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59 stories by "Marshall Bradshaw"

The Last Class: a Jazzercize Play (review) by Marshall Bradshaw

The Last Class: a Jazzercize Play makes the most of its setting. The story is told in real time during an actual jazzercize routine. The cast's hard-earned sweat is corporeal proof of their …

SOURCE: DC Theatre Scene at 8:39am on August 21, 2016☆⚑

Jamie and Duncan's Glorious Suicide at the End of the World (review) by Marshall Bradshaw

Jamie and Duncan’s Glorious Suicide at the End of the World is like a dream, effortlessly insane and delightful, though light on narrative. Matthew Schott and Alex Garretson wrote t…

SOURCE: DC Theatre Scene at 9:40am on July 16, 2016☆⚑

The Elephant in the Room (review) by Marshall Bradshaw

Right Brain Performancelab's The Elephant in the Room has an ambitious goal: To engage the audience with theatrical epistemology by way of vaudeville, musical theater, ballet, Butoh, clownin…

SOURCE: DC Theatre Scene at 7:50am on July 15, 2016☆⚑

one half of Waiting for Godot (review) by Marshall Bradshaw

  At first, the MLK Jr. Memorial Library's Room A-5 dwarfs the audience for Imperial Theatre Live's production of Waiting for Godot. They come in and sit in clumps of twos or threes, sc…

SOURCE: DC Theatre Scene at 12:32pm on July 13, 2016☆⚑

Reflecting Antigone (review) by Marshall Bradshaw

The Rude Mechnical's Reflecting Antigone is true Fringe: Unique and moving, if weighed down by imperfect execution. If you can forgive it for its many rough edges, you will find a solid and …

SOURCE: DC Theatre Scene at 1:54pm on July 11, 2016☆⚑

15 Villainous Fools (review) by Marshall Bradshaw

The Bard has yet another win to tally. 15 Villainous Fools is a meat-and-potatoes show for Capital Fringe, but rarely so well done. The show is a retelling of William Shakespeare's The Comed…

SOURCE: DC Theatre Scene at 10:58am on July 11, 2016☆⚑

One Mutual Happiness (review) by Marshall Bradshaw

  At the top of the show, David Kessler admits that he has a problem: He cries too much. Tears of every emotion at just about any occasion, but especially at weddings. Little does the a…

SOURCE: DC Theatre Scene at 10:19pm on July 9, 2016☆⚑

The Computer That Loved (review) by Marshall Bradshaw

Dr. Erik Mueller might have the most fascinating resume in all of Fringe this year, but The Computer That Loved's meditation on his love life is still a work in progress. Mueller, who wrote …

SOURCE: DC Theatre Scene at 11:50am on July 9, 2016☆⚑

Petunia and Chicken (review) by Marshall Bradshaw

Petunia and Chicken from Animal Engine Theatre Company transforms the basement of a synagogue into the vast and harsh plains of Nebraska, two actors into a huge and colorful cast, and ano…

SOURCE: DC Theatre Scene at 2:06pm on July 8, 2016☆⚑
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