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1,020 stories by "Mark Fisher"

Macbeth | Theatre review by Mark Fisher

Tramway, GlasgowAlan Cumming plays every part in Shakespeare's tragedy set inside a mental asylum, writes Mark FisherIn his one-man Elsinore, Robert Lepage had to have a sword fight with him…

SOURCE: The Guardian at 10:53am on June 17, 2012

The Tempest " review by Mark Fisher

Dundee RepAt the hands of director Jemima Levick, Shakespeare's isle is not only full of noise but women, too. As seagulls scream over a very 21st-century set of washed-up bin bags, computer…

SOURCE: The Guardian at 1:28pm on June 12, 2012

Little Shop of Horrors " review by Mark Fisher

Pitlochry festival theatreSeymour the florist has a lot in common with Macbeth. Like Shakespeare's antihero, the misfit at the centre of Little Shop of Horrors gets his first break through h…

SOURCE: The Guardian at 1:15pm on June 7, 2012

Krapp's Last Tape/Footfalls " review by Mark Fisher

Citizens, GlasgowSince the rise of the black-box studio in the 1960s and 70s, the place for Beckett's shorter plays has generally been in small rooms before select audiences. It's fascinatin…

SOURCE: The Guardian at 1:35pm on June 5, 2012

Game-changing theatre: how John McGrath did it slowly but surely by Mark Fisher

Theatremakers don't become game-changers overnight. And a rare revival of John McGrath's 1966 play Events While Guarding the Bofors Gun is a reminder of a playwright who would go on to shape…

SOURCE: The Guardian at 7:18am on May 28, 2012

Imaginate festival " review by Mark Fisher

Various venues, EdinburghThere is an extraordinary moment towards the start of Kindur, one of the highlights of this year's Imaginate children's theatre festival. We have been enjoying some …

SOURCE: The Guardian at 12:35pm on May 14, 2012

King Lear - review by Mark Fisher

Citizens, GlasgowThere's a sense of impermanence about Dominic Hill's austere King Lear. The tables and chairs are forever being overturned and whisked away, as if in response to Lear's unst…

SOURCE: The Guardian at 10:34am on April 27, 2012

Edinburgh international festival 2012: my pick of the lineup by Mark Fisher

This year's EIF offers plenty to look forward to, from a glow-in-the-dark race up Arthur's Seat to a Polish Macbeth and the Mariinsky Ballet. What will you be booking for?You've got to admir…

SOURCE: The Guardian at 6:59am on March 14, 2012

Betrayal " review by Mark Fisher

Citizens, GlasgowThe greatest challenge in staging Betrayal " written by Harold Pinter in response to his seven-year affair with Joan Bakewell " is to make it seem more than a study of narro…

SOURCE: The Guardian at 2:12pm on March 12, 2012

Ana " review by Mark Fisher

Traverse, EdinburghBinary thinking is at the heart of this fascinating, if ultimately frustrating new play. It is the result of a two-way collaboration between Scotland's Stellar Quines and …

SOURCE: The Guardian at 2:15pm on March 11, 2012

Plume " review by Mark Fisher

Tron, GlasgowThe birds and the bees in JC Marshall's timely play signify not sex but death. In a poetic flourish, she pictures the victims of a mid-air terrorist atrocity being accompanied b…

SOURCE: The Guardian at 1:26pm on March 5, 2012

An Appointment with the Wicker Man " review by Mark Fisher

His Majesty's, AberdeenMention The Wicker Man and people tend to snigger. Something in the movie's anachronistic juxtaposition of Scottish island setting, English folklore and early 70s peri…

SOURCE: The Guardian at 1:15pm on February 23, 2012

Mwana " review by Mark Fisher

Tron, GlasgowThe scene is a house in Harare where preparations are nearing completion for a wedding. The excitement is all the more intense because of the return of Mwana, the groom's brothe…

SOURCE: The Guardian at 1:02pm on February 19, 2012

The Infamous Brothers Davenport " review by Mark Fisher

Royal Lyceum, EdinburghIn the theatre is a stage. On the stage is a panelled room. In the panelled room is a wardrobe. In the wardrobe is a music box. Like Russian dolls, these boxes within …

SOURCE: The Guardian at 2:30pm on January 25, 2012

Going Dark " review by Mark Fisher

Traverse, EdinburghYou see a pinprick of light. It could be the beam of an optician testing your peripheral vision. Or it could be the twinkle of Andromeda, a mere 2.5m light years away and …

SOURCE: The Guardian at 12:35pm on November 13, 2011

Truant " review by Mark Fisher

Penilee Community Centre, GlasgowIn only one of the sketch-like scenes in John Retallack's community show for the National Theatre of Scotland and Company of Angels does anything that could …

SOURCE: The Guardian at 12:50pm on November 4, 2011

Is there such a thing as a Scottish play? by Mark Fisher

The National Theatre of Scotland is under fire for neglecting homegrown drama. But what is Scottishness, anyway?Can a play be Scottish? And if so, how? These were the questions put forward a…

SOURCE: The Guardian at 1:11pm on November 2, 2011

27 " review by Mark Fisher

Royal Lyceum, EdinburghMaureen Beattie enters with her hair dripping wet. It's not a conventional way for an actor to come on, still less so when playing a would-be mother superior. As she s…

SOURCE: The Guardian at 1:09pm on October 27, 2011

A Day in the Death of Joe Egg " review by Mark Fisher

Citizens, GlasgowIn 1967, an unknown playwright called Peter Nichols sent a script on spec to the Citizens theatre. Remarkable not only for its subject matter but also for its tone, A Day in…

SOURCE: The Guardian at 1:36pm on October 24, 2011

Juicy Fruits " review by Mark Fisher

Oran Mor, GlasgowIf ever there was a character ready to leap into a sitcom it is Leo Butler's Nina. Played by Denise Hoey, she is the epitome of tactlessness, the old university friend who h…

SOURCE: The Guardian at 7:20am on October 18, 2011

The Salon Project " review by Mark Fisher

Traverse, EdinburghIs it a fancy-dress party? An elaborate cabaret? A rerun of The Good Old Days? An esoteric piece of durational art? It's impossible to compartmentalise Stewart Laing's thr…

SOURCE: The Guardian at 1:46pm on October 17, 2011

Acts of penance? Why Irish theatre is still obsessed with Catholicism by Mark Fisher

A spate of plays dealing with religious oppression in the country is a reminder that we can take years to process collective traumaTowards the end of Irish Theatre Magazine's annual internat…

SOURCE: The Guardian at 7:58am on October 17, 2011

Saturday Night " review by Mark Fisher

Tramway, GlasgowFor a mesmerising 90 minutes, we don't hear a single word from the six actors in Saturday Night, a new work from the company Vanishing Point. They appear to hear each other, …

SOURCE: The Guardian at 1:17pm on October 13, 2011

Can you write a good play about a playwright? by Mark Fisher

Chekhov's life has provided rich dramatic material for other playwrights, as has Joe Orton's " who else might suit the treatment?Is it wise to write a play about a playwright? We accept it a…

SOURCE: The Guardian at 1:07pm on October 11, 2011

Apocalypse: A Glamorously Ugly Cabaret " review by Mark Fisher

Tron, GlasgowIt's the end of the world as we know it and Catherine Gillard and Nancy Walsh feel fine. The two actors are washed up on a tiny cabaret stage for one last vaudeville turn before…

SOURCE: The Guardian at 11:12am on October 6, 2011
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