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1,020 stories by "Mark Fisher"

Drinking and thinking: raise a glass to Glasgow's plays, pies and pints by Mark Fisher

Since 2004, a boozy lunchtime institution has launched careers, staged 40 new plays a year and changed the landscape of Scottish theatreIt defies all the rules of theatre marketing. Scarcely…

SOURCE: The Guardian at 8:48am on September 27, 2017

Titus Andronicus review " tragedy becomes a kitchen nightmare by Mark Fisher

Dundee Rep, DundeeThis modern reimagining of Shakespeare's gore-fest, set in a warehouse-style restaurant, is dynamically realised " in spite of some shaky verse-speakingWe're seated along t…

SOURCE: The Guardian at 11:06am on July 5, 2017

Room to roam: how Scotland's vagabond national theatre broke free by Mark Fisher

It has staged shows in a barn in Perthshire, a forest in Mid Argyll and now on a Glasgow canal. This shape-shifting company puts place at the heart of its playsFor two or three centuries, na…

SOURCE: The Guardian at 10:06am on June 23, 2017

Glory on Earth review " spirited portrait of Mary, Queen of Scots and her girl gang by Mark Fisher

Royal Lyceum, EdinburghRona Morison is a smart, vivacious and quick-witted queen in Linda McLean's poetic historical drama, directed by David GreigWe're in the court of Mary, Queen of Scots …

SOURCE: The Guardian at 8:48am on May 24, 2017

Music Is Torture review " gig-theatre show unleashes devilish dilemmas by Mark Fisher

Tron, GlasgowMoral questions about our complicity in war are muddied in this Faustian tale of a musician selling his soul for a shot at successThings were going well for Jake Rae in 1998. Hi…

SOURCE: The Guardian at 9:48am on May 22, 2017

The 306: Day review " war drama sings praises of women written out of history by Mark Fisher

Station Hotel, PerthThe second part of Oliver Emanuel's first world war trilogy is a confrontational patchwork that shatters the myth of Britain's cheerful army of working womenOne day last …

SOURCE: The Guardian at 1:42pm on May 11, 2017

Charlie Sonata review " wayward odyssey of a drunken dreamer by Mark Fisher

Royal Lyceum, EdinburghSandy Grierson brings humour and bitterness to Douglas Maxwell's tale of a redemptive mission, directed by Matthew LentonThe eponymous figure at the centre of Douglas …

SOURCE: The Guardian at 9:42am on May 3, 2017

Out of This World review " theatrical fantasia falls back to Earth with a crash by Mark Fisher

Macrobert Arts Centre, StirlingIts bewildering mix of projections, music and ariel work makes Mark Murphy's show about a coma patient a technical marvel, but the story is ultimately prosaicI…

SOURCE: The Guardian at 11:06am on April 23, 2017

Coriolanus Vanishes review " shape-shifting portrait of a man on the run by Mark Fisher

Tron, GlasgowIn this exquisite solo piece, with parallels to Shakespeare's play, the writer and performer David Leddy gets under the skin of an outsiderChris has an identity crisis. Played b…

SOURCE: The Guardian at 9:48am on April 19, 2017

A Number review " dizzying double-take on the question of cloning by Mark Fisher

Royal Lyceum, EdinburghA crisp combination of stillness and urgency powers Caryl Churchill's teasing speculations on identityCaryl Churchill's two-hander zips along in an hour, so most eveni…

SOURCE: The Guardian at 8:36am on April 10, 2017

Girl in the Machine review " the dilemmas of digital dependency by Mark Fisher

Traverse, Edinburgh Stef Smith's dystopian sci-fi two-hander, staged during the Edinburgh international science festival, anatomises our relationships with technologyThe lines of Neil Warmin…

SOURCE: The Guardian at 10:18am on April 6, 2017

The Goat, or Who Is Sylvia? | Theatre review by Mark Fisher

Traverse, EdinburghStevie finds out about her husband's affair in Edward Albee's thrilling drama from a letter sent by their old friend Ross. What he wrote, she says, was "awful and absurd, …

SOURCE: The Guardian at 6:18pm on March 30, 2017

Hay Fever review " hate is love in Coward's midsummer night of warped romance by Mark Fisher

Royal Lyceum, EdinburghDominic Hill's production of this sharply observed comedy is at its best when mocking the social embarrassments of polite societyNoël Coward's silly, subversive 192…

SOURCE: The Guardian at 11:32am on March 22, 2017

The Winter's Tale review " Scots-tinged Shakespeare is rich and raucous by Mark Fisher

Royal Lyceum, Edinburgh Scottish writer James Robertson has translated selected scenes in this ravishingly lit and superbly designed production of Shakespeare's playJohn Michie's Leontes has…

SOURCE: The Guardian at 8:24am on February 15, 2017

Locker-room banter is not just about Trump " it's men everywhere by Mark Fisher

Gary McNair has created a show using verbatim testimonies from hundreds of interviewees to reveal the prevalence of a hidden, misogynistic male languageGary McNair has accosted a stranger. H…

SOURCE: The Guardian at 3:06am on February 13, 2017

Still Game: Live 2 review " hilarity ahoy as the TV sitcom takes a sea cruise by Mark Fisher

SSE Hydro, GlasgowFord Kiernan and Greg Hemphill return to the stage with an even more ambitious live show " and just as many laughsWhen does a sitcom get too big for its boots? It's a worry…

SOURCE: The Guardian at 11:18am on February 5, 2017

Manipulate review " head-spinning theatre festival sets sail on silken sea by Mark Fisher

Traverse, EdinburghFisk, a meditative evocation of mental breakdown onboard a paper boat, is a highlight at the festival of animation, puppetry and movementThere's a turntable in the Travers…

SOURCE: The Guardian at 7:12am on January 30, 2017

Picnic at Hanging Rock review " a show with volcanic power by Mark Fisher

Royal Lyceum, EdinburghLutton's production of the classic 1967 novel is a metaphor for the underlying contradictions of colonialismIt feels like an unresolved chord. Everything is on edge. S…

SOURCE: The Guardian at 9:36am on January 15, 2017

Black Beauty review " a galloping, five-star triumph by Mark Fisher

Traverse, EdinburghThe beguiling playfulness of this rollicking adaptation cleverly amplifies the high drama of Anna Sewell's equestrian adventureThey should have called it Horse Play. This …

SOURCE: The Guardian at 10:48am on December 11, 2016

Alice's Adventures in Wonderland review " Anthony Neilson's Christmas Caroll by Mark Fisher

Royal Lyceum, EdinburghNeilson's playful take on the much-loved novel is an eccentric fantasia full of clever theatrical tricksIt was in this theatre 12 years ago that Anthony Neilson presen…

SOURCE: The Guardian at 10:06am on December 5, 2016

The Snaw Queen review " a psychedelic sugar binge by Mark Fisher

Tron, GlasgowAnything goes, especially Hans Christian Andersen's original story, in Johnny McKnight's hyperactive festive rompIf you're looking to buy some red glitter in central Glasgow, do…

SOURCE: The Guardian at 9:48am on December 2, 2016

Five Guys Named Moe review " crowdpleasing tribute to father of R&B by Mark Fisher

Festival Square theatre, Edinburgh Bandleader Louis Jordan's songwriting skill shines through in this breezy jukebox show, which makes up for sparse plotting with abundant feelgood spiritHow…

SOURCE: The Guardian at 8:18am on November 30, 2016

Weans in the Wood review " cracking journey to the dark heart of panto by Mark Fisher

Macrobert Arts Centre, StirlingHigh-density gags featuring a host of fairytale favourites cover up the narrative cracks in Johnny McKnight's subversive panto"Weans in the Wood is about some …

SOURCE: The Guardian at 9:02am on November 27, 2016

Jumpy review " April De Angelis's toe-curling mother-daughter truths by Mark Fisher

Royal Lyceum, EdinburghCora Bissett's spirited revival is performed by a fine ensemble beneath a towering set but doesn't go deeper than a lightweight observational comedyShe's a woman who f…

SOURCE: The Guardian at 8:18am on November 2, 2016

Back to the rivers of blood: Enoch Powell returns to a divided Britain by Mark Fisher

In 1968, MP Enoch Powell prophesied doom over mass immigration. Now, nearly 50 years later, Ian McDiarmid is playing him in new drama What Shadows. How does it feel to voice his notorious sp…

SOURCE: The Guardian at 4:12am on October 31, 2016
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