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25 stories by "Mark Gresham"

The Atlanta Opera's Dead Man Walking delivers killer drama by Mark Gresham

Powerful, socially relevant drama was in store on Saturday when the Atlanta Opera presented its opening night performance of Dead Man Walking, a contemporary operatic masterpiece by compo…

SOURCE: ArtsATL at 12:04pm on February 5, 2019

Review: The Atlanta Opera borrows from the old for a gruesomely fun "Sweeney Todd" by Mark Gresham

The Brits enjoy their meat pies. They have for centuries. As essential foodstuff for travelers in Tudor times, the pastry was just a vessel for protecting the meat, with clarified butter pou…

SOURCE: ArtsATL at 2:01pm on June 12, 2018

Review: The Atlanta Opera puts a playful, wily spin on the smoldering "Carmen"  by Mark Gresham

The Atlanta Opera kicked off its penultimate main-stage production of the 2017"18 season Saturday night with a traditional operatic favorite, George Bizet’s Carmen, directed by Brenna …

SOURCE: ArtsATL at 2:01pm on May 1, 2018

Review: Riverside Chamber Players put enchanting Gypsy twist on final show of season by Mark Gresham

On Sunday’s cloudy and misty afternoon, the Riverside Chamber Players performed a concert of music by Brahms and Schoenfield in the sanctuary of the Unitarian Universalist Metro Atlant…

SOURCE: ArtsATL at 11:01am on March 13, 2018

Review: The Atlanta Opera gets the last laugh with "Daughter of the Regiment" by Mark Gresham

On Saturday evening the Atlanta Opera presented the first of four performances of Gaetano Donizetti’s two-act comic opera, The Daughter of the Regiment, at the Cobb Energy Performing A…

SOURCE: ArtsATL at 12:59pm on February 27, 2018

Review: The Atlanta Opera puts an exciting cinematic touch on "The Flying Dutchman" by Mark Gresham

On Saturday evening The Atlanta Opera opened its main-stage series of the 2017"18 season with the world premiere of an excellent, intriguing new production of Richard Wagner’s The Flyi…

SOURCE: ArtsATL at 8:59am on November 7, 2017

Review: The ASO deftly stretches its musical palette under conductor Ludovic Morlot by Mark Gresham

On Thursday evening at Symphony Hall, the Atlanta Symphony Orchestra performed music by Bernstein, Prokofiev, Dutilleux and Ravel, led by guest conductor Ludovic Morlot and with violinist Ra…

SOURCE: ArtsATL at 2:17pm on October 20, 2017

Folk music icon Frank Hamilton brings the traditions he helped create to his Decatur school by Mark Gresham

Born in 1934 in New York City, roots music legend Frank Hamilton is an American folk musician, collector of folk music and educator. As a performer, Hamilton spent much of the late forties a…

SOURCE: ArtsATL at 1:01pm on June 23, 2017

Review: ASO and David Daniels nail live recording of "Orfeo" despite onstage distractions by Mark Gresham

On Thursday evening the Atlanta Symphony Orchestra presented a performance of Christoph Willibald Gluck’s opera Orfeo ed Euridice at Symphony Hall. ASO music director Robert Spano cond…

SOURCE: ArtsATL at 3:46pm on May 12, 2017

Review: Through a tornado watch and a musical earthquake, ASO plays "A Little Night Music" by Mark Gresham

On Thursday evening at Symphony Hall, the Atlanta Symphony Orchestra performed a concert of music by Mozart, Rameau and Haydn led by guest conductor Nicholas McGegan. The same program will b…

SOURCE: ArtsATL at 4:28pm on May 5, 2017

Review: The Atlanta Opera's "Turandot" overcomes the holes in its plot with strong details by Mark Gresham

On Tuesday evening the Atlanta Opera presented the second of four performances of Giacomo Puccini’s Turandot at the Cobb Energy Performing Arts Centre. It was a successful production, …

SOURCE: ArtsATL at 1:59pm on May 4, 2017

Review: The Atlanta Opera smartly transforms Donizetti's comedy classic "Don Pasquale" by Mark Gresham

On Tuesday evening at the Cobb Energy Performing Arts Centre, the Atlanta Opera presented a performance of Don Pasquale, a comic opera by early 19th-century Italian composer Gaetano Donizett…

SOURCE: ArtsATL at 3:01pm on March 30, 2017

Q&A: Tomer Zvulun discusses Atlanta Opera's new directions for 2017"18 by Mark Gresham

Earlier this month, the Atlanta Opera announced its upcoming 2017"18 season, which will combine classics along with productions that push the boundaries. That formula proved successful this …

SOURCE: ArtsATL at 2:01pm on February 16, 2017

Review: The Metropolitan Opera regional auditions at Spivey end in a stunning three-way tie by Mark Gresham

This past Sunday, the Metropolitan Opera National Council (MONC) held their annual Southeast Region audition finals at Spivey Hall. This year’s Southeast Region finals featured 15 youn…

SOURCE: ArtsATL at 1:10pm on February 15, 2017

Review: The Atlanta Opera's ideal marriage of "María de Buenos Aires" and La Maison Rouge by Mark Gresham

This past Thursday, the Atlanta Opera opened its latest Discovery Series production, María de Buenos Aires, at La Maison Rouge inside Paris on Ponce. The Eastside burlesque lounge p…

SOURCE: ArtsATL at 9:01am on February 8, 2017

Review: The Atlanta Opera brings grit and realism to its ambitious WWI drama "Silent Night" by Mark Gresham

On Saturday evening The Atlanta Opera presented a stirring and ambitious performance of the 2012 Pulitzer Prize-winning opera Silent Night by American composer Kevin Puts.

SOURCE: ArtsATL at 2:34pm on November 8, 2016

Review: The Atlanta Opera uses a strong cast for new twists on "Romeo and Juliet" by Mark Gresham

This past Saturday evening at the Cobb Energy Performing Arts Centre, the Atlanta Opera opened its final production of the season, Romeo and Juliette, by 19th-century French composer Charles…

SOURCE: ArtsATL at 1:01pm on May 9, 2016

Review: Gilbert and Sullivan's "Pirates of Penzance" gets a rousing debut with the Atlanta Opera by Mark Gresham

On Saturday evening the Atlanta Opera presented the opening night performance of Gilbert and Sullivan’s two-act comic opera, The Pirates of Penzance. It is the

SOURCE: ArtsATL at 2:37pm on March 8, 2016

Tomer Zvulun discusses the Atlanta Opera's 2016-17 season, expanding vision and reach by Mark Gresham

The Atlanta Opera announced its upcoming 2016-17 season today, which will feature four main stage productions for the first time in six years. The season

SOURCE: ArtsATL at 9:00am on February 5, 2016

Review: The Atlanta Opera's "Soldier Songs" offers a powerful, meaningful message about war by Mark Gresham

On Wednesday night, the Atlanta Opera presented the first of four performances of David T. Little’s one-act opera Soldier Songs at Georgia State University’s Rialto Center …

SOURCE: ArtsATL at 5:11pm on November 13, 2015

Preview: The unstoppable Libby Whittemore continues on as Atlanta's standard(s)-bearer by Mark Gresham

Libby Whittemore is Atlanta's "queen of cabaret," a singer who has crafted a 40-year career singing the standards, starring in stage musicals and, for a

SOURCE: ArtsATL at 2:44pm on July 14, 2015

Review: In the season finale, the ASO and Chorus ring through on the opera "Samson et Dalila" by Mark Gresham

On Thursday, the Atlanta Symphony Orchestra performed a concert version of the opera Samson et Dalila by Camille Saint-Saëns. Music director Robert Spano led the combined

SOURCE: ArtsATL at 11:05am on June 6, 2015

Review: The Atlanta Opera hits subtle touches in simple but effective "Three Decembers" by Mark Gresham

This past weekend, The Atlanta Opera presented three performances of Three Decembers, a 90-minute opera with music by Jake Heggie and a libretto by Gene

SOURCE: ArtsATL at 3:04pm on June 2, 2015

Review: Atlanta Chamber Players don't skip a beat with Elizabeth Pridgen as new artistic director by Mark Gresham

The Atlanta Chamber Players opened its 2014"15 season on Tuesday at one of the group's favorite haunts, the New American Shakespeare Tavern on Peachtree Street.

SOURCE: ArtsATL at 4:48pm on October 8, 2014

Preview: Series celebrates 50th anniversary of the Wilderness Act with arts set in nature by Mark Gresham

Fifty years ago last month, the Wilderness Act of 1964 was signed into law by President Lyndon B. Johnson, creating a legal definition of wilderness

SOURCE: ArtsATL at 1:43pm on October 3, 2014
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