordden provides a great deal of insight into the work of Stephen Sondheim, and lavishes praise along the way.
A host of flaws will prevent this musical about an important part of American history from making waves.
Another jukebox musical hits Broadway, but Gloria and Emilio Estefan are given little personality to back up the song and dance.
Annaleigh Ashford gives a wonderfully endearing performance as a dog looking for a home.
The Mint Theater Company is persistent in its mission to uncover obscure plays from the past.
This unnecessary musical is marked by clunky plot twists, one-dimensional characters and bad songs.
An all-Asian cast gives Clifford Odets’ 1935 family drama a host of truthful performances.
