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986 stories by "Mark Fisher"

Ana " review by Mark Fisher

Traverse, EdinburghBinary thinking is at the heart of this fascinating, if ultimately frustrating new play. It is the result of a two-way collaboration between Scotland's Stellar Quines and …

SOURCE: The Guardian at 2:15pm on March 11, 2012

Plume " review by Mark Fisher

Tron, GlasgowThe birds and the bees in JC Marshall's timely play signify not sex but death. In a poetic flourish, she pictures the victims of a mid-air terrorist atrocity being accompanied b…

SOURCE: The Guardian at 1:26pm on March 5, 2012

An Appointment with the Wicker Man " review by Mark Fisher

His Majesty's, AberdeenMention The Wicker Man and people tend to snigger. Something in the movie's anachronistic juxtaposition of Scottish island setting, English folklore and early 70s peri…

SOURCE: The Guardian at 1:15pm on February 23, 2012

Mwana " review by Mark Fisher

Tron, GlasgowThe scene is a house in Harare where preparations are nearing completion for a wedding. The excitement is all the more intense because of the return of Mwana, the groom's brothe…

SOURCE: The Guardian at 1:02pm on February 19, 2012

The Infamous Brothers Davenport " review by Mark Fisher

Royal Lyceum, EdinburghIn the theatre is a stage. On the stage is a panelled room. In the panelled room is a wardrobe. In the wardrobe is a music box. Like Russian dolls, these boxes within …

SOURCE: The Guardian at 2:30pm on January 25, 2012

Going Dark " review by Mark Fisher

Traverse, EdinburghYou see a pinprick of light. It could be the beam of an optician testing your peripheral vision. Or it could be the twinkle of Andromeda, a mere 2.5m light years away and …

SOURCE: The Guardian at 12:35pm on November 13, 2011

Truant " review by Mark Fisher

Penilee Community Centre, GlasgowIn only one of the sketch-like scenes in John Retallack's community show for the National Theatre of Scotland and Company of Angels does anything that could …

SOURCE: The Guardian at 12:50pm on November 4, 2011

Is there such a thing as a Scottish play? by Mark Fisher

The National Theatre of Scotland is under fire for neglecting homegrown drama. But what is Scottishness, anyway?Can a play be Scottish? And if so, how? These were the questions put forward a…

SOURCE: The Guardian at 1:11pm on November 2, 2011

27 " review by Mark Fisher

Royal Lyceum, EdinburghMaureen Beattie enters with her hair dripping wet. It's not a conventional way for an actor to come on, still less so when playing a would-be mother superior. As she s…

SOURCE: The Guardian at 1:09pm on October 27, 2011

A Day in the Death of Joe Egg " review by Mark Fisher

Citizens, GlasgowIn 1967, an unknown playwright called Peter Nichols sent a script on spec to the Citizens theatre. Remarkable not only for its subject matter but also for its tone, A Day in…

SOURCE: The Guardian at 1:36pm on October 24, 2011

Juicy Fruits " review by Mark Fisher

Oran Mor, GlasgowIf ever there was a character ready to leap into a sitcom it is Leo Butler's Nina. Played by Denise Hoey, she is the epitome of tactlessness, the old university friend who h…

SOURCE: The Guardian at 7:20am on October 18, 2011

The Salon Project " review by Mark Fisher

Traverse, EdinburghIs it a fancy-dress party? An elaborate cabaret? A rerun of The Good Old Days? An esoteric piece of durational art? It's impossible to compartmentalise Stewart Laing's thr…

SOURCE: The Guardian at 1:46pm on October 17, 2011

Acts of penance? Why Irish theatre is still obsessed with Catholicism by Mark Fisher

A spate of plays dealing with religious oppression in the country is a reminder that we can take years to process collective traumaTowards the end of Irish Theatre Magazine's annual internat…

SOURCE: The Guardian at 7:58am on October 17, 2011

Saturday Night " review by Mark Fisher

Tramway, GlasgowFor a mesmerising 90 minutes, we don't hear a single word from the six actors in Saturday Night, a new work from the company Vanishing Point. They appear to hear each other, …

SOURCE: The Guardian at 1:17pm on October 13, 2011

Can you write a good play about a playwright? by Mark Fisher

Chekhov's life has provided rich dramatic material for other playwrights, as has Joe Orton's " who else might suit the treatment?Is it wise to write a play about a playwright? We accept it a…

SOURCE: The Guardian at 1:07pm on October 11, 2011

Apocalypse: A Glamorously Ugly Cabaret " review by Mark Fisher

Tron, GlasgowIt's the end of the world as we know it and Catherine Gillard and Nancy Walsh feel fine. The two actors are washed up on a tiny cabaret stage for one last vaudeville turn before…

SOURCE: The Guardian at 11:12am on October 6, 2011

Calum's Road " review by Mark Fisher

Cumbernauld theatreIt's a road that really exists. Nearly two miles long, it goes from South Arnish to Brochel Castle on the Inner Hebridean island of Raasay. Built in the 1960s, it is the s…

SOURCE: The Guardian at 9:40am on October 4, 2011

Para Handy " review by Mark Fisher

Eden Court, InvernessImagine Last of the Summer Wine set on a Clyde puffer and you'll be close to the mild-mannered territory of Neil Munro's Para Handy stories. Written initially as a newsp…

SOURCE: The Guardian at 1:12pm on September 26, 2011

Mary Queen of Scots Got Her Head Chopped Off " review by Mark Fisher

Royal Lyceum, EdinburghWhat sets Liz Lochhead's 1987 play apart is the way past and present rub up against each other, setting off sparks of recognition as text-book history clashes with mod…

SOURCE: The Guardian at 8:08am on September 22, 2011

Men Should Weep " review by Mark Fisher

Citizens, GlasgowThe tenement flat is claustrophobic, cramped and colourless. There is no room for manoeuvre between sink, table and bed, yet new people constantly arrive and are somehow abs…

SOURCE: The Guardian at 2:40pm on September 21, 2011

My Romantic History " review by Mark Fisher

Tron, GlasgowBorderline theatre company is brandishing a lethal comedic weapon with DC Jackson's workplace rom-com. The first gag comes after less than 10 sentences and, from then on in, the…

SOURCE: The Guardian at 2:30pm on September 14, 2011

Marc Almond: From bedsit to plague pit by Mark Fisher

Once the sultan of sleazy synth pop, Marc Almond's new Edinburgh show Ten Plagues examines the Black Death. Gloomy? 'We're all dropping off the end of a conveyor belt,' he saysThirty years a…

SOURCE: The Guardian at 4:31pm on July 18, 2011

My Fair Lady - review by Mark Fisher

Pitlochry Festival TheatreIntroducing the Pitlochry festival theatre's 60th anniversary gala night, Joss Ackland began by telling the audience about his time as an actor in the first company…

SOURCE: The Guardian at 12:04pm on June 23, 2011

After the End - review by Mark Fisher

Dundee RepWe're in the kind of room where Jack Bauer tortures enemy agents. Concrete walls. Featureless surfaces. No windows. Stark shadows. Bleak directional light. Fearsome rumbling soundt…

SOURCE: The Guardian at 9:43am on June 19, 2011

Knives in Hens " review by Mark Fisher

Traverse, EdinburghThere was I thinking Knives in Hens was one of those plays that didn't change much from production to production. David Harrower's astonishing 1995 debut is set in an unsp…

SOURCE: The Guardian at 1:44pm on June 8, 2011
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