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461 stories by "Mark Lawson"

From the Bard to Bart: how Mr Burns challenges our common culture by Mark Lawson

If Mr Burns, a provocative vision of post-apocalyptic America, has been slammed, it's because theatre critics know more about Homer than Homer Simpson. More fool them.One of the most tantali…

SOURCE: The Guardian at 5:00am on June 21, 2014

Second album syndrome for 'promising' playwrights by Mark Lawson

An early hit can be both a blessing and a curse for celebrated young writers such as Polly StenhamThe word "promise", as anyone who has been a partner or a parent knows, always ris…

SOURCE: The Guardian at 3:00am on June 18, 2014

Why theatre can't resist planes, trains and automobiles by Mark Lawson

Travel may be tough to stage, but whether it's the car in Driving Miss Daisy, the bus in Circles or the barge in Bring Up the Bodies, vehicles are theatre's most potent propsIn contrast to t…

SOURCE: The Guardian at 4:00am on June 7, 2014

Back in town: Miss Saigon and the art of musical revivals by Mark Lawson

Critical acclaim has greeted Boublil and Schönberg's show second time around, but repeat success is not guaranteed when a hit returns to the stageThe enthusiastic reviews for the new produc…

SOURCE: The Guardian at 3:53pm on May 29, 2014

Miss Saigon, Yellow Face and the colourful evolution of answer plays by Mark Lawson

David Henry Hwang's new play is the latest in a series of interlinked works including Madame Butterfly that question racial and social attitudesThere's a phenomenon in pop music of the &qu…

SOURCE: The Guardian at 4:00am on May 21, 2014

Wolf Hall/Bring Up the Bodies review a familiar tale infused with thrilling originality of storytelling by Mark Lawson

Aldwych Theatre, LondonPoulton has created two darkly comic plays that have learned from those earlier masters but will also not disappoint fans of modern political dramas such as House of C…

SOURCE: The Guardian at 8:38am on May 18, 2014

Paying to play: the rise and risks of audience participation by Mark Lawson

From Privacy to Eat Pray Laugh, getting theatregoers on stage is growing in popularity. Does participation always add value to a theatre production, or can it be a laborious distraction? Rea…

SOURCE: The Guardian at 11:35am on May 12, 2014

Alan Bennett at 80: everything but a national treasure by Mark Lawson

The writer remains nationally visible and professionally treasured, just don't be fooled into using the obvious label B is for Betty's, S is for splother ... An A-Z of Alan BennettAlan Benne…

SOURCE: The Guardian at 1:19am on May 9, 2014

Why Wicked still casts a spell by Mark Lawson

While musicals are closing, Wicked marches on and is about to start a 10th anniversary tour of Australia. So what's its secret?The recent closure of three big-budget West End musicals after…

SOURCE: The Guardian at 12:38am on May 6, 2014

I Can't Sing closure: why Harry Hill's X Factor musical was voted off by Mark Lawson

The popularity of Simon Cowell's TV talent shows peaked a couple of years ago. Harry Hill and Steve Brown's show was staged too late and felt conflicted. We were asked to laugh at the vacuo…

SOURCE: The Guardian at 3:55am on April 28, 2014

Jeeves and Wooster in Perfect Nonsense review - Robert Webb and Mark Heap are unflappably farcical by Mark Lawson

This clever PG Wodehouse tribute reproduces the manners of the Edwardian English upper classes, while cunningly sending them up Bertie Wooster or Jez from Peep Show? Take our quiz Mark Heap …

SOURCE: The Guardian at 6:00pm on April 23, 2014

Why the Almeida is a little wonder by Mark Lawson

In the week the Almeida won eight Oliviers, Mark Lawson traces the turbulent history of one of the leading lights of London studio theatre The Almeida theatre's top 10 productions in pictur…

SOURCE: The Guardian at 9:30am on April 18, 2014

London theatre has become a Tussauds of characters by Mark Lawson

From the Queen and Margaret Thatcher to the Prince of Wales and Simon Cowell, contemporary personalities are currently rife on stage and sometimes the subject of a bio-play will be sitting …

SOURCE: The Guardian at 11:06am on April 16, 2014

The Michael McIntyre Chat Show: where did it go wrong? by Mark Lawson

The producers of the comedian's ailing show are clearly trying to revamp it to play to the comedian's strengths. What do Graham Norton and Jonathan Ross have that he doesn't?Last night's thi…

SOURCE: The Guardian at 10:57am on March 25, 2014

Word play: do theatre titles matter? by Mark Lawson

From Urinetown to Cat on a Hot Tin Roof via Other Desert Cities and Betty Blue Eyes " does a title become famous because of a play or a play become famous because (or despite) of its title?O…

SOURCE: The Guardian at 3:30am on March 19, 2014

Is there something rotten in taking Hamlet to North Korea? by Mark Lawson

The Globe's Hamlet tour has been criticised by Amnesty for stopping off at North Korea. But theatre does not always legitimise its hosts " it can be a weapon against oppressionDoubts about t…

SOURCE: The Guardian at 1:38pm on March 11, 2014

The revival of the mid-show walkout by Mark Lawson

Theatregoers are being brought to their feet " but not in a good way " in numbers not seen since the 1950s. But what is provoking today's outraged early exits?Theatrical sound effects have b…

SOURCE: The Guardian at 7:43am on March 5, 2014

Peter Gill: 'Nothing happens unless the middle classes do it' by Mark Lawson

The theatre director and playwright talks to Mark Lawson about his new play, Versailles, which explores the impact of the first world war on one familyTwo of the landmarks in the career of P…

SOURCE: The Guardian at 12:07pm on February 26, 2014

Peter Gill: 'Nothing happens unless the middle classes do it' by Mark Lawson

The theatre director and playwright talks to Mark Lawson about his new play, Versailles, which explores the impact of the first world war on one familyTwo of the landmarks in the career of P…

SOURCE: The Guardian at 12:07pm on February 26, 2014

Musicals we love: London Road by Mark Lawson

In the latest in our series on writers' favourite shows, Mark Lawson explains his potentially controversial choice of this verbatim musical about the Ipswich serial murdersFavourite musicals…

SOURCE: The Guardian at 3:00am on February 10, 2014

Students can read Mogadishu without copying its storyline by Mark Lawson

Parents criticising the use of Vivienne Franzmann's play as a set text forget one thing: Waiting for Godot never caused us to take to the road as trampsThe latest of the periodic spats over …

SOURCE: The Guardian at 8:10am on February 3, 2014

King Lear at the National Theatre: the understudy arises by Mark Lawson

When Paapa Essiedu stepped up at the National Theatre, it was like seeing a football team go on to win after having a star player sent offOne of the pleasures and perils of live theatre is i…

SOURCE: The Guardian at 10:28am on January 27, 2014

Globe's Sam Wanamaker Playhouse casts new light on Jacobean staging by Mark Lawson

As well as creating pools of sweat and candlewax, the 'authentic' theatre shows us how daylight, or lack of it, influenced the writingSome of the best classical music of recent decades has c…

SOURCE: The Guardian at 11:18am on January 20, 2014

From page to stage: the rise of the 'acted book' by Mark Lawson

Adaptations of Hilary Mantel's Wolf Hall and Bring Up the Bodies are running to sell-out audiences at the RSC. Do they disprove the rule that theatre and literature make fractious companions…

SOURCE: The Guardian at 9:00am on January 16, 2014

When Keeley met Sheila … why clashes between stars are a fact of theatre life by Mark Lawson

Keeley Hawes has left the play Barking in Essex early after reported rows with co-star Sheila Hancock. Such creative tensions have always lurked in the wingsAlthough heavily sandbagged with …

SOURCE: The Guardian at 8:08am on January 3, 2014
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