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461 stories by "Mark Lawson"

Sideways review " a glass-half-empty adaptation of the movie by Mark Lawson

St James theatre, LondonAn attempt to adapt the Oscar-winning film for the stage cannot disguise its origins sufficiently enough to work as theatreIgnoring the biblical warning against putti…

SOURCE: The Guardian at 12:43pm on June 1, 2016

The Comedy About a Bank Robbery review " lung-bustingly funny farce has it three ways by Mark Lawson

Criterion, LondonThis thrillingly inventive piece about bed-hopping gem thieves is a slapstick delightThe financial prospects of young actors are probably only studied by economists as a hor…

SOURCE: The Guardian at 11:45am on April 22, 2016

Arnold Wesker: An angry young man who upset the theatrical establishment by Mark Lawson

Revivals from Arnold Wesker's heyday prove the enduring quality of his work, where autobiographical detail went hand in hand with experimental stagecraftCelebrated playwrights often seem to …

SOURCE: The Guardian at 11:10am on April 15, 2016

Jez hands: how Corbyn the Musical lampoons the new king of the left by Mark Lawson

With a sexually confused Putin and a Bond villain Blair, Corbyn the Musical has some pretty broad caricatures " but it's even-handed in its politics. And it's not the first musical to take o…

SOURCE: The Guardian at 8:55am on April 15, 2016

Billy Elliot the Musical review " seeing quadruple in West End farewell by Mark Lawson

Victoria Palace Theatre, London Director Stephen Daldry made amusing artistic virtue of legal necessity and Sir Elton John savoured the show's success Even before sampling the refreshments a…

SOURCE: The Guardian at 10:33am on April 10, 2016

Olivier awards 2016: Judi Dench and Rufus Norris deserve their statuettes by Mark Lawson

Dench deserved to break records for her psychologically probing in turn The Winter's Tale, and Rufus Norris saw his vision for the National Theatre validated. But the Oliviers still need to …

SOURCE: The Guardian at 7:52am on April 4, 2016

Mark Lawson on Look Back in Anger by Mark Lawson

On May 8 1956, John Osborne's Look Back in Anger premiered at the Royal Court in London. It shocked the theatre world, some acclaiming it as the voice of a new generation, others damning it …

SOURCE: The Guardian at 1:13pm on March 28, 2016

Jackie the Musical review " prosecco-fuelled fun in the Mamma Mia! mould by Mark Lawson

The storyline is contrived around a string of pop hits in this homage to the photo-stories and problem pages of the classic teenage girls' magazine Aimed at a largely female audience with o…

SOURCE: The Guardian at 2:15pm on March 24, 2016

Scene change: the problems with relocating plays by Mark Lawson

Moving The Maids from France to the US adds a powerful racial subtext to Genet's original, while Anouilh's Welcome Home, Captain Fox! fares less well when set in America. Not all plays benef…

SOURCE: The Guardian at 8:10am on March 23, 2016

Where's Willy? Why there are so few plays about Shakespeare by Mark Lawson

In 400 years since his death, only a few playwrights " including George Bernard Shaw and Edward Bond " have turned the Bard into a characterThe 400th anniversary of Shakespeare's death is be…

SOURCE: The Guardian at 11:00am on March 9, 2016

Denise Gough: 'I've seen people die from addiction' by Mark Lawson

Denise Gough has been horrifying audiences " and scoring rave reviews " for her portrayal of an addict in People, Places and Things. The Irish actor talks about being one of 11 siblings, sno…

SOURCE: The Guardian at 2:03pm on March 7, 2016

The Damned United hits Leeds: club graffiti, family hostility " and a 14-plus swear rating by Mark Lawson

David Peace's modern classic The Damned United is being staged in Leeds, a city with no great love for its subject: charismatic, alcoholic football manager Brian Clough. Mark Lawson on the f…

SOURCE: The Guardian at 2:14am on March 1, 2016

Mark Rylance follows Oscar win with Olivier award nomination by Mark Lawson

Best actor nomination for Farinelli and the King comes hours after winning Academy Award for best supporting actorThe "double O" category in Britain has traditionally been associated with Ja…

SOURCE: The Guardian at 2:43pm on February 29, 2016

Pause and effect: tradition of multiple intervals gets a revival by Mark Lawson

Between them, two current stagings of Ibsen and Chekhov classics offer audiences five intermissions. While some see an art form reasserting itself, the move comes with a number of hitchesA r…

SOURCE: The Guardian at 2:18am on February 27, 2016

The War of the Worlds review " a holographic Liam Neeson delivers apocalyptic news by Mark Lawson

HG Wells' prose is the hero of Jeff Wayne's full-blown musical revival, which has enough bombast to drown out any ringtones in the audienceThere was always an overlap between the concept dou…

SOURCE: The Guardian at 6:32am on February 18, 2016

Can you recognise a playwright from their first work? by Mark Lawson

Debut plays can be instant classics and false starts. From Ibsen's Catilina to Shaffer's Five Finger Exercise, they often contain thrilling hints of where a dramatist is headingImagine that …

SOURCE: The Guardian at 5:16am on February 10, 2016

25 Years of R & M review " Vic Reeves and Bob Mortimer, inspired, infantile … and alive by Mark Lawson

First Direct Arena, LeedsA greatest hits show made more poignant after Mortimer's recent heart bypass meandered even more than usualEvery performance of Reeves and Mortimer's new stage tour …

SOURCE: The Guardian at 1:40pm on January 31, 2016

Harley Granville Barker's 116-year-old Agnes Colander is finally brought to life by Mark Lawson

A previously unperformed 1900 play about a proto-feminist painter has received a rehearsed reading at the National Theatre. Is a full revival now in order?It is both the dream and the nightm…

SOURCE: The Guardian at 9:54am on January 19, 2016

Sharon D Clarke: from Holby City to siren songs by Mark Lawson

Sharon D Clarke studied to be a social worker before becoming a doctor … on Holby City. Now she's an Olivier award-winning stage star, singing the blues in Ma Rainey's Black Bottom. She ta…

SOURCE: The Guardian at 10:44am on January 17, 2016

Is 2016 the year of the female playwright? by Mark Lawson

From new writing at the Royal Court to revivals at the NT, theatre schedules suggest that plays by women are finally getting better representation " but there's still cause for concern On 13…

SOURCE: The Guardian at 12:10pm on January 11, 2016

Bah, humbug! How Christmas theatre is turning off the twinkle by Mark Lawson

Complex writing, leftfield family shows and thoroughly bleak dramas make theatre stages far from jolly this Christmas. Praise be, then, for the new wave of pseudo-pantoThe theatrical form mo…

SOURCE: The Guardian at 6:38am on December 24, 2015

Mark Lawson's top 10 theatre of 2015 by Mark Lawson

The year brought radical rethinkings of Chekhov and Beckett, superior Shakespeares and new plays that were daring, engaging and powerfulChekhov wrote so few plays, which are revived so often…

SOURCE: The Guardian at 2:48am on December 23, 2015

Unearthed Arthur Miller play is the first sign of a budding genius by Mark Lawson

A lost work is often buried for a reason, but the recent rediscovery of a seminal Miller play, No Villain, confirms his brilliance and anticipates later masterpiecesThe biggest dream of all …

SOURCE: The Guardian at 3:39am on December 15, 2015

From XS Churchill to XL Shakespeare: sizing up London's new shows by Mark Lawson

Recent openings present theatregoers with a choice between interval-free one-acters such as Here We Go and epics including Henry VIt struck me recently how useful it would be if theatre tick…

SOURCE: The Guardian at 4:24pm on December 6, 2015

Tom Stoppard's Hapgood comes in from the cold by Mark Lawson

Mixing spy thriller with quantum physics, Stoppard's play Hapgood received rude and confused reviews in 1988. Will a rare revival reverse its fortunes?In March 1988, Tom Stoppard gave an int…

SOURCE: The Guardian at 7:44am on December 4, 2015
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